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Black Shack Alley: Systemic Racism

This reading overall made me feel sad and exhausted. Not in a dramatic way, but because Jose’s life was just… reality. It was precisely the coming of youth, and the cards were never in his favour. Knowing that this novel was in part autobiographical makes sense to me. I think the most saddening character to me was M’man Tine. As a poor, black woman, she had long accepted her fate, so she decided to pour all her efforts and hard work into Jose instead. Although she seems harsh from Jose’s point of view in the beginning of the novel, as readers, we can see the hours she puts into her work – which is why she gets so mad when she initially comes home to see a broken bowl and Jose’s torn clothes. In a way, this reminds me of my own parents and grandparents. While I know that they want the best for me (in their mind), I often feel frustrated because that’s not what I necessarily want for myself. I also get scared because I don’t want to disappoint them or avoid living up to their expectations, similar to how Jose wants to frolic and have fun, but also wants to be seen as a ‘good child’ without the consequences of being too rambunctious (yelling and beatings).

M’man Tine seems to think that the only way Jose can have a good life is to escape Black Shack Alley, lest he suffer the same fate she did. This desire looks like pushing Jose into school, entering the bacculereate. However, when part 3 of the novel started, I felt heavy once more. When Jose was only offered a quarter scholarship, where they would have to pay the rest in order to ‘redeem’ or ‘benefit from’ the quarter scholarship, his mother talked about how they were doing this on purpose.

“They are too wicked! It’s because we’re black, poor and alone in
the world that they didn’t give you a full scholarship. They fully realise that I’m an unfortunate woman and that I couldn’t pay for you to go to the lycee. They know only too well that giving you a quarter scholarship is the same as not giving you anything at all. But they don’t know what a fighting woman I am. Well! I’m not giving up this quarter scholarship. You will go to their lycee!” (p. 125)

This situation made me think about how prevalent systemic racism is, and how you can never truly avoid it. While M’man Tine thinks Jose will live a better life (I can’t disagree), the circumstances he has to suffer under are similarly dismal. Giving into this scholarship would practically be giving into their ‘taunt’, but Jose and his family have no other choice. So, they have to continue suffering under this system of cylical racism instead of ‘escaping’ like M’man Tine wishes. As they say, out of the frying pan and into the fire? It makes me sad because this is what reality looks like, and it’s difficult to truly escape from these systems without giving into them for your own benefit.

So, I would like to ask: Do you see Jose’s pursuit of education as ‘liberation’ the same way his family does?

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Nada: Just Trying to Live

The whole novel of Nada felt eery to me, like I was waiting for the other shoe to drop. I suppose this is because of the aftermath of the Spanish civil war, as the lecture video states that the family’s trauma haunts the narrative – so it’s more like the shoe has already dropped, and everything is what happens after. I think it felt unsettling because I kept expecting something to blow up in her face, and then nothing did. Perhaps that’s what Andrea felt as well: she moved to Barcelona with hopes and dreams for university, and left with nothing, really. What can you make of an experience that hasn’t given you anything except the perilous effects of trauma?

I thought it was interesting how the novel never really discusses what happened in the war, but you can feel it simply from the atmosphere and people’s living conditions. Andrea is quiet and silent throughout the novel, but I think I relate to her position. How can you make a space for yourself when there’s barely enough space for others? I don’t think I would want to get myself directly involved with all of the family drama – she’s just trying to live. In a way, she feels like she’s sitting in the backseat of someone else’s life. Initially, she had a romanticized view of Barcelona, but the reality quickly diminished her expectations. Similar to Andrea, I felt somewhat empty after reading Nada. What exactly could I take away? I felt desolate, like the war-torn condition also affected my inner state. The novel simply displayed the reality of the effects of war. I think that’s why the lecture video was also intriguing, as it pointed out details I hadn’t previously noticed, which pointed to the effects of war. I’d be interested to find out if these fictional experiences differed vastly from the lived experiences, or if anything was adapted, or even less exaggerated than the real life.

It was a bit of a tough read, not because of the language or setting, but because of the emotional heaviness I felt. It’s also difficult to grasp because there’s no clear villain or antagonist, there’s no clear ‘hope’, you just have to make do with what you’re given. Lines aren’t drawn, and Andrea has been placed into this situation while hoping for the best for herself. It’s not worth it for Andrea to ‘escape’ really, and she can’t begin to solve her family’s problems. She just… lives. I think it’s a strong protection method, but perhaps other people would think it’s negatively avoidant.

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