{"id":8,"date":"2009-01-09T11:35:40","date_gmt":"2009-01-09T19:35:40","guid":{"rendered":"https:\/\/blogs.ubc.ca\/span404\/?page_id=8"},"modified":"2009-01-09T11:35:40","modified_gmt":"2009-01-09T19:35:40","slug":"readings","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/span404\/readings\/","title":{"rendered":"Readings"},"content":{"rendered":"<p>Monsiv\u00e1is, Carlos.\u00a0 \u201cMexican Cinema: Of Myths and Demystifications.\u201d\u00a0 Mediating Two Worlds: Cinematic Encounters in the Americas.\u00a0 Ed. John King, Ana M. L\u00f3pez, and Manuel Alvarado.\u00a0 London: British Film Institute, 1993.\u00a0 139-146.<\/p>\n<p>Noble, Andrea.\u00a0 \u201cThe Formation of a National Cinema Audience.\u201d\u00a0 Mexican National Cinema. Abingdon: Routledge, 2005.\u00a0 70-94.<\/p>\n<p>Stavans, Ilan.\u00a0 \u201cThe Riddle of Cantinflas.\u201d\u00a0 The Riddle of Cantinflas: Essays on Hispanic Popular Culture.\u00a0 Albuquerque: University of New Mexico Press, 1998.\u00a0 30-52.<\/p>\n<p>Pilcher, Jeffrey M.\u00a0 \u201cAmbiguous Profiles.\u201d\u00a0 Cantinflas and the Chaos of Mexican Modernity.\u00a0 Wilmington, DE: Scholarly Resources, 2001.\u00a0 33-64.<\/p>\n<p>Jones, Julie.\u00a0 \u201cInterpreting Reality: Los olvidados and the Documentary Mode.\u201d\u00a0 Journal of Film and Video 57.4 (Winter 2005): 18-31.<\/p>\n<p>Foster, David William.\u00a0 \u201cHuman Geographies.\u201d\u00a0 Mexico City in Contemporary Mexican Cinema.\u00a0 Austin: University of Texas Press, 2002.\u00a0 45-97.<\/p>\n<p>Noble, Andrea.\u00a0 \u201cSexuality and Space in Jorge Fons\u2019 El callej\u00f3n de los milagros.\u201d\u00a0 Framework 44.1 (2003): 22-35.\u00a0 (NB This article will be distributed separately.)<\/p>\n<p>Badt, Karin.\u00a0 \u201cNo Slave to Realism: An Interview with Carlos Reygadas.\u201d\u00a0 Cineaste 31.3 (Summer 2006): 21-23.<\/p>\n<p>Noble, Andrea.\u00a0 \u201cSeeing Through \u00a1Que viva M\u00e9xico!\u00a0 Eisenstein\u2019s Travels in Mexico.\u201d\u00a0 Journal of Iberian and Latin American Studies 12.2-3 (August\/December 2006): 173-187.<\/p>\n<p>Pease, Donald E.\u00a0 \u201cBorderline Justice \/ States of Emergency: Orson Welles\u2019 Touch of Evil.\u201d\u00a0 CR: The New Centennial Review 1.1 (2001): 75-105.<\/p>\n<p>Schrader, Paul.\u00a0 \u201cSam Peckinpah going to Mexico.\u201d\u00a0 Cinema Magazine 5.3 (1969): 18-25.<\/p>\n<p>Adams, Jon-K.\u00a0 \u201cThe Layering of History in Peckinpah\u2019s The Wild Bunch.\u201d\u00a0 Zeitschrift fur Anglistik und Amerikanistik 53.3 (2005): 285-290.<\/p>\n<p>Bhabha, Homi.\u00a0 \u201cThe Other Question: Stereotype, Discrimination and the Discourse of Colonialism.\u201d\u00a0 The Location of Culture.\u00a0 London: Routledge, 1994.\u00a0 66-84.<\/p>\n<p>&#8212;&#8211;.\u00a0 \u201cThe Other Question . . .\u00a0 Homi K. Bhabha Reconsiders the Stereotype and Colonial Discourse.\u201d\u00a0 Screen 24.6 (November-December 1983): 18-36.<\/p>\n<p>Beckham, Jack M.\u00a0 \u201cBorder Policy \/ Border Cinema: Placing Touch of Evil, The Border, and Traffic in the American Imagination.\u201d\u00a0 Journal of Popular Film and Television 33.3 (Fall 2005): 130-141.<\/p>\n<p>Shaw, Deborah.\u00a0 \u201c\u2018You Are Alright, But . . .\u2019: Individual and Collective Representations of Mexicans, Latinos, Anglo-Americans and Afro-Americans in Steven Soderbergh\u2019s Traffic.\u201d\u00a0 Quarterly Review of Film and Video 22 (2005): 211-233.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Monsiv\u00e1is, Carlos.\u00a0 \u201cMexican Cinema: Of Myths and Demystifications.\u201d\u00a0 Mediating Two Worlds: Cinematic Encounters in the Americas.\u00a0 Ed. John King, Ana M. L\u00f3pez, and Manuel Alvarado.\u00a0 London: British Film Institute, 1993.\u00a0 139-146. Noble, Andrea.\u00a0 \u201cThe Formation of a National Cinema Audience.\u201d\u00a0 Mexican National Cinema. Abingdon: Routledge, 2005.\u00a0 70-94. Stavans, Ilan.\u00a0 \u201cThe Riddle of Cantinflas.\u201d\u00a0 The Riddle [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-8","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/pages\/8","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/comments?post=8"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/pages\/8\/revisions"}],"predecessor-version":[{"id":9,"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/pages\/8\/revisions\/9"}],"wp:attachment":[{"href":"https:\/\/blogs.ubc.ca\/span404\/wp-json\/wp\/v2\/media?parent=8"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}