The public student

I see a trend among online courses to have all student works and critiques posted and shared with the entire class.  I think this practice stems from social media habits and has not been well-examined.  The problem with using social media for learning is that it is made for commercial interests (Friesen & Lowe, 2011, p. 187), which promotes ‘liking’ and not attempted objective critiquing (Friesen & Lowe, p. 191).  In current online course iterations, we can see courses emulating commercial social media platforms with class blogs, discussion boards and class texting.  Just as Friesen and Lowe described, these platforms discourage real critical analyses of student work, “When practicing social networking within a platform based on conviviality, expressions of reservation, nuance, and qualifications are made difficult if not impossible; and negativity, in both its everyday and dialectic senses, is avoided.”  (p. 191). 

Part of the problem, as I see it, is that whereas in the past students could submit only to their teachers; online group posting is a public display and social pressures discourage negativity.  Furthermore, a student would be concerned that if they were objectively critical of a particularly student’s work, that particular student might overly retaliate and publicly cast a negative light on the other student’s work.  Lastly, contemporary students come preconditioned from their experiences with social media and would use a classroom social media iteration as such, viewing classmates as ‘friends’, and overlooking other students’ errors in their work so as to maintain a congenial social atmosphere.  As discussed by the esteemed ‘New London Group’, “Rather, human knowledge, when it is applicable to practice, is primarily situated in sociocultural settings and heavily contextualized in specific knowledge domains and practices.“  (1996, p. 84) . 

However, the classroom ‘public’ approach certainly has benefits of added motivation (The New London Group, p. 84) and increased quality of work due to students being cognizant of the exposure of their work (Dobson & Willinsky, 2009, p. 2). I would not say that the losses of a classroom public discourse negate any possible benefits thereof, but I would say that privately submitted critiques to teachers should be an essential part of good pedagogy so students feel that they can “speak freely”.  Seeing literacy as a social practice (Dobson & Willinsky, p. 14-15) should entail giving students multiple socio-cultural context to fully explore their learning; both the private and the public. 

We, as students and teachers, should remember that this new trend of instruction is not inevitable and that we have a voice in its direction (Bolter, p. 204).  I know that what I have written can be inflammatory to some readers who are comfortable with posting publicly.  I challenge you to critique me in comments harshly, or else prove me right by your silence.

References

Bolter, Jay D. Writing Space: Computers, Hypertext and the Remediation of Print.  Routledge, 2001.

Dobson, T., & Willinsky, J. (2009). Digital literacy. The Cambridge handbook of literacy, 286-312.

Friesen, N., & Lowe, S. (2012). The questionable promise of social media for education: Connective learning and the commercial imperative. Journal of Computer Assisted Learning, 28(3), 183-194. doi:10.1111/j.1365-2729.2011.00426.x The New London Group. A Pedagogy of Multiliteracies: Designing Social Futures

The New London Group. (1996). A pedagogy of multiliteracies: Designing social futures. Harvard Educational Review 66(1). Retrieved July 18, 2018, from http://newarcproject.pbworks.com/f/Pedagogy of Multiliteracies_New London Group.pdf

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