Task 8: Golden Record Curation

When I heard the 27 pieces of music included on the Golden Record, I realized they are music composed and sent out from the past, and will be heard and interpreted by extraterrestrial beings in the future, which is a rather magical moment for me. Initially, I planned on selecting the 10 pieces of music based on personal preference, given my music background. However, after watching Dr. Abby Smith Rumsey speak on digital memory, I changed my methodology (Brown University, 2017). Dr. Smith Rumsey emphasizes the need to be judicious in our preservation efforts, focusing on material that reflects the richness and diversity of human culture and history. I was particularly intrigued by her view that memory is about the future rather than the past, and imagination is the memory in future tense. When we think about archiving information we have today, we have to document and archive communities and cultures that we are least comfortable with (Brown University, 2017). This made me reflect on what extraterrestrial beings might want to learn about us, and how music can represent us. I also wondered how future generations might want to learn about us, and what they might want to hear from the music collection to understand their past and history. From these, I thought I would select the 10 pieces based on the development of our music history, as well as geographical and cultural representations of our existence and civilization.

Here is my selection of 10 pieces from the Golden Record. I must say, as a classical musician with my main training in European music, I am somewhat biased. I tried my very best to keep what I know to myself, and included the bare necessities from western classical genre.

Bach, Brandenburg Concerto No. 2 in F. First Movement, Munich Bach Orchestra, Karl Richter, conductor

I had to include this one, as this piece is a quintessential example of early 18th century Baroque orchestral music in the concerto grosso form. It features an ensemble of instruments, which was new and unusual at the time. It highlights Bach’s impact on western classical music, and is a signature piece of the Baroque period.

Beethoven, Fifth Symphony, First Movement, the Philharmonia Orchestra, Otto Klemperer, conductor

I don’t think I need too much explanation to include this one. I do not think music can get any more iconic than this piece! It is a significant piece that marked the start of the Romantic era, and a progression to more personal expression in music, rather than rigid Baroque forms. It had profound impact on music and popular culture.

Stravinsky, Rite of Spring, Sacrificial Dance, Columbia Symphony Orchestra, Igor Stravinsky, conductor

This piece is less well-known than Beethoven’s symphonies, but it is a landmark in the history of music. This ballet is composed in the early 1900s, and with a very controversial plot. It is full of irregular rhythms and dissonance, moving away from traditional music forms, inching into modern eras of music.

“Dark Was the Night,” written and performed by Blind Willie Johnson 

This piece embodies the emotional depth and raw expression of the blues and rock in American music, without using any lyrics. It is a great representation of the Blues, and like many YouTube commenters said, this piece perfectly represents a lonely voyager (just like the spaceship!).

Senegal, percussion, recorded by Charles Duvelle

I included this piece due to its geographical significance. This piece showcases the vital role of percussion in West African music, where rhythm is deeply connected to dance, storytelling, and community events. “Senegal” has influenced music genres worldwide, particularly in the development of Afrobeat and jazz.

India, raga, “Jaat Kahan Ho,” sung by Surshri Kesar Bai Kerkar

This is classical Indian music with its complex raga system, represents one of the oldest and most sophisticated musical traditions in the world. I chose this piece also due to its geographical and cultural representation, as it is a significant piece in the history of Indian classical music, showcasing the profound emotional depth and intricate structure of Hindustani vocal traditions

Peru, panpipes and drum, collected by Casa de la Cultura, Lima

This piece, with its distinctive use of panpipes and drums, represents the rich musical heritage of South America’s indigenous cultures. Their music often used in rituals, festivals, and community gatherings, reflecting a deep connection to nature and ancestors.

Java, court gamelan, “Kinds of Flowers,” recorded by Robert Brown

A great representation of Indonesian culture, known for its unique tonal systems and ensemble playing. It provides a glimpse into the sophisticated musical traditions of Southeast Asia.

China, ch’in, “Flowing Streams,” performed by Kuan P’ing-hu

This piece of music reflects China’s ancient musical traditions, emphasizing the importance of harmony and philosophical thought in Chinese culture.

Navajo Indians, Night Chant, recorded by Willard Rhodes

This piece showcases the spiritual and ceremonial music of the Navajo people, again highlighting the importance of indigenous cultures and their deep connections to nature.

References

Brown University. (2017, July 11). Abby Smith Rumsey: “Digital memory: What can we afford to lose?”Links to an external site.[Video]. YouTube

2 thoughts on “Task 8: Golden Record Curation

  1. Joti

    Hi Katy,

    I really appreciated your thoughtful reflection on the 27 pieces of music and consideration of how these compositions will be interpreted by extraterrestrial beings in the future. Your shift in methodology after watching Dr. Abby Smith Rumsey’s insights on digital memory is compelling, especially in how you applied her perspective to select pieces that represent the breadth and depth of human culture and history.

    I think that your selection criteria, focusing on the development of music history, as well as geographical and cultural representations, offers a comprehensive view of humanity’s musical journey. It’s evident from your choices, such as Bach’s Brandenburg Concerto and Blind Willie Johnson’s “Dark Was the Night,” that you aimed to showcase iconic pieces that define genres and cultures.

    In contrast, my approach also emphasized cultural diversity and musical variety, but I also used emotional connection as a criteria. I think this difference is shown in our lists, as 50% of the songs are the same and 50% are different. This illustrating the subjective nature of curation based on personal experiences and cultural backgrounds. I think both of our lists highlight the interconnectedness of music with cultural identity and geographical context, enriching the overall narrative.

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