All posts by eugene fernandes

Microeconomics-Eaton-ART376

Microeconomics
Theory with Applications (7th edn)

(Pearson/Prentice Hall, 2009)
ART 376

Economics provides people with a way to understand everyday human behaviour. Microeconomics: Theory with Applications teaches students how to look at the world in a different way.  Using a variety of applications and lively and interesting examples, this new edition brings the theory to life.

A real-world emphasis is demonstrated throughout the text to reinforce the understanding of economic theory and at the same time to show how theory can be used to explore specific economic models to address specific questions.

(Description Source: Pearson/Prentice Hall)


Author

B. Curtis Eaton is an applied economic theorist. He thinks about and then models real situations which have captured his attention. He has worked in a number of economic areas, including industrial organization, labour economics, economic geography and organizational theory. He was educated at the University of Colorado, receiving a BA in 1965 and a PhD in 1969. He joined the Economics Department at the University of Calgary in 1999. Prior to joining the department of Economics, Philosophy at Political Science at UBC Okanagan, he worked at three other Canadian universities: The University of British Columbia (1969 to 1980), The University of Toronto (1981 to 1987), and Simon Fraser University (1987 to 1999).


UBC Library Holdings

http://tinyurl.com/y23nvvdy


How to Purchase this Book

From the Publisher – Pearson/Prentice Hall
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Cloth ISBN: 9780132064248


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Carnap-Andreas-ART210

Carnaps Wissenschaftslogik
An Investigation into the Dual-Level Conception

(Mentis, 2020)
ART 210

Carnap describes the logic of science as the discipline that was to succeed traditional philosophy in the 20th century. The central point of reference of Carnap’s work is the mathematical logic developed by Frege and Russell. This also applies to the dual-level conception of scientific theories. Carnap explicitly recognizes that the meaning of theoretical terms depends on the axioms of the respective theory. Thereby, he overcomes the dogmas of empiricism within logical empiricism. However, Carnap does not fully specify the formal semantics of theoretical terms so that the overcoming of the dogmas of empiricism remains incomplete. This is the basis of the essential task of the present study, which consists in precisely describing the interpretation of theoretical terms through postulates within the framework of mathematical logic. In its entirety, the present treatise can be read as an attempt to continue the discussion with Carnap begun by Wolfgang Stegmüller.

(Description Source: Mentis)


Author

Holger Andreas is an associate professor of Philosophy and Mathematics at the University of British Columbia, Okanagan. He has also held appointments at the Munich Center for Mathematical Philosophy at LMU Munich and at the University of Bonn. His research focuses on the logical analysis of scientific reasoning and scientific theories, including interrelations between non-monotonic reasoning, belief change, and paraconsistent reasoning.


UBC Library Holdings

https://tinyurl.com/2s4fr9sf


How to Purchase this Book

From the Publisher – Mentis
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

PDF ISBN: 9783969750414
Paper ISBN: 9783897855656


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Body-Smith-ART386

Body of Text

(Book*hug, 2008)
ART 386

Body of Text is a collection of concrete poems made by marrying poetry with body-based performance art and documentary photography. Dressed in a full black body-suit, Michael V. Smith is photographed by David Ellingsen in hundreds of poses which resemble Greco-Roman letters, Asian characters, hieroglyphs, or Rorschach inkblots. These are then arranged in book form, to a maximum of three images per page. In the same spirit of moving beyond language as heard in the sound poetry of Christian Bök, the poems in Body of Text occupy a liminal space between poetry and visual art. The body is made word, is made site, object and subject. The body is symbol.

(Description Source: Book*hug)


Author

Michael V. Smith is an associate professor at the University of British Columbia, where he teaches creative writing. His first novel, Cumberland, was shortlisted for the Amazon.ca / Books in Canada First Novel Award. His short fiction has won the Western Magazine Gold Award for Fiction and been nominated for the Journey Prize. In 2007, Smith received the Dayne Ogilvie Award for Emerging Gay Writers and Vancouver’s Community Hero of the Year Award. A native of Cornwall, Ontario, Smith currently lives in Kelowna, BC.


UBC Library Holdings

https://tinyurl.com/yxnzgptp


How to Purchase this Book

From the Publisher – Book*hug
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9781897388280


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Popular-Lovesey-ART106

Popular Music and the Postcolonial

(Routledge, 2019)
ART 106

Popular Music and the Postcolonial addresses the often-overlooked relationship between the fields of popular music and postcolonial studies, and it has implications for ethnomusicology, cultural and literary studies, history, sociology, and political economy. Popular music in its many forms exploded in popularity, following developments in sound technology and shifting population demographics, in the 1960s, the era of radical agitation against empires in the global south but also within the very heart of Europe. Popular music aided in fostering and documenting such resistance to violent oppression and in liberating the hearts and minds of the colonized. This collection offers a timely intervention in this field, showing popular music’s role in defining or undermining certain colonial and postcolonial nations, in expanding and complicating the domain of postcolonial theorists—including the “founder” of postcolonial studies Edward Said—and in decolonizing the ears of its diverse, sometimes antagonistic, audiences. 

This book was originally published as a special issue of Popular Music and Society.

(Description Source: Routledge)


Author:

Oliver Lovesey is an associate professor of English at the University of British Columbia, Okanagan Campus, Canada. He has authored a number of monographs on George Eliot and Ngũgĩ wa Thiong’o, and edited Victorian Social Activists’ Novels, The Mill on the Floss, Approaches to Teaching the Works of Ngũgĩ, and a Popular Music and Society special issue: ‘Popular Music and the Postcolonial’.


UBC Library Holdings

https://tinyurl.com/y47mxcn4


How to Purchase this Book

From the Publisher – Routledge
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9780367587512
Hardback ISBN: 9781138600508
eBook ISBN: 9780429470875


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Nietzsche-Heilke-ART366

Nietzsche’s Tragic Regime
Culture, Aesthetics, and Political Education

(Northern Illinois University Press, 1998)
ART 366

This study explores Nietzsche’s political education as a means of understanding his wider political thought. Incorporating biographical details of Nietzsche’s own education, it outlines the course of political education that Nietzsche recommends as an antidote to the crisis in Western European culture. Heilke begins by examining Nietzsche’s formulation of this crisis, especially his conceptions of “Romantic Pessimism,” “Socratism,” and Christianity. For Nietzsche, only a properly ordered education could resolve the problem of how one can transform a society whose fundamental cultural and political premises one rejects. Through education, Nietzsche sought to establish a new political and social system founded upon the principles of tragedy and grounded in the aesthetic tradition of German Romanticism. Nietzsche’s Tragic Regime focuses on Nietzsche’s political philosophy until his resignation from his post as professor in 1876, with attention also to the later writings.

(Description Source: Google Books)


Author

Thomas Heilke completed his MA at the University of Calgary and his PhD at Duke University. He is now a professor of Political Science at the University of British Columbia (Okanagan) and the author of Eric Voegelin: In Quest of Reality and Nietzsche’s Tragic Regime, among others.


UBC Library Holding

https://tinyurl.com/y4wkf8k5


How to Purchase this Book

From the Publisher – Northern Illinois University Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

ISBN: 9780875802336


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Applied-Eaton-ART210

Applied Microeconomic Theory

(Edward Elgar, 2002)
ARTS 210

Applied Microeconomic Theory presents a seminal collection of the author’s influential papers in a number of areas of applied microeconomic theory. This invaluable volume contains a selection of both published and unpublished papers written over a period of thirty years and reveals Curtis Eaton’s profound economic insight and ability.

Topics covered include strategic market structure, efficiency wages, theory of price in both labour and output markets, and collusive behaviour.

(Description Source: Edward Elgar)


Author

B. Curtis Eaton is an applied economic theorist. He thinks about and then models real situations which have captured his attention. He has worked in a number of economic areas, including industrial organization, labour economics, economic geography and organizational theory. He was educated at the University of Colorado, receiving a BA in 1965 and a PhD in 1969. He joined the Economics Department at the University of Calgary in 1999. Prior to joining the department of Economics, Philosophy at Political Science at UBC Okanagan, he worked at three other Canadian universities: The University of British Columbia (1969 to 1980), The University of Toronto (1981 to 1987), and Simon Fraser University (1987 to 1999).


UBC Library Holdings

http://tinyurl.com/y23nvvdy


How to Purchase this Book

From the Publisher – Edward Elgar
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9781858986500


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Questioning-Martin-EME2141

Questioning the Classroom
Perspectives on Canadian Education

(Oxford University Press, 2015)
EME 2141

Questioning the Classroom is organized around key philosophical questions that engage students with major debates in Canadian education and highlight the practical implications for future educators. This thought-provoking introduction encourages students to develop a personally meaningful philosophy of education that they can take with them into classroom practice.

(Description Source: Oxford University Press)


Author

Christopher Martin is an associate professor of Philosophy in the Faculty of Education at the University of British Columbia (Okanagan). His research focuses on the philosophy of education. His specific areas of interest include educational ethics, the aims of higher education, and education for democracy. His work has been funded by the Social Sciences and Humanities Research Council of Canada, the Spencer Foundation, and the Centre for Ethics and Education (Wisconsin).


UBC Library Holdings

http://tinyurl.com/y3n6coem


How to Purchase this Book

From the Publisher – Oxford University Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9780199010035


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Norm-Shiner-ART210

Norm and Nature

(Oxford University Press, 1992)
ART 210

Norm and Nature deals with the traditional conflict in legal philosophy between positivistic and anti-positivistic theories of law. It examines the conflict with respect to seven central issues in legal philosophy – law as a reason for action, law and authority, the internal point of view to law, the acceptance of law, discretion and principle, interpretation and semantics, and law and the common good.

It has three theses. Firstly, that the opposition to positivism is based on acceptance of, rather than rejection of, claims made by positivism. Secondly, that the conflict between positivism and anti-positivism is irresolvable and finally, that the understanding of why this is so is the key to the understanding of the nature of law. Tension between formal and substantive considerations comprises the essence of law. The central theses presuppose that anti-positivism or natural law theory is defensible as an account of the nature of law. More than half the book, therefore, is a criticism of the prevailing orthodoxy of legal positivism and a defence of an anti-positivist view, making Norm and Nature important not only for the originality of its central theses, but also for its critique of positivism and for the thoroughness of its examination of contemporary legal thought.

(Description Source: Oxford University Press)


Author

Roger A. Shiner is an adjunct professor of Philosophy at UBC Okanagan. He began his university teaching career at the University of Alberta specializing in Ancient Philosophy and Ethics. He specialized in philosophy of law from mid-1970s onwards. He also began research and teaching in aesthetics around the same time, and began teaching business ethics in mid-1980s. He took an early retirement from the University of Alberta in 1966, before teaching part-time for Okanagan University College in 2002 and subsequently for both Okanagan College and UBCO. He retired from teaching in 2018.


UBC Library Holdings

http://tinyurl.com/yxzkkb3w


How to Purchase this Book

From the Publisher – Oxford University Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardback ISBN: 9780198257196


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Postcolonial-Lovesey-ART102

Postcolonial George Eliot

(Palgrave MacMillan, 2017)
ART 102

This book examines the range of the colonial imaginary in Eliot’s works, from the domestic and regional to ancient and speculative colonialisms. It challenges monolithic, hegemonic views of George Eliot — whose novelistic career paralleled the creation of British India — and also dismissals of the postcolonial as ahistorical. It uncovers often-overlooked colonized figures in the novels. It also investigates Victorian Islamophobia in light of Eliot’s impatience with ignorance, intolerance, and xenophobia as well as her interrogation of the make-believe of endings. Drawing on a range of sources from Eugène Bodichon’s Algerian anthropological texts, the Persian journals of John Martyn, and postmodern re-engagements, Postcolonial George Eliot has implications for an understanding of the globalization of English, the decolonization of disciplinarity and periodization, and the roots of present-day conflict in the wider Mediterranean world.

(Description Source: Palgrave MacMillan)


Author

Oliver Lovesey is an associate professor of English at the University of British Columbia, Okanagan Campus, Canada. He has authored a number of monographs on George Eliot and Ngũgĩ wa Thiong’o, and edited Victorian Social Activists’ Novels, The Mill on the Floss, Approaches to Teaching the Works of Ngũgĩ, and a Popular Music and Society special issue: ‘Popular Music and the Postcolonial’.


UBC Library Holdings

https://tinyurl.com/y4yklrvx


How to Purchase this Book

From the Publisher – Palgrave MacMillan
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9781137332110
eBook ISBN: 9781137332127


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Elements-Younging-ART102

Elements of Indigenous Style
A Guide for Writing By and About Indigenous Peoples

(Brush Education, 2018)
ART 102

Elements of Indigenous Style offers Indigenous writers and editors—and everyone creating works about Indigenous Peoples—the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they’re working.

This guide features:

  • Twenty-two succinct style principles.
  • Advice on culturally appropriate publishing practices, including how to collaborate with Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge.
  • Terminology to use and to avoid.
  • Advice on specific editing issues, such as biased language, capitalization, and quoting from historical sources and archives.
  • Case studies of projects that illustrate best practices.

(Description Source: Brush Education)

 

Author

Gregory Younging, of the Opaskwayak Cree Nation, was the publisher of Theytus Books, the first Indigenous-owned publishing house in Canada. Elements of Indigenous Style began as the house style guide Greg developed at Theytus. Greg also served as Assistant Director of Research to the Truth and Reconciliation Commission of Canada and taught in the Indigenous Studies Program at the University of British Columbia (Okanagan).

 

UBC Library Holdings

https://tinyurl.com/y33dtb3a


How to Purchase this Book

From the Publisher – Brush Education
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Print ISBN: 9781550597165
eBook ISBN: 9781550597196

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

 

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.