Tag Archives: sex

$$$ To Burn—Ricardo Piglia

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This week’s reading was the novel Money to Burn by Ricardo Piglia. To be honest, I can’t say I enjoyed reading the overall plot due to the violence, sexuality, drugs, and gang life embedded in it. However, I do enjoy the narrative techniques and the underlying ironic themes of inequality within the system and injustice. 

The story begins surrounding the main characters, Malito the boss; Dorda, who is heavy and quiet with a ruddy face; and Brignone, who has thin and black hair. They were called twins because of their similar looks, and they committed crimes together, but in reality, their relationship was much more than brotherhood.  Dorda and Bridgnone, with twelve other men, are a gang, and they commit a bank robbery and go on the run with millions of pesos. In this part (pg. 30-34) I love how Ricardo Piglia chose first to explore the bank clerk Martinez Tobar, who was tempted to steal the money due to his family condition and his daughter’s illness. Ironically, the next scene that happened was the robbery scene by the gang. I find this as a way of foreshadowing that something to happen next, but also gives the reader to context of social class and poverty. After escaping with the money, Piglia gave me two perspectives: the police, and the criminals’ hideout. In between, there is a lot of drug and sexual content involved, giving a different theme to this novel. In the world of gangs and crime, there is not only money and violence but also love. 

There was also another scene that was a highlight for me. On page 168, Malito’s gang was setting five million pesos on fire. ‘ they are evil to the core, bad from the innards out, mere animals,” (p169). There didn’t seem to be much agitation for the crowd until they burned the money. “The idea got out that money is innocent, even when acquired as a consequence of death and crime” (p.170). When they burned the money, the anger of the crowd rose. It seemed that their act of robbery was not such a great sin, but their careless attitude toward the money was completely violating social norms and unethical. 

Other than the reflection on money and robbery, the love between Gauch and Kid was also depicted in detail. In the last scenes when the injured twins are surrounded by the police, they still care for each other. “His back against the broken bedhead, embracing the Kid as if he were cradling a toy doll in his arms” (p.212). In such a criminal novel, embedding the soft emotions between two men was contrasting with the rest of the book, but also beautiful. 

My question for everyone: the epigraph of the novel wrote “After all, what is robbing a bank compared to founding one?- Bertolt Brecht “ I believe the novel suggests that society’ has double standards about crimes. What do you think about this quote and its relationship with the novel,  why is one a crime but not the other?

The “Love” across Age and Race– Marguerite Duras

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“Everyone says you were beautiful when you were young, but I want to tell you I think you’re more beautiful now than then (p. 3). “

This is the classic beginning of The Lover by Marguerite Duras, where the aged narrator when her looks are devastated, longs for a lover who expresses the love that transcends above time.

In this novel, the narrator looks back on her first love and offers her personal reflections on past regrets, sorrow, and joy. Unfolding in the first-person narrative, the novel explores the deep and hopeless love between a poor French teenage girl and a rich Chinese man in his mid-twenties.  For me what makes this story so influential is that it takes the life of the French colonists in Vietnam as the background, where there was a rise of nationalism among Vietnamese people and the idea of racial discriminatory views among French colonists. Under this concept,  this forbidden love between a French girl and a Chinese man highly reflects that love can transcend the prejudice of race, colour, and wealth. 

“I say that’s how I desire him, with his money, that when I first saw him he was already in his car, in his money. ( p. 40)” In the first part of the novel, the narrator emphasizes that she’s with this Chinese man for the money. Similarly, the rich Chinese man desires her young body and sex. At this point, this seems to be a fair trade. However, I feel great sympathy for the narrator. Her family looms over her like a shadow, the source of all her suffering comes from poverty and her mother. In such a family, her mother always sees her daughter in a patriarchal view and sees her as a commodity, caring about her daughter’s value in the marriage market. Her mother never provided the love a teenager needs, and so she is thirsting for the love she never had.  This accumulated desire for love was satisfied by the sex and love with this man, who cares for her. With the love of sexes, she was able to detach herself from the suffocating coldness that surrounded her. Reversively, this young girl seems to fulfill the desire for freedom of this rich young man under this nationalist context. However, despite such true love, their class and race differences hindered their possibility. 

As the narrator is looking back, without wondering how she faces this sorrow in her heart, she has already admitted from the bottom of her heart that he has loved, she has loved, and money, and interests and it has nothing to do with it. 

“ He told her that it was as before, that he still loved her, he could never stop loving her, that he’d love her until death.” (p.129)

In the end, the Chinese man manages to express his love years later, and my question for everyone is, how do you interpret this ending? Do you view this as a tragedy full of regrets or a completion of their complex love story?

Week 5: Young Boy Agostino’s Journey–Alberto Moravia

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In Alberto Morovia’s novella Agostino, the main character Agostino is a 13-year-old boy who has an unusual attachment with his mother. Despite he is already 13, he loves his mother with a “naive” heart and adores her as a mother figure.  One summer, he and his widow’s mother went on holiday to the Tuscan coast, and this trip caused Augostino to transform from a boy to a man exponentially, as well as added confusion, distress, and sexuality in him.  

From the narration, Agostino seemed to have lived a privileged and sheltered life, where he understood nothing about the suffering, sexuality, and violence of the outside world. His unusual dependencies on his mother lead him to be jealous and anxious when her mother is being attracted by other “men” while on the beach. I liked Morovia’s description of Agostino’s mood at this event. When he realizes that his adored mother acts so proactively toward another “man” and that he is being left out, he is overwhelmed, anger, confusion, and shame surround him. When his mother slaps him, it seems that this is the turning point, the turning point that changes Agostino, where he meets the local boys.

His comfort zone was shattered when he went to hang out with the gang of local boys, and that’s when he was forced to grow up. These boys were very rude, violent, and vulgar. In the first interaction, Agostino seems to be degraded and humiliated. I did not expect that he didn’t seem to care that he was being put down and still wanted to hang out with them. I think a big reason why Agostino kept hoping to be with them is that he finds these boys and Saro as a model of what is a real “man”. He never had a male figure in his life because he didn’t have a father, and meeting these rude boys seemed to open up the world of masculinity to him.

“He replaced his former reverence with cruelty and his affection with sensuality.” (p.69)

And after being teased and sexually educated by these boys, it seems that his opinion of his mother has completely changed, and he can no longer respect, and love his mother when she has no qualms about dressing and exposing herself to him. It seems that any stimulus during adolescence can easily change a child’s heart and moral values, which also makes me reflect that the wealth and status protection that Agostino has seems to make him even more influenced.

One question I have is that is the thoughts that 13-year-old Agostino are abnormal and immoral, or it is reasonable during puberty when he just learns about sex? How might his experience with the local boys shape his perception of man and woman?

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