Beauvoir, The Ethics of Characters

As we move forward time, no longer studying the historical backdrop for Existential thinking/art/literature, we will see themes and ideas more densely and fully explored. She Came to Stay (L’Invitee)  was published in 1943, placing it a few years before Sartre and Beauvoir explicitly came out and used the brand of Existentialism to publicize their work. This is the same year Sartre published Being and Nothingness, a work which  grew out of their shared intellectual pursuits, though Sartre explicitly wrote it.

In She Came to Stay Beauvoir masterfully uses her powers for narrative to approach difficult Hegelian and Heideggarian thinking, offering a keen insight as to the nature of being, and our relationship to others in the world. Beauvoir puts herself and the people around her directly in the novel. Francoise is herself, Pierre is Jean-Paul Sartre, and Xaviere is the real life person of Olga Kosakiewicz. Olga is a younger woman who, in an unconventional way, had joined Beauvoir and Sartre’s relationship in the 1930s. By the end of the novel Francoise, unable to reconcile this relationship, destroys her ‘other’ and brings finality to the story. Given that Beauvoir has publicly said that violence is a possessing of the other, something you can never do, what can we say about Francoise’s actions? Think about this and the other topics brought up in the critical texts for next class.

(Please read them in the listed order)

Simone de Beauvoir and the Ethics of Characters _PHIL 489 presentation (Slides)

Chronology of Beauvoir’s life

How to Read Beauvoir

She Came To Stay (Part 1)
She Came To Stay (Part 2)
She Came To Stay (Part 3)

Excess and Transgression in Beauvoir’s Fiction (Part 1)
Excess and Transgression in Beauvoir’s Fiction (Part2)

(Optional reading)
Ethics of Ambiguity (Read the first chapter)

If you have time, this article is absolutely fantastic, would suggest looking at it for paper topics!:

Scheu, Ashley King. “The Viability of the Philosophical Novel: The Case of Simone De Beauvoir’sShe Came to Stay.” Hypatia, vol. 27, no. 4, 2011, pp. 791–809., doi:10.1111/j.1527-2001.2011.01199.x.

 

Seeing and Hearing Existentialism in Your Everyday

Here is the example of Jim Morrison and his “Riders on the Storm”

Article:

http://blogs.kcrw.com/music/2013/11/martin-heideggers-influence-on-riders-on-the-storm/

Please keep your eyes and ears out for examples of Existential themes and philosophy present in your daily consumption of art and culture. Bring an example to class and attempt at digging through the history of where the potential inspiration came form.

Following are the instructions from Professor Earle for this class:

I’ll talk about Kierkegaard, Zarathustra and pop culture.  Attached (Attunement) is a short section of Fear and Trembling to read.  

Check out the prologue, “The Vision and the Riddle” and “The Convalescent” and whatever else strikes you!  Also if you’re interested, here is a great podcast discussion of Nietzsche focused on TSZ:  https://french-italian.stanford.edu/opinions/shows/eo10090.mp3

In case anyone wants a little more Nietzsche I’d recommend the gay science 125, 276, 337 (from The Gay Science).

Finally, here’s a article by Zadie Smith on Kierkegaard and Joni Mitchell:  https://www.newyorker.com/magazine/2012/12/17/some-notes-on-attunement

Questions to consider:  What does it mean to become attuned or to convalesce?  what does this have to do w music, rhythm?  Kierkegaard called F&T a “dialectical lyric,” and Hegel likewise said that subjective life embodies the dialectics of cultural history by “accentuating” it in particular contexts, sustaining cultural norms by giving them individuating variation.  Think about images of radical reversibility:  ascending and descending, the strength of the absurd, “i hated her, then i loved her”

Nietzsche and Self-Surpassing in the Down-Going Jan 31st

Nietzsche is perhaps the best example of crossing over literary methodology and philosophical engagement. Though he isn’t the first to do so, certainly Plato was a master at using story to display philosophical concepts, Nietzsche stands as an example of what philosophical prose can do. He became wildly popular, especially with this book, and solidified his place in Continental Philosophy forever. He is absolutely inescapable when talking about Existentialism. His insights and historical presence carry through to almost all authors and philosophers we will be studying on heretofore.

  1. Please read the “TSZ Notes (introduction), it gives a brief and wonderfully concise historical account of Nietzsche’s, often disputed, life.
  2. I would recommend reading the prologue because he brings up concepts essential for the rest of Zarathustra sermons.
  3. Then, read some/or all of the other pieces and choose one to focus in on. Be prepared to give a brief explanation of ideas presented within. Be aware that Nietzsche is often purposefully contradictory, ironic, sarcastic, and underhandedly humorous. Therefore, I would recommend going to outside sources to establish what might be going.
  4. Please bring at least one well thought out discussion question to help us work through the texts together.

TSZ Notes (Introduction)

TSZ Prologue

TSZ Despisers of the Body
TSZ Joys and Passion
TSZ Preachers of Death
TSZ Self-Surpassing
TSZ The Thousand and One Goals
TSZ The Three Metamorphoses

Also, Melissa found this great article connecting Dostoevsky to Nietzsche. She will be speaking about it briefly. More material for papers and discussion.

(Optional Reading): SToeber Dostoevsky’s devil

Thanks for your continued participation!