For this week’s blog post on life narratives, I decided to look at Humans of New York, a project started in 2010 by photojournalist Brandon Stanton. The initial objective of his project was merely to create a digitalized version of his observation of everyday New Yorkers – but over time, it became more complex. Stanton began to take down short stories and quotes from the people he photographed, and in doing so, created an “online catalogue” of mini life narratives from complete strangers, available for the world to see.
Some questions that we have been pondering over for quite some time now are these: Who gets to have their story told when it comes to the publishing of life narratives? What makes an individual stand out amongst countless others; what makes his or her story special? More specifically, who amongst these gets to have their life narrative marketed exceptionally well to have a strong reception by society? We’ve established through our readings of scholarly articles such as Conjunctions: Life Narratives in the Field of Human Rights, by Kay Schaffer and Sidonie Smith, that publishing companies play a big role in how a life narrative is received by an audience and what response it can elicit. But what about the personal stories of passers-by? These are people with their own highly interesting tales to tell, but not everyone has the opportunity to write a biography and have it recognised worldwide. This is where phenomena such as HONY come into play – they essentially serve as a platform for people of any walks of life to get their message or story out to the world (or more accurately, to anyone with access to the Internet.)
The fascinating thing about HONY is that one never knows what kind of response a photo or a caption will get from the public. In a heartwarming series of events, a young schoolboy named his school principal, Nadia Lopez of Mott Bridges Hall Academy, as the person who had influenced his life the most, his reason being her massive support and encouragement for the students to overthrow the negative expectations they faced from society as a result of the crime-stricken neighbourhood the school was in. The popularity of this post led Stanton to want to meet the principal and he was immediately captivated by her drive and passion for her students to succeed against all odds. Inspired, he organised a public fundraiser, asking for $100,000 for the students to visit Harvard; and the overwhelming response of over $1.4 million being raised for the childrens’ benefit no doubt came as a pleasant surprise to all. This example is proof that non-conventional manners of publishing life narratives too, such as HONY, can generate significant emotional responses from the public.
HONY represents a unique and interesting manner of autobiography writing. It is even more interesting to see how it can inspire progress and campaign awareness through pictures and short captions, whether they document the horrors of the current refugee crisis in Syria or simply, a man walking his dog.
Schaffer, Kay and Sidonie Smith. “Conjunctions: Life Narratives in the Field of Human Rights.”Biography 27.1 (winter 2004) pp. 10-15. JSTOR. Web. 16 Oct. 2015.
