Tag Archives: spirituality

“The Passion According to G. H.” by Clarice Lispector

Lispector’s novel The Passion According to G. H. was a peculiar, eerie, and illuminating read. The plots of the novels we have read in this class have been rich with events, details, characters, and so on. I enjoyed Lispector’s story because of its simplicity. Despite describing uninteresting events and portraying very few characters, the author is able to show the significance of a spiritual journey through G.H.’s thoughts. The stream of consciousness makes it very easy to feel engaged in the narration and the honesty with which the main character expresses her reflections gives a bit of lightheartedness to the book. One thing that made me realize how captivating G.H.’s reflections were to me was the structure of the different chapters. The fact that every chapter starts with the last sentence from the previous chapter almost felt like a brief pause in the main character’s thoughts, like a deep breath before a speech.

G.H.’s spiritual awakening was initially hard for me to grasp, but by the end of the book, I understood the message that Lispector was trying to convey. The main character’s development from being imprisoned in her superficial life to gaining a broad understanding of the universe reminded me of The Shrouded Woman and Bonjour Tristesse. We have seen characters that – due to situations they find themselves in – start a process of change towards a deeper perception of the world. In this case, though, what sparked G.H.’s development was a very uninfluential situation. She finds herself in a “room [that] was the portrait of an empty stomach” (43) and the act of killing a cockroach is enough to send her into a deep psychological crisis. This is was makes this character distinctive from the ones in the other novels. Although the reader doesn’t get to know a lot about her life, it seems like her spiritual awakening had been long-awaited.

Lastly, I liked the parallels that the author creates in the story. The way in which the death of the cockroach is connected to G.H.’s passivity when she goes through an abortion shows how shaking the event is for her. Killing the bug – which would usually be considered an insignificant act – makes the main character realize things about herself and her past that change her. Similarly, the parallel between the silence in the maid’s room and her past relationships tells the reader a lot about the weight of G.H.’s realizations.

My question for the class is: why does the author choose a seemingly insignificant situation to be the trigger of the main character’s spiritual journey?

– Bianca

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“The Shrouded Woman” by María Luisa Bombal

The Shrouded Woman is a captivating novel. María Luisa Bombal explores some of the themes I am most interested in and she does so through the memories of a dead Latin American woman. The narrative is a juxtaposition of fictional and non-fictional events and a puzzle of different perspectives. It is up to the reader to reconstruct the main character’s life through the points of view of the different narrators. The world constructed by Bombal is very dream-like in some ways and very real in others. The outer framework where the main character lies in her casket and the inner one made up of past events create a fascinating dynamic between reality and the supernatural.

The theme that I found most interesting and the most prominent in the novel is the relationship between life and death. Death is seen as a spiritual experience in which Ana María is able to understand a lot about her life. The author embraces the idea of death as an unknown process and rejects its negative connotation. Whenever I get asked if I believe in the afterlife or in something after death, I am torn between the spiritual belief that there is a journey after death or the realist idea that after we die nothing happens, we just rot cease existing. Bombal portrays death as a final act of life. Ana María gains wisdom and freedom after her death and she embodies human individuality in our unknown universe. The novel shows how illuminating dying can be for a human and how naturally beautiful the journey can be.

Nature is another important theme in the novel and it goes along with the main character’s life course. Ana María seems to be very connected to nature in the parts of the novel where she is content and free. When she is young, in love with Ricardo and pregnant with his child, the main character deeply identifies herself with nature. She passes hours on her hammock “suspended between two hazelnut trees” (169) and lays there for hours. She sees “a flight of doves with their coming and going streaking with fleeting shadows the book opened on my knees; the intermittent chant of the sawmill – that sharp, sustained, soft note, like the humming of a beehive – cutting through the air as far as the houses when the afternoon was very clear” (169). After her death, the main character is immersed in nature in a similar way. In her casket, she feels “an infinity of roots sink and spread into the earth like an expanding cobweb […] feeling the grass grow, new islands emerge, and on some other continent, the unknown flower bursting open that blooms only on a day of eclipse.” (159) The essence of Ana María as a human and a woman is rooted in nature and her relationship with the natural world changed throughout the story.

The question I have for the class is: does the changing role of nature follow Ana María’s development in the story or are the two elements unrelated?

Can’t wait to read the other posts!

– Bianca

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