I really enjoyed “Paris Peasant” by Louis Aragon because of how unconventional it was compared to other novels I have read. It was unconventional to me because it read kind of like a travel guide! I do like the stream of consciousness style where we may observe the narrator’s train of thought. Sometimes I find this style kind of tedious and hard to follow but in this text, I enjoyed hearing about his descriptions of Paris, as it is so beautiful. Having visited Paris before myself, reading this text felt a bit like revisiting the city through a novel. As I was reading, I truly felt like i was ready somebody’s journal entries. With the very very detailed description of the architecture, the author paints a picture with poetic imagery of the city of Paris. I felt immersed in the landscape and daily life of Paris. It seems as if the narrator is “people watching” and likes to make up his own interpretations of each person that he comes across. Even if he doesn’t know every detail about somebody, “time gradually fills an imaginary portrait of each one” (37). I think that this speaks a lot about his imagination, and his ability to dream. Even though sometimes he may imagine somebody with a complicated history, he also views people very robotically sometimes. For example, he sees the hairdressers as “the products of a school which viewed hairdressers as precision instruments: their methods are devoid of humanity” (43). Here, he places more emphasis in their physical actions of their everyday labour. I notice that the narrator also jumps from thought to thought very quickly. For example, one second he is talking about the hairdresser and then he moves on to talking about the psychology of being at the hairdressers. The complexity of his thought process is fascinating to observe, and thought-provoking to the reader. The images that are incorporated within the text also present more depth to the story. The menu included enhances the story because the reader may experience part of the scene by reading the menu along with the narrator. The narrator seems to really allow himself to indulge in the beauty of everyday life. Just as he says in the prologue, he “retain[s] this sense of the marvellous suffusing everyday existence” (11).
A question that I wondered was, did the author actually experience the sights he described, in order to explain them so vividly?
pliego
January 24, 2022 — 11:10 pm
Hi Danielle.
I sadly did not enjoyed the reading as much as you did. But regarding your question, I would believe that the author was probably familiar with the places he describes as he seems to have a lot of understanding of all of them. Even thought I believe that he did know those places, this could be a great topic for the class discussion.
-Pliego
arielle lapre
January 24, 2022 — 10:15 pm
Hi Danielle!
I really enjoyed reading your reflection on this novel. I completely agree with how you phrased it as “people watching”. I thought the same thing about the menus as well or especially when he was observing the small details on the accordion and seeing the word squished made it seem like you are there with him. I’m very interested in your question and hope to find out more during our discussion in class!
muskan shukla
January 24, 2022 — 8:18 pm
Hi Danielle,
The comparison of the novel to a travel guide is an exciting and different way the look at the text. Based on your question, it could be a possibility that the author has seen these places. The way the author describes these locations shows that they have some familiarity and understanding of the places. Overall a great analysis!
Muskan
Jennifer Nagtegaal
January 24, 2022 — 6:01 pm
…and I realize that “Paris Pleasant” in your opening sentence is a typo, but could we consider this an alternative title? Why or why not? (I ask you, as well as your peers!)
Jennifer Nagtegaal
January 24, 2022 — 5:30 pm
Hi Danielle,
I found the comparison that you make between Paris Peasant and travel guides (I assume travel literature) interesting! The irony here is that this is not the Paris that one might travel today (nor it is necessarily the Paris that one may have travelled in the past, given its dips into surrealism!). I look forward to discussing this further in class.