This testimonio is different from the other testimonios that I have read earlier because it is narrated and written by one person whereas in the other testimonios the narrator and the one who is writing on her/his behalf are two different persons. Alicia Partnoy talks about the disappearance of almost 30,000 argentines that took place between the years 1976 and 1979 (after the Peronist government) which was also ‘the most oppressive years of the military rule’ in Argentina. She was one of the disappeared persons who witnessed the torture in ‘The little school’ where people who raised voice against the government were taken. She described her life as well as her colleagues’ life in that place, how she was kidnapped from her house, her daughter who was left behind, how she met her husband in the little school and her meeting with several known persons there. Through this testimonio she also pays “tribute to a generation of Argentines lost in an attempt to bring social change and justice. I also pay tribute to the victims of repression in Latin America. I knew just one Little School, but throughout our continent there are many “schools” whose professors use the lessons of torture and humiliation to teach us to lose the memories of ourselves” (Pg 18). She also specifies that the line between story and history gets blurred in places like little schools.
The book is just not narrated in the first person narrative voice, it is narrated in a third person form, it has dialogues, poetry and the chapters of the testimonio is not just about the suffereings of the witness (Partnoy) but it has voices of many captives who were tortured equally as Alicia Partnoy and many of whom were also killed. Therefore, the mention of the subtlety between story and history is important because she re-created that time period with the voices that she lived with in ‘The little school’, the book. The other important aspect of re-creation of that phase was her seeing through the blindfold. This is interesting because she always saw a fragment of something or some person. As she mentions that most of the captives (were able to peep through the blindfold) could see the floor which has stains of blood, she identified her husband through the sky blue spot of his pants, most of them were aware of the Chiche’s face (the shift supervisor) and through these fragments she created a story/history. There were resistance and solidarity among the captives and they tried to help each other when someone needed some extra bread, rescued the newer captives from the torture of the military men by diverting their attention to something else and they also talked with each other at the back of the guards. She also talks about the importance of bread which apart from eating and satisfying one’s hunger is also a means of communication and as she says “I’m here. I care for you. I want to share the only possession I have” (pg 84). Hence we see the solidarity and also a sense of possessing, a sense of owning something in a situation when everything that one possesses has been taken away – “A wedding ring, a watch…dress” (Pg 26), family – and the obsession of the captives to possess so to claim their belonging, to feel the suffering and to feel alive. Alicia was so careful about her possession that she took care of one her tooth that was knocked down when she was tortured, though that tooth was an artificial one and not her real tooth but she at times tried to fix it in her mouth to feel complete. It also has humor especially in the chapter “A Beauty treatment” when Chiche asked the narrator to take a shower and shave her legs. She describes it as “I sit down for a T.V. commercial: “The best beauty parlor in town, the most effective depilatory method, at the little school. For neat corpses and Chiche’s attention – The little School, at its new location near army headquarters – is waiting for your visit!” I’m in a good mood, which means that I’m in the mood for black humor” (pg 113).