{"id":111,"date":"2015-01-22T17:39:13","date_gmt":"2015-01-23T00:39:13","guid":{"rendered":"https:\/\/blogs.ubc.ca\/imagesarttechpower\/?page_id=111"},"modified":"2017-01-26T02:35:13","modified_gmt":"2017-01-26T09:35:13","slug":"111-2","status":"publish","type":"page","link":"https:\/\/blogs.ubc.ca\/visa2100316\/weekly-assignments\/111-2\/","title":{"rendered":"Week 03- Pixels of the Real"},"content":{"rendered":"

Introduction<\/b>:<\/span><\/span><\/p>\n

In our class we saw how modes and means of representation continuously change throughout time. In every moment in history, there seems to be a co-relation between the dominant visual language and the perception of what is \u201cReal\u201d. For instance, the world-view conveyed in religious icon paintings in Medieval times is very different that the one that emerges from a Renaissance canvas or, later on, from a photographic image. This begs the question that we will explore next: <\/span><\/span><\/p>\n

How could we interpret our contemporary ways of creating images? <\/i><\/span><\/span><\/strong><\/p>\n

The questions below will be at the center of the discussion next class. While you don’t have to answer them here<\/i>, you are encouraged to consider:<\/span><\/span><\/p>\n