pig

I have some mixed feelings about this one… some parts of the book I flew through because the action was so intense, and other parts I felt like I was dragging myself along trying to keep track of what was even happening.. I still thought the story was very interesting but there are so many perspectives, newspaper reports, testimonies, police commentary, and background stories that I would just get a bit lost sometimes..

One thing that stood out to me immediately is how detailed the scenes are. I really felt like I could picture a lot of the action scenes, especially around the robbery and the siege in Montevideo. Those sections felt fast-paced and cinematic, but then suddenly the narration shifts into these long explanations or historical details and I felt the pacing slow way down… I understand that Piglia is trying to show how the story is constructed from different sources and perspectives, which is interesting because the novel is based on a real crime, but sometimes I just wanted the narrative to stay focused on the main characters instead of jumping into another police report or witness statement.

Speaking of the police… I have to be honest.. I did not care about the cops’ perspective. Sorry! Every time the narrative shifted to them I felt less interested. Maybe that’s intentional, because the criminals themselves are actually way more compelling.. Even though they are obviously terrible people who have committed horrible crimes, I still found myself weirdly rooting for them to escape with the money. Which is a bit concerning, because they are not good people at all… but somehow the story makes you emotionally invested in them anyway..

The characters that stuck with me the most were the Kid and the Blond Gaucho. Their relationship was probably the most emotionally intense part of the whole novel for me. The final moments between them were actually really moving. When the Kid is dying and Gaucho holds him and tries to comfort him, the scene feels almost religious. The description where Gaucho holds him “like an image of the deposition of Christ” (p.181) was such a powerful image. The scene just felt so intimate and calm compared to the chaos around the apartment.

Another thing I noticed is how the novel comments on the meaning of the crime itself, especially the burning of the money. The newspapers describe it as something worse than murder, calling it “an act of nihilism and an example of pure terrorism” (p.159) and compare it to cannibalism (p.158), which is crazy to me. Like they are upset because they can’t say “at least they are doing it (all of the murdering..) for the money!”

Overall, I liked the novel’s characters, plot and atmosphere, but sometimes got lost in the delivery. The mix of crime story, historical reconstruction, and multiple perspectives is definitely interesting, but also a little overwhelming. Despite that, the emotional moments between the characters, especially the Kid and Gaucho, really stayed with me after finishing the book.

Question: Do you think Piglia’s use of multiple perspectives (police reports, witnesses, newspapers, etc.) makes the story feel more realistic, or does it make the story harder to connect with emotionally?

YUCK

Agostino……… I guess I should be thinking with an open mind and critically or whatever… But I cannot stand these nasty boys! From literally the first few pages I was already uncomfortable. Why are these boys always so obsessed with their moms.? Like okay. From the first page I already knew what I was getting into with all this jealousy and fixation on his mother and her looks. But oh my god bruh.

One moment I HATE is when the novel describes Agostino’s mother as “still in her prime,” which felt so rude and unnecessary. What does that even mean? It just felt instantly misogynistic, like her value is tied to desirability, even though she’s literally just existing as a mother on vacation. Maybe I am just being nitpicky but I’m already in a bad mood, so whatever.

I feel like there is this common but WEIRD trope of a beautiful single mother and her son, where the son is obsessed with the mom and hates her bf because the son lowkey or highkey wants her.. and this trope is often played as like a gag or something… Maybe I’m making this up… But Agostino and his mother’s relationship is basically that… IT’S ALWAYS FREUD. Their relationship isn’t even like entirely unhealthy.. it’s just a bit odd.. Like his mother isn’t doing anything wildly extreme. She’s affectionate, maybe a little self-absorbed, and kind of weirdly drags him along on these boating “dates” with her young bf. I don’t even know if neglectful is the right word, but it’s definitely inappropriate and confusing for a child..

Once Agostino learns about sex I guess. Everything gets worse. The knowledge “destroys the aura of dignity and respect” he had for his mother (p.42), which is such a gross idea in itself. Like, women can’t be respected once they’re sexual? OMG leave her alone! Why are we watching our mother half naked? Why are we hoping to catch her naked!? Obviously, I understand there are deeper psychological and symbolic readings here, and I’m probably engaging with this at a surface level… but I still hated it.

ALSO. I hated reading about the group of boys. They’re cruel, violent, misogynistic, and constantly humiliating Agostino. The way they talk about women, especially Agostino’s mother is disgusting. LEAVE HER ALONE… And I can’t deal with Saro. This 50-ish-year-old lifeguard hanging around these kids. Why is he here? Why is he so nasty? And what exactly is being implied about what happens on those boat rides? Like. Just control your WILD gang of children. NASTY.

I think I get that the novel is about the loss of innocence, class difference, and masculinity. But I really disliked how that innocence was contrasted against “savage,” poor boys and sexualized women. Like. Of course these poorer boys are nasty, love sex, are evil and animals! Oh but this rich, sheltered, boy is sooo innocent and loves his mom! But now he is “TAINTED” by these BROKE ANIMALS!! WHATEVER…….. Yes I should try to look back on this novel with a more open and mature lens but I really don’t want to think about this 13 yr old boy being attracted to his mother anymore. Sorry. This book made me uncomfortable from start to finish and maybe that is the point, but still. YUCKK.

Also, sorry this may have been my most poorly written blog so far! I promise I know proper grammar and have a university level vocabulary…

My question: Do you think Moravia uses discomfort, especially around class, sexuality, and Agostino’s relationship to his mother, to critique these dynamics, or does it end up reinforcing the same misogynistic and classist ideas it exposes?

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