Tag Archives: betrayal

RMST202 in a nutshell: Shitty men, intrusive thoughts, nameless characters, and death

Alas, we have reached the end of this course! This course was strangely nowhere near what I expected but in the best way possible. I think the texts we have read and the discussions we have had, truly make me think about literature in different ways which was one of my main goals for this course. Often times I usually just take the text for what it is, but it was interesting to apply the context of the environment and time period to truly understand some of the intentions of these novels. 

I think if I had to pick a favourite novel for this course, it would be Nada by Carmen Laforet, which is strange because I remember that not many people chose that book. I felt like I experienced every emotion possible while reading that book. Seeing such a significant change in Andrea’s character and her own narrative perceptions of herself truly stuck with me the most. I also think it was so interesting how Laforet’s writing made me love a character on one page, but then absolutely despise them on the next. Usually, I feel like when I have a perception about a certain character, it is really difficult for a book to change my mind about them because I either want to defend them or absolutely trash their entire existence, but for some reason, this book gave me whiplash the entire time. I found myself being able to justify certain characters who I know deep down are still horrible people, and despise characters who I initially liked. Looking back on it now, Andrea’s friendship with Ena kind of resembles Elena’s friendship with Lila in My Brilliant Friend in terms of dynamics, jealousy, and reliance (although I will admit I liked Andrea and Ena’s friendship way more).

My least favourite book without a doubt has to be The Time of the Doves by Mercè Rodoreda. Honestly, I feel like I don’t really have a good reason for hating this book other than I simply just didn’t like it. I felt like I was so frustrated the entire time that it just wasn’t enjoyable for me. Every single character made me angry to the point where I didn’t really care much about them or about what happened to them so I never got invested in the novel. I noted how it has similar themes to Nada regarding changes in perception and character after one goes off to fight in the war, but every time I think about that damn tapeworm in a jar I need to take a few minutes to meditate. 

I mentioned this in one of my previous blogs but I literally had to start keeping track of how many Judas metaphors there were in these books and out of the 11 books that I read there were a whopping 6. Which doesn’t seem like a lot but it’s quite interesting to notice. I realized that most of the times they would pop up as metaphors regarding betrayal obviously, even though it could be recognized as one of the more subtle themes across these books. I am not a religious person myself, but I do enjoy the Lady Gaga song therefore to describe my experience of this course, I would use that song.

Question: What song would you pick to encapsulate this course and why?

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Mad Toy; the tensions of living in a world of survival

This week’s reading of Roberto Arlt’s Mad Toy was very interesting because Arlt’s style of writing is something that I am not usually familiar with, but still enjoyed nonetheless. I can see how Arlt’s writing can be seen as a betrayal of typical literature. There are often times when it feels like the reader is not given a satisfying answer, like for example how Silvio seems to be striving in his new job at the military aviation school and then randomly gets let go from his position for no justifiable reason as well as the mysterious Leonor. Also how the writing itself would jump from paragraph descriptions to just straight lines of dialogue created hiccups of pacing in the story. However, I think it was rather refreshing to almost feel awkward at times when reading this story because it felt like jumping back and forth between the “real world” and your internal dialogue.

One of the major themes I think I picked up during this story was the idea of a life of beauty versus a life of survival. Specifically when Silvio and his friends form their little thievery gang, this theme is established. Silvio loves books, literature, and poetry, however, they are the very things that he needs to steal and sell in order to survive. Here he still saw thievery as something beautiful, but perhaps it was only beautiful because it constituted their survival. After all, they would have money. Is a life of survival one of beauty as well? I think Silvio later in the book would disagree with this. “It doesn’t matter that I don’t have a suit or money or anything, and almost embarrassed I confessed: What I want is to be admired by others, praised by others” (95). In other words, I imagine Silvio wants to be the very poets and inventors whose beauty would make the world tremble.

I think what leads to Silvio’s betrayal of Rengo is when he meets up with Lucio again. Here he has seen the two sides that choice has destined his friends with. On one hand, you have Enrique who has been imprisoned for continuing a life of thievery, and on the other hand, you have Lucio who is now the police and enforcing the very laws they would break as children. I think seeing Enrique’s fate is one of the reasons why he chooses to rat out Rengo as he makes a moral decision to explore the beauty of his own capacities and of life and not succumb to a future of guilt.

The question I would ask regarding Mad Toy would be as follows: How do Arlt’s narrative choices, such as the shifts in pacing and the portrayal of Silvio’s internal struggles, enhance or maybe even limit the reader’s understanding of how a life of survival was like in Argentina during the early twentieth century?

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