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Brian Yuen

Assignment 1C-Brian Yuen

Schematic Design and Detailed Design

Schematic Design (Iterations)

Evaluation of first iteration: Criterion was set up, option II was chosen to further develop

Second iteration: Evaluation and concerns

Third iteration: Evaluation and concerns

 

Forth iteration: Evaluation and concerns

 

Fifth iteration: Evaluation and concerns

Final iteration: Evaluation and concerns

Finalized Schematic Plan

Expectations through perspectives

Detailed Design and Outcome

Refined Concept Statement

The problem of loneliness and academic stress is prevalent among students at UBC. The garden design aims to address this issue by providing a peaceful and healing space for individuals to rest, meditate, and exercise. The garden will feature a carefully selected variety of healing plants that create a calming and soothing environment for its users. The objectives of the garden design are to promote physical and mental well-being, community building, and personal growth. The design aims to offer a sanctuary that fosters a sense of connection, belonging, and healing for all who use it. The garden will encourage social interaction and provide a space for individuals to build meaningful connections, ultimately improving their overall well-being and academic success.

Detailed Site Plan

Detailed Sections

Plant Research

The study also found that inhaling three drops of lavender every 8hours for 4 weeks prevented stress, anxiety, and depression. (Europe PMC 2006)

Research suggests that it may be useful for treating anxiety, insomnia, depression, and restlessness. (Medical News Today 2019)

Researchers found that rosemary and lavender (Lavandula angustifolia) essential oil sachets had the ability to decrease test-taking stress in nursing students. The reduction in stress was measured through scores of test anxiety, personal statements, and pulse rate.

A trial involving university students discovered that rosemary supplementation reduced anxiety and depression and improved sleep scores. After 1 month of administration, the students’ anxiety scores improved by 18% while depression scores improved by 9%. The sleep scores improved by 14%.  (P. Nematolahi, M. Mehrabani, S.Karami-Mohajeri, F. Dabaghzadeh 2017)

 

Plant List

Planting Plan

Material and plant pallete

Visualisations

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Danika Oystrek

1c – Garden Design [process]

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Chun Wang

Assignment 1C – The updated concept, plans, sections and plant selection

After the presentation of 1B, I updated my concept and tried to figure out a spatial language associated to it. My health issue is general depression, and I’m trying to create a space of contemplation to heal depression. Norberg-Schulz has mentioned that “Landscape architecture, as an art discipline, understands contemplation as a state of mind, where we direct our attention toward a piece of art, or in this case, the designed landscape (Norberg-Schulz, 1976)”, thus I’m creating a space like a gallery of nature, that distract people from depressive experience. Imaging a gallery in which artworks are hung up contrasting with white walls around them. In  the  garden,  pieces of  nature  are  either  isolated  by  walls,  ground,  and  vision.

Archetypal elements, like islands of nature, and water, distribute on the site Final PlanSection 1

Section 2

Sketch model

Plant palettes: I’m choosing two types of plants: 1, Ground cover with firm texture as a “general” background as well as hedges mimicking boulders. 2, Showy plants at certain points as visual focal point in certain seasons.

First draft of planting plan showing Acer palmatum, Enkianthus campanulatus and Cornus Sericea as key plants.

Draft perspectives

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David McKenna

Assignment 1B.5: Further Iterations and Investigations

After investigating the topography and multisensory qualities of my site, and investigating the idea that a garden could heal the guilt and difficult emotions associated with having to transfer the care of aging loved ones, I was encouraged to dive deeper and try some completely different ideas.

From my intial research I knew there were several ways that people could come to terms with such difficult emotions. My previous post showed a focus on strengthening the relationship with the care workers through intimate spaces, as well as a mindfulness garden one could bring their loved one to, I wanted return to the research and try something new.

I decided to iterate on the idea of acceptance, and tried to design a space that would help people realize that accepting care from whatever dynamic they had been used to is okay.

Iterations of Terraces of Acceptance

 

The final idea I settled on was a set of three terraces, each one with a zen garden of sorts. The first a reflection and memory space to realize the dynamic of care that once existed. The second a shattered rock garden representing the difficult change in that dynamic and finally a permaculture planting to symbolize that is okay to accept care from places outside that dynamic (the care workers).

There was also a hidden path that would be visible on the way back from the first visit, encorperating all three elements and having a viewing area where all three terraces could be seen.

Terraces of Acceptance

I wanted eacb garden to have a multisensory element that strengthened the message.

Multisensory ides for Terraces of Acceptance

I developed some sections to see the reality of the elevations and how I might have to use planting to achieve the sightlines and experiences I was envisioning.

Section A: west entrance
Section C: middle terrace
Section B: top and bottom terraces
Section B: top and bottom terraces

While there were elements of this concept that I like (the prevailing narrative). I ultimately decided that my original concept had stronger research backing it. Having a space that could be used to strength the relationship between care workers and the family members of patients was too crucial to be left out. That being said, as I returned to iterate this original concept, I noticed elements of the terrace idea appearing in some iterations.

Further iterations on the alcove idea

The final form I decided to refine had elements from both ideas. While the intimate alcoves and more open space for “quality of visit” remained, I also decided that weaving a narrative of acceptance could help inform my circulation and give more weight to the areas outside the alcoves in my garden.

As I was iterating I also used sections to get a sense of how these mounded alcoves would take up space. Through these sections I realized that reducing the number of the alcoves would allow for much more robust planting.

Experimental Section: Too many alcoves
Experimental Section: Refining the Alcoves

 

The triangular form shown below was taken form the tops of the spruce trees just outside the site. These tree tops are prevelant in most sightlines in the area (sometimes more so than the buildings themselves).

Final form: Seasons of Care Garden (working title)

This final form would be taken into Rhino for further refinement and application of multisensory design. The section below gives an idea of the elevation elements I would be working with.

Section D: Seasons of Care Garden

While I was developing this form I also made a very rough model to help investigate the complex topography of my site. Note that the form of this model was not the exact form I settled on, but it did help me realize the importance planting would play in achieving the sightlines I wanted.

Rough study model
East entrace sightlines
Elevations at the boardwalk

From here the next steps are refining the design, choosing plants that reflect my healing aspect and putting together a refined final representations that fully capture my site. More to come!

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Kylie Ip

Assignment 1C Draft Presentation

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Elliot Bellis

Assignment 2C – Small scale multisensory garden design (Draft)

Working drafts of THE GROUNDING GARDEN | finalized design

The works below are presented as drafts of The Grounding Garden’s final design. Work will continue to fine-tune and build more illustrative representations of the design’s overall concept, design, and embodied mood.

The Grounding Garden – Nelson Park Re-design Conceptual Plan. Colors to be reworked and water animated.
Working planting plan. Planting table colors to be updated, zone boundaries added, and texts to match throughout.
Birch Hill looking northeast in the spring. The update will include embodying plant relationships through the use of color in person.
Five things you can see – looking from the main entrance into the garden during the fall. Annotated labels will include plant species.
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Connor Budd

ASSIGNMENT 1: PLANTING PLAN

EARLY PLANTING IDEATION

PLANTING TOPOGRAPHY REQUIREMENTS

Because of the fairly strict limitations to vegetated (or non-vegetated) structure with a garden for those suffering from psychosis/schizophrenia, I thought it appropriate to establish a visual representation of those requirements.

PLANTING PLAN

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Connor Budd

ASSIGNMENT 1: FINAL PLAN

1:100

1:250

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Connor Budd

ASSIGNMENT 1: SITE PERSPECTIVES

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Connor Budd

ASSIGNMENT 1: MODELS

EXISTING TOPOGRAPHY, 1:250

FORM BUILDING MODEL, 1:100

Used to explore height and configuration of mounds to ensure good visibility across and through the site. 

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