The Time of the Doves, reading about war here felt different in comparison to what I expected or usually read. Instead of focusing on the big picture like the battle scenes or larger consequences of the war, it focuses on the tiny details of everyday life that people usually seem to skip past – loss, hunger, instability and more and it’s vividly shown such that Natalia describes the starvation her and her children faced: “ I had two mouths to feed and nothing to put in them” (p.134). Rodoreda portrays how war invades daily living spaces, making its impact feel even worse.
Natalia’s narration provides a sense of intimacy, yet there is also a barrier I feel between her and the reader, at least that’s how I felt. In a way, this distance portrays how women’s voices are internally powerful yet socially silenced – she reflects saying at one point, “and i felt a lump in my throat. Because as soon as I’d said yes I’d started feeling like I should have said no. (p. 166)” only further emphasizing internal hesitation and how her feelings are suppressed. Further, the simplicity of the narration made it easier to read despite the repetitiveness. The repetitiveness felt intentional, which again feels like a metaphorical representation of Natalia’s internal world and the nature of her suffering.
Witnessing this idea of Quimet renaming her to Colometa rubbed me the wrong way, I’m not going to lie (where did the audacity come from???). Especially reading this part where HE decides that she could have only one name, like excuse me? Natalia said “I said my name was Natalia, he kept laughing and said I could have only one name: Colometa.” (p.18). In my opinion, someone’s name is tied to their identity and background and provides a sense of individuality. Renaming Natalia to a name that means ‘little dove’ only screams control and authority. It symbolically represents reshaping her identity, belittling her, and controlling her. In addition, the pigeons, which she said made her feel “ smothered”, also act as a huge metaphoric representation of Natalia herself, trapped and confined to that life and the suffocation the marriage causes her.
On the other hand, one thing I did love reading is how Natalia transforms throughout. She goes from this oppressed wife to a tough survivor, rebuilding her life after all the suffering. Her growth and change show that identity is not only curated by the relationships we have but also the trauma and experiences we go through. At the end, the fact that she was no longer just “Colometa” gave me SO much happiness, as it showed this beginning of reclaiming herself, her identity, and her name.
Best,
Tripti