We look forward to welcoming you at the Joint Meeting of the Classical Association of the Pacific Northwest and the Classical Association of the Canadian West, to be held at the University of British Columbia on March 7-8, 2025, in beautiful Vancouver.
We acknowledge with respect that the land on which we gather is the traditional, ancestral, and unceded territory of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.
Registration Information
To register for the conference, please click here.
Registering by March 3 gives us numbers for catering, and guarantees that you have a pre-printed name tag ready on your arrival!
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Events
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Keynote Address: Euripides in the Ukraine by Prof. Claire Catenaccio, Georgetown
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Program: Academic Papers
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Conference Performance: The Golden Age by Thomas Heywood
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Schedule
All events are held in either the Frederic Wood Theatre or Frederic Lasserre Building (LASR). To see the room numbers for each paper session, please check the session program.
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Friday March 7
6:00 Registration + Opening Reception (Frederic Wood Theatre Lobby)
7:30 Keynote Address (LASR 102):
Euripides in the Ukraine
Claire Catenaccio, Georgetown University
Saturday March 8
8:00 Registration Opens + Coffee (LASR 102, 104, 105)
8:30-10:30 Session 1
A B C
Modern Latin Material
Receptions Literature Culture
11:00-12:00 Session 2
A B C
Gaming Foiled Archives
Receptions Again and _
Galleries
12:00-1:30 Lunch (on own)
1:30-3:00 Session 3
A B C
Early Greek Full _
Receptions Drama House
3:30-5:00 Session 4
A B C
SF and Greek Philosophy
Animated Literature and _
Receptions Hermetics _
5:00 CAPN AGM – a short meeting (LASR 102)
until 7:30 Dinner (on own)
7:30 Conference Performance (Frederic Wood Theatre):
The Golden Age
with the Lives of Jupiter and Saturn
Thomas Heywood
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Sponsors and Organizers
CACW/CAPN 2025 has been brought to you by Toph Marshall (CAPN President 2024-25), Hallie Marshall, Ashley Howard, Jennifer A. Porter, CJ McGillivray, and Vincent Steinfeld.
We are immensely grateful for generous funding support from the Department of Ancient Mediterranean and Near Eastern Studies, the Department of Theatre and Film, and Public Humanities Hub, all at the University of British Columbia, and from the Social Sciences and Humanities Research Council of Canada.
