Tag Archives: week11

Week12: Speaking Truth to Power

This week’s lecture made me realize the large role media technology plays in politics. Last week, in a similar sense, we were able to witness how much of an impact a politician can make when they use technologies such as the radio and how the people were starting to be able to get their demands through. However, the documents and videos for this week really showed how the weaker side of the social hierarchy; the people(especially the mid to lower class), the opposition party of a dictatorial regime, etc., were able to get there voice through not only throughout the nation but to an international audience as well. Also, Dawson talks about how the full unedited video of the Augas Blancas Massacre was able to “lift the veil from government secrecy”. This reminded me of the videos of police brutality. At a glance, it may seem like the number of cases of police brutality seems to be increasing in recent years but I’ve come to realize that’s not entirely true. It’s just that more cases are being recorded. I think the video of the massacre is a very good example of how modern technology became a tool for civilians to fight for their rights and expose corrupt governments.

The document I want to focus on is the video of La Alegria ya viene from the No campaign in Chile. I saw a couple of versions that were linked to the page for this week. The video seemed to stand out from the others. While the other videos and texts, such as the interview of the Madres, address tragedies and the pain which follows them, as well as their strong anger towards the corrupt and indifferent government, this music video is so bright and hopeful. The videos of the Madres and the Massacre being the reality for the people, although staged, the light-hearted, optimistic message of the no campaign must have been very appealing to the Chilean people. On another note, I thought the video for the “artisras” version of the song looked very similar to USA for Africa-We Are the World. Since the We Are The World came out in 2015, it could be possible that the campaign took inspiration from the song. If so, it would be an indicator of how much of an influence not only the US government but the US culture had on Latin American politics.

Discussion questions:

Do you think video recording of events that are not staged can be biased?

Would the no campaign in Chile have been as successful as they were if they took a more political, structured approach?

 

Week11: The Terror

This week’s material was personally very hard to digest. I am blessed that I’ve never experienced atrocities such as war, genocide, or any kind of life-threatening situation in my lifetime. Imagining the scene of the events written in the text or shown in the videos is horrifying enough, the horror and anxiety the Latin American people might have felt are inconceivable. Before diving into a specific text, I wanted to mention something Professor John talked about in his Lecture video which kind of related to my previous statement. “This week, I have no questions, as they would suggest that you (or I, or anyone) could provide answers that would be anything but glib. Or rather, all we have are questions, as we reach the limits of any explanation or narrative”. The documents we read and see can only capture a small fragment of actual reality. Of course this can be said for all the materials we have been looking at up to now, but I think this is especially evident in this week’s topic.

The writing I want to focus on this week is that of Carolina Huamán Oyague, document 9.4 in Dwson’s text. Although the other texts were equally interesting, I was drawn to this particular document because of the strong sentiments that seeped through the words. Her strong emotions aginst Fujimori is clearly shown in her words like “His mocking smile”, “ill-fated attitude”, “self-involved and blinded by the pure ambition for power and money”. Carolina also points out the contradiction in Fujimori’s statements in court, saying that he”plays dumb” at first but then mentioning that he was at the center of everything. The section earlier on in the text in which a circus and clowns are used as a metaphor to describe how FUjimori is no longer able to deceive the people was especially interesting. Why did she decide to use the circus to make her point? And why clowns instead of others like magicians who would also probably fit what she is trying to describe? On a different note, Carolina discrbes situations in very visual ways. Some examples being, “but they never heard our cries, much less stopped to see our tears”, “the delivery my sister’s remains in a cardboard box” and “I wish tears did not run down my cheeks”. This helps ster up stronger emotions in the reader which would make them side with Carolina. I am in no way saying what the Fujimori regime had done in Peru can be justified. However, I think it’s crucial we read this text with a grain of salt, since the author is extremely biased. The document can give us a peek of the perspective of the victims of violence in the era but doesn’t quite allow us to see what was actually said in these trials. As professor Joh said in his video “there is a limit to what such narratives can tell. And doubt came to haunt some of these stories, above all Menchú’s. It is not clear, for instance, that her brother was killed quite as she says he was. So even testimonio fails to give us access to the brutality of the terror”.