I added more complex geometry to the base surfaces I created the week before by intersecting shapes and adjusting them using control point editing and cage edit. I went back to the curves I used for the other surface and added to them to continue the fluid forms.

I make the legs of the pants one surface and then split the surface of the torso to them edit the surface further and adjust the curve network to create the crotch area of the pants. This way I could have the shape of the legs district from the rest and create the lip of the pants against the torso.

Arms were constructed very quickly using circles that were placed in the middle of each muscle and at the crease where the muscles would meet. This technique extended into the chest so that when the surface was mirrored, there is an indent delineating the pecks.

The abs and back muscles along the spine were edited using control point edit and cage edit.

Circles used to create the prominent muscle structure

resulting form

With a better idea of how to set our bobble head to create accurate sections, I designed a better method of how to position the head above the body. The goal was to glue the doll to a solid back board so it was securely in place for the spray foam and the band saw. I needed to fill in the gaps that its over size head created between the body and the back board. Then I had to position the head correctly over the body because they are two separate parts after I removed the spring. I accomplished this by layering material beneath and around its body and head and then glued it into place. Then, I enclosed the box and filled it with spray foam. Amy continued the process in the workshop to successful cut accurate sections.