ACADEMIC INTEGRITY
Academic integrity is the process of citing honestly and ethically—and of revealing that process transparently. To have academic integrity is to clearly understand which ideas are yours and which aren’t, and to invite your reader to understand that as well. When we cite, we contribute to the larger research community and we create connections among researchers and ourselves; we protect the ideas of others and of ourselves. When we don’t work with integrity, there are consequences; UBC will penalize those who violate this code of conduct.
(This definition was authored by Moberley Luger and the class of ASTU 100 G03)
For more information on Academic Integrity: http://learningcommons.ubc.ca/academic-integrity/?utm_source=inst1&utm_medium=sept17&utm_campaign=tlef_coursepilot
Citations for Lit Review presentation (Avril, Julian, Brenna, Amanda)
Johnston, Ingrid. ?MILE ELEVEN: Crossing Fictional Borderlands: ?Obasan? and the Construction of
Personal Identity.? Counterpoints, vol. 213, 2003, pp. 115?123. JSTOR, JSTOR,
http://www.jstor.org/stable/42979515.
Shoenut, Meredith L. “?I Am Canadian?: Truth of Citizenship in Joy Kogawa’s Obasan.” American Review of Canadian Studies, vol. 36, no. 3, 2006, pp. 478-497, http://dx.doi.org/10.1080/02722010609481404, doi:10.1080/02722010609481404.
Quimby, Karin. “‘This Is My Own, My Native Land’: Constructions of Identity and Landscape in Joy Kogawa’s Obasan.” Contemporary Literary Criticism Select, Gale, 2008. Literature Resource Center, go.galegroup.com/ps/i.do?p=LitRC&sw=w&u=ubcolumbia&v=2.1&id=GALE%7CH1100032463&it=r&asid=6983a0aec59604b0bd35d17174a7558d. Accessed 16 Nov. 2017. Originally published in Cross-Addressing: Resistance Literature and Cultural Borders, edited by John C. Hawley, State University of New York Press, 1996, pp. 257-273.
Works Cited
Cook, R. ”The Penelope Work of Forgetting”: Dreams, Memory, and the Recovery of Wholeness in Joy Kogawa’s Obasan.” College Literature, vol. 34 no. 3, 2007, pp. 54-69. Project MUSE, doi:10.1353/lit.2007.0027
McGonegal, Julie. “The Future of Racial Memory: Forgiveness, Reconciliation, and Redress in Joy Kogawa’s Obasan and Itsuka.” Studies in Canadian Literature / Études en littérature canadienne, vol. 30, no. 2, 2005, journals.lib.unb.ca/index.php/SCL/article/view/15290/16387.
Shoenut, Meredith L. ““I Am Canadian”: Truth of Citizenship in Joy Kogawa’s Obasan.” American Review of Canadian Studies, vol. 36, no. 3, 2006, pp. 478-497,
https://doi.org/10.1080/02722010609481404, doi:10.1080/02722010609481404.
Anthony, Telisa and Melody
Works Cited
Beauregard, G. “After ‘Obasan’: Kogawa Criticism and its Futures.” Studies in Canadian Literature-Etudes En Litterature Canadienne, vol. 26, no. 2, 2001, pp. 5-22.
Davis, LK. “Joy Kogawa’s Obasan: Canadian Multiculturalism and Japanese-Canadian Internment.” British Journal of Canadian Studies, vol. 25, no. 1, 2012, pp. 57-76.
McGonegal, Julie. Imagining Justice: The Politics of Postcolonial Forgiveness and Reconciliation. McGill-Queen’s University Press, Montreal, 2009.
Worked sited :
Davis, Rocio G. “A Graphic Self.” Taylor & Francis, 20 Aug. 2006, http://www.tandfonline.com/doi/full/10.1080/014403500223834.
Elahi, Babak. “Frames and Mirrors in Marjane Satrapi’s Persepolis.” SymplokÄ, vol. 15, no. 1/2, Cinema without Borders, 1 Jan. 2007, pp. 312–325. JSTOR, http://www.jstor.org/stable/10.2307/40550774?ref=search-gateway:affce1d4223bc2f1426855bd05756124.
Golomb, Liorah. “Beyond Persepolis: a Bibliographic Essay on Graphic Novels and Comics by Women.” Collection Building, vol. 32, no. 1, 2013, pp. 21–30., doi:10.1108/01604951311295067
Presentation by Kate, Shira, Silvana, and Nejmo
Works Cited:
Klapcsik, Sandor. “Acculturation Strategies and Exile in Marjane Satrapi’s Persepolis.” Journal of Multicultural Discourses, vol. 11, no. 1, 2015, pp. 69–83., doi:10.1080/17447143.2015.1110159
Leservot, Typhaine. “Occidentalism: Rewriting the West in Marjane Satrapi’s Persepolis.” French Forum, vol. 36, no. 1, 2011, pp. 115–130., doi:10.1353/frf.2011.0004
Naghibi, Nima., and Andrew O’malley. “Estranging the Familiar: ‘East’ and ‘West’ in Satrapi’s Persepolis.” ESC: English Studies in Canada, vol. 31, no. 2, 2005, pp. 223–247., doi:10.1353/esc.2007.0026.