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Beginning Spiral nostalgia Ordinary Muse

Caught between

I switched the furnace on yesterday morning, though by midday we were in T-shirts. That was me running and my son kicking his scooter down the greenway that stretches for miles alongside a cemetery called Sunset. We were flying, suspended, hovering, above the pine tree tops, between summer and fall.

You could say it like this: Old friends, nostalgia, ennui, and wabi-sabi, settled down at the low table for some green tea and the geese gathered themselves outside.

The sky-blue swimming pool in the park down the street was emptied of its chlorinated water last week, right before school started. It’s a stern message to children that the carefree splashing is over. Chaotic shouting is no longer acceptable behavior. The pool has begun to hoard its detritus of broken sticks and slate colored leaves for the coming freeze.

My son and I rush through the dead center of the stillborn pause, life and death holding hands, we can’t slow down just yet.

We took a trip to the downtown library to watch the glass elevators move up and down, their gears and pulleys exposed like whale intestines. My son leapt back and forth, sometimes his feet left the earth completely, as he celebrated noisily over and over the end, the middle, and the beginning of the behemoth machines’ migrations.

I stood at a table of display books nearby, reading Eleanor Roosevelt, who insisted that if I faced my fears head on they would lose their power, and I would have the courage to go on to the next fear.

If I did what I was born to do, she added, all the confusion and sleeplessness would fall off my limbs: I could be reborn, too, and leap toward what moves me, take flight, sing, even at that beginning of the end of things.

Categories
nostalgia

Woman Alone–& now you know why….

kyotoman.jpg
{taken by me w. toy diana}

Thumbing thru old photos–I was hit hard with a longing for Japan, especially for Kyoto–the days I would spend alone on my granny bike peddling about & exploring the twists and turns of the narrow lanes running thru ancient parts of town–the intoxicating smells of cedar wood walls baking in the sunshine, the burning musky sandlewood incense pouring from tiny porcelain holders set before handpainted buddhas, and I loved watching the old folks who walked down the street with their hands clasped behind their backs, how the old gentlemen had the dapper sense to wear berets and sometimes red silk scarves tied around their necks.

To feed my pitiful hunger for Kyoto I promise right here to walk around Minneapolis tomorrow with my hands held behind my back, singing my one and only signature enka* song entitled “onna ga hitori,” or “woman alone.”

I promise to sing loud enough to look slightly “foreign” (i.e. nuts)–guaranteed to ensure I will indeed be left alone. Yet do you think I might earn one gentle smile for my goofiness? Hmmm…a potential litmus test for the authenticity of ‘Minnesota nice.’

*(Enka is very dramatic Japanese Lawrence Welk-like music popular among older folks in Japan).
Here I will share an example of enka by Fuji Ayako (高橋真奈美(藤あや子) – 雨夜酒):

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