How have theories such as Marxism, psychoanalysis, literary theory, structuralism, and others been used by Western Film theorists to respond to an increasingly globalized consciousness?

Can the established “universals” of Western film theory be applied to non-Western films?

What issues might arise from cross cultural applications of such theories?

Can you draw examples of this from your own viewing experiences?

Gray, Gordon

      2010 Film Theory. In Cinema: A Visual Anthropology, Pp.35-73.

             Oxford,New York: Berg.