Standard 6: Educators have a broad knowledge base and understand the subject areas they teach.

Artifact: St. George’s Kermis With The Dance Around The Maypole (1620-25), by Pieter the Younger Brughel.

Reflection: Conveying broad concepts, such as citizenship and principles of democratic governance, often prove difficult when introducing students to historical issues via text-based materials. In terms of creating effective hooks or lesson in themselves, I have found success in teaching such topics through art works, music, sculpture, and wood etchings directly from the period under study. I often use art, for example, to inform students of breadth of historical epochs, music, paintings, literature to immerse them in ways of seeing the world which are different from that of our age. This painting by Brughel the Younger was especially useful in providing students with an experience of fun enjoyed by labouring people in Europe while teaching socials 8 on the medieval period, whether it be the lowlands of Holland, Gemany, or England. I have found that students are keen with learning about history in this way, and moreover, it provides a window to model contemporary art which students may be interested in on masters of bygone ages. This particular painting was done in a period of European history that arguably forms the modern roots of our values, beliefs and knowledge of our democratic society. One excellent example of this is the English Revolution of the 1650s, where monarchy gave way to republic, and republic to limited monarchy. This is something that is a repeated theme in social studies’ lessons and unit plans – democratic citizenship – and I have found the above methods an important way to be able to convey the origins of such ideas in order to build solid foundations in student understanding of modern social democracy.

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Artifact: Website of the Department of English, University of Alberta.

Reflection: From 1998 to 2002 I taught English Literature to undergraduate students at Simon Fraser University and University of Alberta. The relevance of this breadth of learning has inspired me as an instructor to develop and deepen student understanding on topics of history and literature at the secondary level — especially in areas that foster the values, beliefs and knowledge of our democratic society. I have found in my teaching practice that students often wish to begin learning in areas they know best and move ‘outwards and backwards (historically)’ to link their knowledge with new domains of knowledge. This is a practice I am continually honing and intend to fully employ in my teaching now and in the future.

About John Ames

My first Masters degree specialized in Literature and Science of the Late-Eighteenth and Early Nineteenth Centuries, focusing on how scientific trends in English and French circles of thinkers, such as Erasmus Darwin (C. Darwin's grandfather) and numerous French Philosophe scientists, influenced 1st and 2nd generation Romantic literature, such as that of John Thelwall, William Wordsworth, Percy & Mary Shelley, and John Keats. In becoming a teacher I quickly became attracted to problems in special education research, embarking on a second Masters' degree in the field that continues to this day as a PhD student. During my Masters I was a Research Assistant for The Libretti of Learning: Portraits of Journeys to Operatic Accomplishment, examining how opera singers overcame learning disabilities through opera instruction: research that sparked my interest to this day. Building upon my interests in community- and place-based learning and evolutionary roots of human emotional articulation, my PhD research looks at how multimodal arts-based methods, especially children's “muzik-theatre,” may promote literacy in writing and reading for students with learning disabilities. One of my collective public aims is to create classroom adaptable training methods that will teach children the elements of creating their own short operas from conception to completion, thus promoting emotional growth through narrative development. It is my hope that through facilitating this method -- adapting one representational signing system to another -- greater cognitive understanding of writing and reading will generalize to learners.
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