01/31/14

Home was a Feeling (Lesson 2.1 Part 1)

It was a feeling in her chest that spread up into her shoulders, like wings of warmth. A sense of calm, a stillness, a knowing that she was cared for. That feeling had gone missing months ago.

There had been laminate floor. The smell of breakfast permeated the air on weekend mornings. The bacon smell would stick in her hair like campfire smoke. Talk radio droned on in the background at every meal time. Once, her bedroom had been papered with pastel-coloured hot air balloons, and inverted V shaped birds played co-pilot. Now her bedroom was an office. Her childhood was packed up in Rubbermaid bins and recorded in dusty scrapbooks.

Sunday nights there had been roast beef and Grandma always offered an assortment of desserts to choose from. There was blue carpet and Grandpa sat in a pink armchair. He’d tell stories over tea. Stories that everyone had heard hundreds of times. Some of them were better than others. Like the one in which his mother sent him to buy a roast. He bought the roast and gave it to his dog to carry home, a test of loyalty, a new trick. The roast arrived home in one piece but the butcher’s paper had worn away from the poor dog’s saliva. His mother was not pleased, but to Grandpa, the dog had proven his loyalty. As a child she enjoyed the Sunday night tradition: they’d watch the Sunday night Disney specials on CBC, and practice their piano lessons on Grandpa’s electronic keyboard that could play a dog’s bark sound effect for every note. As a teenager she had resented the dinners and often found alibis to avoid them. As an adult she had listened with all of her might to commit Grandpa’s stories to memory as he lost his mobility, his sight, and then his breath. When dementia took Grandma’s strength away they left the blue carpet behind and packed up years and years worth of boxes. After Grandpa died, as she walked through the house, she could still smell the Sunday roast beef dinners. The empty rooms were bones on a skeleton of a life once lived. Sixty-seven years of love, memories and mundane moments of sandwiches cut in half and plants watered. 67 years reduced to boxes, empty rooms and a house no longer theirs.

There had been a dog, once. She and her brother had campaigned for a dog for years. The puppy they settled on was nicknamed Big Bertha. In her litter she was the troublemaker. In her new family she was a perfect fit. Smart enough to learn tricks, patient enough to endure hours of being dressed in doll clothes and posed for holiday themed photos. Playful, obedient and rambunctious enough to make an impact. Her nose was black and cracked, a perfect size for kissing, her bottom teeth were crooked, and her paws smelled like wet grass. She had grown closest to the dog as they both got older. They knew each other’s minds as old friends do. Without a word she could tell when the dog was sick. The dog knew when she was sad. One Thanksgiving, after she had left, the dog’s kidneys stopped working. She cried for days when she found out. An unending source of love had been snuffed out. The impossible was true.

There was a house in the trees. Amid the birch and the spruce. Up on a rock above the lake where it trembled during thunderstorms. She had played hide and seek in the woods there as a child. She had read books by the armful all summer long. It was close to the earth and away from the noise of the world. It rejuvenated her.

There had always been other people. Loving looks and smile lines. Soft voices and genuine questions. There was talk about sports, who had won and who got traded, and stories about other families. Her Grandmother’s funny voice, her brother’s stoic exterior that belied protective instincts, her dearest friend with slender fingers and a face like the moon. Girlfriends who knew her beginnings and who now had babies with their own beginnings. They held her in their thoughts, and listened to her worries, so foreign from their own. They mailed birthday cards and planned time to catch up. There were warm bodies that loved her; filled her up with words, gestures, and stories to bring her close, no matter where she was.

She had left it all, them all behind, and moved on to other things. She had left it all intact, a harmonious whole, and it had fractured. And now that feeling, that warmth in her chest that spread outwards, was displaced. She had tried to cling to the feeling through the hot air balloon wallpaper, the blue carpet and roast beef dinners, the feel of the dog’s soft coat against her face. What had warmed her chest no longer was.

She found glimpses of warmth every day. It was there all along it was just a matter of knowing where to look for it. A new game of hide and seek. A new definition of what created the feeling that once was. The kindness of other people, a new everyday ritual, a walk among the trees, a dog snoozing in a doorway. She found the feeling again. She found it in herself. It warmed in her chest and moved out to her shoulders, like invisible wings. And with those wings she moved.                                    ___________________________________________

I sat down to write a short story about my conceptions of home and this is what came out. Home, I’ve found, is a moveable thing because we carry it with us. Our definition of home gets challenged constantly in life so we are constantly renegotiating what it really means. Ultimately, I think home is in ourselves and in those who we love, and who love us.  When we lose the people who meant home to us we rely on the stories of them that we carry in ourselves.

Molly at the lake

 

Works Cited

Cummings, e.e. “[i carry your heart with me(i carry it in].” Poetry Magazine. Poetry Foundation, June 1952. Web. 31 Jan. 2014.

Smith, Courtney. “3D Skeletal System: The Shoulder Girdle.” Visible Body. Visible Body, 15 Feb. 2013. Web. 31 Jan. 2014.

Toplaycool21. “The Wonderful World of Disney Intro.” Online Video Clip. YouTube. Youtube. 26 May 2011. Web. 31 Jan. 2014.

01/26/14

When Peace Fell (Lesson 1.3)

I have a great story to tell you…

This all happened a long, long time ago, so long ago that it happened before people recorded history in books but used their voices instead. All of the people of the world used to live together in one big city. This city was called Peace. All of the citizens of Peace lived together with compassion and respect. Skyscrapers of gold reached up into the sky at the heart of Peace and at the city limits golden crops of wheat nestled up against emerald meadows where powder-puff sheep grazed. No one ever felt the urge to leave Peace because, well, it was so peaceful. The Peaceables wanted for nothing.

“What happened?” you must be wondering. “What happened to Peace? The world has been divided for as long as I can remember and even longer than that.” Something happened. Something happened that eroded Peace at its very core and divided its people. Dust moved in where the golden skycrapers once stood and the exiled Peaceables were driven out in search of new places to settle. The erosion of Peace has remained a mystery for many years. As luck would have it, I know the secret of Peace. It was whispered to me over food and drink some time ago and now I will whisper it to you.

The people of Peace were not superhuman. They were regular people like you and me. They had human feelings of sadness and envy and greed. Thoughts of anger and hate crept up at times but they managed to live at ease with each other. “How were they so happy if they understood the pain of life?” you ask. I will tell you. The Peaceables had a sacred structure at the central city square. It was a temple of sorts. A beautiful, round building. At the heart of the building stood a stone figure. It was so old that no one remembered who it was meant to be. They called the figure Peacekeeper. One Peaceable would enter at a time to air their grievances to the Peacekeeper and rid themselves of any ill-will. The room was constructed in such a way that the words they uttered would echo back to them in the darkness. A Peaceable would go in and speak their darkness to the Peacekeeper and the room would echo it back, at first, before swallowing it. Darkness feeding darkness. All that is darkest and hardest about humanity reverberated in that room. And perhaps it was a mistake to have it all live together in the shadows. Perhaps it was wrong to let all of the sadness and hurt and loneliness and anger mingle together for so long. Because one day the darkness stopped swallowing the echoes and it began to whisper back a story. Layers of echoes, one over the other, came back in the form of the foulest story you have ever heard. Grievances from years ago, heartaches that had long been forgotten, sounded back to the ears of each Peaceable that entered the room. And when they left the temple, they looked upon the city with troubled eyes. Peace was plagued with the whispered story. Gossip and animosity permeated the air of Peace. As the story passed from person to person it became uglier and more destructive. Soon the story of evil was on the lips and in the minds of each citizen of Peace. Their sleep was troubled. Their relationships were wounded. Suspicion laced every interaction.

The story from the whispers boiled up until the citizens of Peace realized something had to be done. They came together in the city square and pleaded with one other to stop the stories. To leave the echoing whispers in the confines of the temple. They knew they could no longer live together with the story. It would continue to devour their contentment until they warred with one another. Life in Peace would be at an end. They beseeched the once sacred building, now a malignancy on the topography of Peace. “We were doing okay without it. We can get along without that kind of thing. Take it back. Call these stories back!”

But of course, it was too late. For once a story is told, it cannot be called back. Once told, it is loose in the world.

______________________________________________________________________

I discovered that I don’t tell this kind of story to my friends and family. I felt a little bit sheepish at first launching into the storytelling form. I’m not used to telling stories in such a structured, yet fanciful way. Most of the stories I tell are fact-based. I noticed that I changed things according to how my audience was reacting. If they really seemed to be enjoying a certain part, I would embellish a bit more, and it was fun to add comments that would engage them. It was a nostalgic experience and I felt like my audience enjoyed the nostalgia as much as I did. It’s so much fun to be told a story.

When I set out to change the story I knew it couldn’t be witch people because I am quite fond of witches. So that was my main reason for changing the original tale. I like that Silko doesn’t locate the blame of evil in any one sex, race, etc. but I felt uncomfortable locating evil in witches. I wanted to avoid a Pandora or Eve situation so I tried to make it a universally human error rather than specify a scapegoat.

This was a very interesting experiment for me and I really enjoyed it. I was surprised at how easy it was to re-write the story. It came easily to me. I started writing my version at work, while I was standing in a government liquor store, asking people to sample wine. Liquor store samplings are quite tedious and lonely at times. It was nice being able to escape into my imagination and it made me much more cheerful with the patrons I spoke to. I really had a lot of fun with it.

Works Cited

King, Thomas. The Truth About Stories: A Native Narrative. Toronto: House of Anansi Press Inc, 2003. Print.

01/17/14

On the Wonder of Words (Lesson 1.2 Question 3)

There is wonder inherent in words. They  are wonder-full because they are representative of the concepts and images that they describe and yet they are not those things. Words therefore exist in a liminal space. In Chamberlin’s investigation of language and stories he situates words in the intersection between reality and imagination. Words are factually based and yet they are not reality. Just as the word cat is a “cat that is both there and not there” the words in story convey facts that operate outside of reality, in the imaginary realm, so to speak (132).

Chamberlin explains that “in a riddle, it is language that gives, while the world stays just as it is…in a charm, it is the world that changes” (239). This definition applies to words within a broader context. Words operate as riddles in that they “highlight the categories of language and life” in their representation of concepts. And yet they also function as charms by “collaps[ing]” the same “categories of language and life” that they symbolize (239). Words thereby occupy a unique position for they are tools to recount concepts that lay in the intersection between reality and imagination.

Life is full of in-betweens. Waking and sleeping, adolescence, pregnancy, being affianced, some may even say grief is a transitional phase. There are the facts that we know about each of those phases. Yet some things that happen during the in-betweens seem more imaginary than factual. When the facts fall short we turn to stories. Stories; through their use of the riddle, charm, factual, nonsensical aspects of words can propel the reader/listener/teller into an in-between place where the complexity of the world can be satisfactorily addressed. The fairy stories of childhood “present experience in vivid symbolic form…the truth [is] exaggerated and made more…fantastic…in order to comprehend it” (Lurie 359). A comfort, clarity and understanding can be obtained through story that is rarely accessed by other means. In the world of words, the intersection between reality and imaginary, the story receiver is well positioned to deal with all that is unclear about life. Just as dreams are vehicles for working out the complexities of day to day lives, stories employ the conscious and subconscious in a unique way, thus enabling a higher understanding of the topic at hand.

My parents enrolled me in French immersion from kindergarten to grade 6. The French world of words I learned occupies a separate space in my mind. There were words that I understood for the representations they were. I understood their meaning in much the same way that I understood English. Yet there were some aspects of French that remain, very firmly, in the in-between place in my mind. The place where magic happens. We would sing “O Canada” every morning at my French immersion school. I must have learned the words phonetically because it won’t do for me to try and repeat the song to you by focusing on the meaning of the words. When I sing O Canada in French I need to focus on the sounds and the feelings they give me. How certain verses feel in the mouth as they flow into the next one. Presumably, as a child, the words didn’t make sense to me so I gave them a new story. Both of my parents speak English. I grew up in a very anglophone household. However, there are times when I can’t find the words in English to convey the experience I wish to convey.

The crux of what Chamberlin says about the world of words lies in his discovery of the “something that has to do with wonder…a sense of mystery that comes to us with startling clarity…with reasonings that come as revelations” (120). There is so much about human experience that cannot be understood from facts. You eat your first grape and say “it doesn’t taste the way I imagined it would.” It is the experience of tasting that grape and then telling the story of that first taste that allows the intersection of reality (what the grape tasted like) and imaginary (how it felt to taste that grape). The complexity of the world of words is overwhelming. Where else can truth, nonsense, riddle, charm, contradiction, ceremony, lies, reality, imagination intersect seamlessly and in such varied ways.

I recently happened to catch a documentary/interview with Paul Simon on CBC Radio 2 for the 25th anniversary of his album, Graceland, that he collaborated on with South African artists including Ladysmith Black Mambazo. Much of what they discussed connects with Chamberlin’s writing about home and homelessness. The song Homeless is one of the most political songs on the album as it deals with the homelessness enforced by Apartheid. A Q&A with Joseph Shabalala, the leader and lead singer of Ladysmith Black Mambazo, may be found here. The song Homeless really tells a story even when you don’t understand the language being spoken. The following story about the writing of the song Homeless appeared in Glide Magazine:

Inspired by Ladysmith’s music, Simon wrote a simple couplet: ‘Homeless, homeless, moonlight sleeping on a midnight lake.’ He then recorded a simple version and sent it to the group. Shabalala listened repeatedly. Though excited when recording began, the group struggled to create a vocal arrangement their first day in the studio.  Stressed, they prayed and practiced that night in their hotel room. Shabalala confessed to the band that he had been confused about how to approach the recording and simply encouraged them: ‘…let us try to do what we know. Just give them what we know…, then they will give us what they know.’ Later that night the group created the arrangement we know today. The next day when they performed it for Simon he immediately approved (Moore).

Works Cited

Chamberlin, J. Edward. If This is Your Land, Where Are Your Stories? Finding Common Ground. Toronto: Vintage Canada, 2003. Print.

Irving, Cathy. “Paul Simon’s Graceland.” CBC Music. CBC, 29 Dec. 2013. Web. 17 Jan. 2014.

Lurie, Alison. “What Fairy Tales Tell Us.” Folk & Fairy Tales. Ed. Martin Hallett and Barbara Karasek. Peterborough: Broadview Press, 2009. 359-367. Print.

Moore, Hunter. “25 Years of Paul Simon’s Graceland.” Glide Magazine. Glide Magazine, 19 Oct. 2011. Web. 17 Jan. 2014.

MusicSpaceChannel. “Paul Simon Homeless HQ.” Online video clip. Youtube. Youtube, 13 Sep. 2013. Web. 17 Jan. 2014.

Robbins, Li. “Q&A: Ladysmith Black Mambazo on Paul Simon’s Graceland at 25.” CBC Music. CBC, 4 Jun. 2012. Web. 17 Jan. 2014.

 

 

01/8/14

From Prairie Sky to Coastal Rock (Lesson 1.1)

A summer sunset at West Hawk Lake

I remember driving into Vancouver for the first time as an adult. A U-Haul trailer filled with possessions. I had already begun to tell myself stories about what life would be like on the west coast. The hill that I had to drive up was so steep that I worried my car wouldn’t make it. To my surprise though, aside from the hills and restricted view of the sky, life on the west coast was not really that different from life in the prairies. Home is a movable thing.

I was born and raised in Winnipeg, Manitoba. It still feels like home in some ways. My parents are still there, I miss the vibrant cultural scene, and I miss the friends that I have there. My family has a cottage at West Hawk Lake (a lake that formed inside and around a meteorite impact crater) which is located in the Whiteshell Provincial Park. We spent whole summers at the lake growing up. It has always felt like my real home. The trees, the loons calling on the lake at night, midnight star-gazing on the dock. My happiest memories are at the lake.

Now I live in Vancouver where I am an actor. Storytelling is therefore an integral part of the way I participate in the world arena. As my Grandmother says, acting is “a hard racket,” so I work a number of odd jobs to pay the rent. I am a third year English literature major. My two favourite places in Vancouver (so far) are Pacific Spirit Regional Park and the strip of West 10th Avenue between Yukon and Quebec. I love the old houses along that street.

In this course we will examine the Canadian literary canon to investigate what kinds of stories we tell ourselves about this country, whose voices are heard in those stories, and the relationship between colonization and canonization. The theme of intersections and departures seems particularly relevant to me at this point in my life as I reflect on my time here in Vancouver and assess where my next home might be.

I think it is very fitting to study the stories we tell and the stories we hear about life in Canada through each others’ words on our respective blogs. What better way to comprehend the very many different versions of Canada than through our varied experiences. I have never experienced a course in this format so I look forward to a digital conversation with all of you. I am interested to hear your thoughts and reflections on the course material and I hope to gain a better understanding of the breadth of Canadian experience through my interaction with you. To my embarrassment my knowledge of the Canadian literary canon is limited.  I look forward to expanding my Canadian literary horizons with all of you as my guides and companions.

WORKS CITED:

“101 Things to Do in Fall/Winter.”  Tourism Winnipeg. Economic Development Winnipeg Inc, n.d. Web. 8 Jan. 2014.

“About the Area.” Falcon West Hawk Chamber of Commerce. Falcon, West Hawk and Caddy Lakes Chamber of Commerce, 2011. Web. 8 Jan. 2014.

Bunnell, Pille. “About the Park.” Pacific Spirit Park Society. Pacific Spirit Park Society, 2009. Web. 8 Jan. 2014.

“Whiteshell Provincial Park.” Manitoba Conservation and Water Stewardship: Parks and Natural Areas. Manitoba Government, n.d. Web. 8 Jan. 2014.

“Winnipeg Information.” Tourism Winnipeg. Economic Development Winnipeg Inc, n.d. Web. 8 Jan. 2014.