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Approaches-Lovesey-SCI236

Approaches to Teaching the Works of Ngũgĩ wa Thiong’o

(Modern Language Association of America, 2012)
SCI 236

Ngũgĩ wa Thiong’o is one of the most important and celebrated authors of postindependence Africa as well as a groundbreaking postcolonial theorist. His work, written first in English, then in Gĩkũyũ, engages with the transformations of his native Kenya after what is often termed the Mau Mau rebellion. It also gives voice to the struggles of all Africans against economic injustice and political oppression. His writing and activism have continued despite imprisonment, the threat of assassination, and exile.

Part 1 of this volume, “Materials,” provides resources and background for the teaching of Ngũgĩ’s novels, plays, memoirs, and criticism. The essays of part 2, “Approaches,” consider the influence of Frantz Fanon, Karl Marx, and Joseph Conrad on Ngũgĩ; how the role of women in his fiction is inflected by feminism; his interpretation and political use of African history; his experimentation with orality and allegory in narrative; and the different challenges of teaching Ngũgĩ in classrooms in the United States, Europe, and Africa.


(Description Source: 
Modern Language Association of America)


Editor

Oliver Lovesey is an associate professor of English at the University of British Columbia, Okanagan Campus, Canada. He has authored a number of monographs on George Eliot and Ngũgĩ wa Thiong’o, and edited Victorian Social Activists’ Novels, The Mill on the Floss, Approaches to Teaching the Works of Ngũgĩ, and a Popular Music and Society special issue: ‘Popular Music and the Postcolonial’.


UBC Library Holdings

https://tinyurl.com/y5pchf5p


How to Purchase this Book

From the Publisher – Modern Language Association of America
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9781603291125

 

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Evoking-Jones-SCI236

Evoking Genocide
Scholars and Activists Describe the Works That Shaped Their Lives

(Key Publishing House Inc., 2009)
SCI 236

Evoking Genocide compiles more than sixty short essays written by leading scholars and activists in the field of genocide studies. These authors pay eloquent tribute to the works of art and media that influenced their engagement with genocide and crimes against humanity. The subjects include books and stories, films, songs, drawings, documents, monuments, sculptures, personal testimonies, and even a Lego set. In an accessible and often deeply personal way, contributors explore their own relationships with the works in question. Edited by Adam Jones, recently selected as one of fifty key thinkers in Holocaust and genocide studies, Evoking Genocide makes an important contribution to the study of the art and culture of mass atrocity.


(Description Source: Key Publishing House Inc.)


Author

Adam Jones is a professor of Political Science at the University of British Columbia in Kelowna, Canada. He is the author of the bestselling textbook, Genocide: A Comprehensive Introduction (second edition, Routledge, 2011), and author or editor of a dozen other books, mostly on genocide and crimes against humanity. They include Gender Inclusive: Essays on Violence, Men, and Feminist International Relations (2008), Gendercide and Genocide (2004), and Genocide, War Crimes and the West: History and Complicity (2004).


UBC Library Holdings

https://tinyurl.com/y35ndpr8


How to Purchase this Book

From the Publisher – Key Publishing House Inc.
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9780978252694


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Transforming-Hanna-SCI236

Transforming Parks and Protected Areas
Policy and Governance in a Changing World

(Routledge, 2008)
SCI 236 

The protection of natural resources and biodiversity through protected areas is increasingly based on ecological principles. Simultaneously the concept of ecosystem-based management has become broadly accepted and implemented over the last two decades. However, this period has also seen unprecedented rapid global social and ecological change, which has weakened many protection efforts.

These changes have created an awareness of opportunities for innovative approaches to managing protected areas and of the need to integrate social and economic concerns with ecological elements in protected areas and parks management.

A rare collection of articles that fuses academic theory, critique of practice and practical knowledge, Transforming Parks and Protected Areas analyzes and critiques these theories, practices, and philosophies, looking in-detail at the emerging issues in the design and operation of parks and protected areas. Addressing critical dynamics and current practices in parks and protected areas management, the excellent volume goes well beyond simple managerial solutions and descriptions of standard practice.

With contributions from leading academics and practitioners, this book will be of value to all those working within ecology, natural resources, conservation and parks management as well as students and academics across the environmental sciences and land use management.

(Description Source: Routledge)


Author

Kevin Hanna is an associate professor of Earth, Environmental and Geographic Sciences at the University of British Columbia (Okanagan). His research broadly centers on integrated approaches to natural resources management, operational support for natural resources development, environmental impact assessment, and energy resources and systems. A key part of his research is working with Indigenous organizations to help outline data/information management approaches and tools, define best practices for impact assessment, and develop case studies to help communities design new methods for conducting impact assessments. His current work focuses on the Canadian west, and north and Arctic.


UBC Library Holdings

http://tinyurl.com/yy33cd26


How to Purchase this Book

From the Publisher – Routledge
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9780415542647
eBook ISBN: 9780203961902
Hardback ISBN: 9780415374231


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Climate-Garrard-SCI236

Climate Change Scepticism
A Transnational Ecocritical Analysis

(Bloomsbury Academic, 2019)
SCI 236

Climate Change Scepticism is the first ecocritical study to examine the cultures and rhetoric of climate scepticism in the UK, Germany, the USA and France. Collaboratively written by leading scholars from Europe and North America, the book considers climate skeptical-texts as literature, teasing out differences and challenging stereotypes as a way of overcoming partisan political paralysis on the most important cultural debate of our time. Read an open access copy of the book here.

(Description Source: Bloomsbury Academic)


Author

Greg Garrard is the associate Dean of Research and Graduate Studies at the Faculty of Creative and Critical Studies, and a professor of Environmental Humanities at the University of British Columbia (Okanagan). He is an English-sounding Canadian who lived in the Netherlands, Lebanon, England and Wales before coming to Kelowna in 2013. He teaches and researches in the fields of ecocriticism, human-animal studies and culture and climate change.


UBC Library Holdings

http://tinyurl.com/y4fwy23f


How to Purchase this Book

From the Publisher – Bloomsbury Academic
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paperback ISBN: 9781350178687
Hardcover ISBN: 9781350057029
ePub ISBN: 9781350057043


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Multi-Liu-EME2181

Multi-Sensor Image Fusion and Its Applications

(CRC Press, 2005)
EME 2181

Taking another lesson from nature, the latest advances in image processing technology seek to combine image data from several diverse types of sensors in order to obtain a more accurate view of the scene: very much the same as we rely on our five senses. Multi-Sensor Image Fusion and Its Applications is the first text dedicated to the theory and practice of the registration and fusion of image data, covering such approaches as statistical methods, colour-related techniques, model-based methods, and visual information display strategies.

After a review of state-of-the-art image fusion techniques, the book provides an overview of fusion algorithms and fusion performance evaluation. The following chapters explore recent progress and practical applications of the proposed techniques to solving problems in such areas as medical diagnosis, surveillance and biometric systems, remote sensing, non-destructive evaluation, blurred image restoration, and image quality assessment. Recognized leaders from industry and academia contribute the chapters, reflecting the latest research trends and providing useful algorithms to aid implementation.

Supplying a 28-page full-colour insert, Multi-Sensor Image Fusion and Its Applications clearly demonstrates the benefits and possibilities of this revolutionary development. It provides a solid knowledge base for applying these cutting-edge techniques to new challenges and creating future advances.

(Description Source: Routledge/CRC Press)


Authors/Editors

Zheng Liu is a professor of Civil, Electrical, and Manufacturing engineering at the University of British Columbia (Okanagan). He received his doctorate in engineering from Kyoto University (Kyoto, Japan) in 2000 and earned a second Ph.D. from the University of Ottawa in 2007. From 2000 to 2001, he was a research fellow with the Nanyang Technological University (Singapore). He then joined the National Research Council (NRC) of Canada (Ottawa, Ontario) as a Governmental Laboratory Visiting Fellow nominated by NSERC in 2001. From 2002, he became a Research Officer associated with two research institutes of NRC (Aerospace Research [IAR] & Research in Construction [IRC]). From 2012 to 2015, Dr. Liu worked as a full professor for Toyota Technological Institute at Nagoya, Japan. In August 2015, Dr. Liu joined the University of British Columbia (Okanagan campus) at Kelowna, BC, Canada. His research interests include condition-based maintenance, condition assessment, nondestructive inspection & evaluation, prognostic health management (PHM), data/information fusion, computer/machine vision, pattern recognition, machine learning, and sensor/sensor network. Dr. Liu is a senior member of IEEE and SPIE. He served as the vice president for publication at the IEEE Instrumentation and Measurement Society (2016-2017) and is co-chairing the IEEE IMS TC-1. He holds professional engineer licenses in both Ontario and British Columbia. Dr. Liu also serves on the editorial boards for a number of peer-reviewed journals.

Rick S. Blum is a Robert W. Wieseman professor of Electrical & Computer Engineering at LeHigh University.


UBC Library Holdings

http://tinyurl.com/y2t3fbrh


How to Purchase this Book

From the Publisher – SPIE Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9780849334177
eBook ISBN: 9781315221069


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Imperial-Owram-EME2181

Imperial Dreams and Colonial Realities
British Views of Canada 1880–1914

(University of Toronto Press, 1989)
EME 2181

In the Age of New Imperialism, Canada figured prominently in British imperial dreams and public debate. She was, after all, ‘the eldest daughter of the Empire,’ a favourite destination for emigrants, and still new enough to be interesting to explorers and adventurers. At the same time, she was becoming proudly independent, and in a constant state of dalliance with her vibrant neighbour to the south. British journals such as Fortnightly Review and Nineteenth Century carried hundreds of articles on the colony, British travellers such as R.M. Ballantyne wrote voluminously about it, and politicians like Disraeli and Gladstone debated its future.

The nine stereotypical British views presented here show how great was the gulf between imperially motivated illusions and harsh Canadian realities. Juvenile readers, raised on the Boy’s Own Paper and Chums, pictured Canada as a ‘wild and woolly West’; aristocratic hunters, like the Earl of Dunraven, saw mainly a ‘sportsman’s paradise’; those who read emigration literature were led to expect a rosy future of wealth and comfort. Other Britons were fascinated by ‘quaint Quebec’ and by the ‘noble red man,’ while still others saw the country as a place to invest or own a farm of one’s own. Canada also appeared as a land badly in need of the culture and refinement an Englishwoman could impart, though in reality she often ended up as a domestic servant.

Using a vast array of sources, including such long-lost treasures as “Castaways in the Frozen North” and “The Silk-robed Cow,” R.G. Moyles and Doug Owram explore the British idea of Canada in the heyday of empire. They discover close links between the romantic images and the British ideal of imperialism, the dream of a vast empire steeped in British tradition and Christian values. At the root of the stereotypes lie questions of imperial unity, colonial loyalty, emigration policy, and Canadian independence.

Moyles and Owram present an entertaining series of misimpressions and moralistic condescension. They tell us much about the power of the imperial dream and the gap between truth and rhetoric.

(Description Source: The University of Toronto Press)


Author

Doug Owram is a professor Emeritus of History at the University of British Columbia Okanagan. He was Deputy Vice-Chancellor of UBCO from 2006 to 2012. During his term, he oversaw the expansion of enrollment from 3,200 to 8,000 full-time students and a $400 million construction program. He was formerly Vice President (Academic) and Provost at the University of Alberta. He was elected a Fellow of the Royal Society of Canada in 1990.

R.G. Moyles was the Associate Dean of Arts at the University of Alberta.


UBC Library Holdings

http://tinyurl.com/y6obnxqe


How to Purchase this Book

From the Publisher – The University of Toronto Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paper ISBN: 9781487577407
eBook ISBN: 9781487576769

UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.

How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Understanding-Bosetti-EME2181

Understanding School Choice in Canada

(University of Toronto Press, 2016)
EME 2181

Understanding School Choice in Canada provides a nuanced and theoretical overview of the formation and rise of school choice policies in Canada. Drawing on twenty years of work, Lynn Bosetti and Dianne Gereluk analyze the philosophical, historical, political, and social principles that underpin the formation and implementation of school choice policies in the provinces and territories.

Bosetti and Gereluk offer theoretical frameworks for considering the parameters of school choice policies that are aligned and attentive to Canadian educational contexts. This robust overview successfully shifts the debate away from ideology in order to facilitate an understanding that the spectrum of school choice policy in Canada is a response to the varying political challenges in society at large. This book is essential reading for those who desire a deeper understanding of school choice policies in Canada.

(Description Source: University of Toronto Press)


Author

Lynn Bosetti joined the University of British Columbia in September 2010 as Dean of Faculty of Education. Prior to her position she was tenured faculty at the University of Calgary in Educational Policy and Leadership Studies. Bosetti is responsible for the $1.2 million donor gift of intellectual property of SMART to the Faculty of Education.

She was a Visiting Scholar at University of Melbourne, University of Glasgow, Visiting Lecturer at University of Saskatchewan, and Visiting Fellow at St. Edmund’s College, University of Cambridge. Most recently Lynn was a professor and Dean of the School of Education in La Trobe University, Melbourne Australia.

Her research and teaching has focused on faith, identity and the common school, planning alternative futures for education, issues related to school choice, charter schools and more recently, university leadership in the new economy.

Dianne Gereluk is the associate Dean of Undergraduate Programs in Education, and an associate professor in leadership, policy, and governance at the Werklund School of Education, University of Calgary.


UBC Library Holdings

http://tinyurl.com/y4j32nyk


How to Purchase this Book

From the Publisher – University of Toronto Press
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Cloth ISBN: 9781442643086
eBook ISBN: 9781442695412
PDF ISBN: 9781442695405


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Elite-McManus-EME2141

The Elite Young Athlete

(Karger, 2011)
EME 2141

Sport is by its nature competitive and even during youth it is performed at different levels with elite young athletes at the top of the performance pyramid. A coordinated series of comprehensive, research-based reviews on factors underlying the performance of children and adolescents involved in competitive sport is presented in this volume. Leading exercise and sport scientists provide the latest information on the physiology of young elite athletes, the essential role of nutrition, and the effects of endurance, high-intensity and high-resistance training and overtraining as well as on the importance of laboratory and field-based monitoring of young athletes’ performances. Further, thermoregulation and environmental factors that might affect performance are reviewed. Finally, strategies for preventing sudden cardiac death and the diagnosis and management of common sport injuries in young athletes are discussed.

The book provides up-to-date, evidence-based information for sports scientists, coaches, physiotherapists, pediatric sports medicine specialists, and other professionals involved in supporting elite young athletes.

(Description Source: Karger)


Author

Ali McManus earned her doctorate from the University of Exeter, UK and held a faculty position at the University of Hong Kong for 18 years before joining the School of Health and Exercise Sciences at UBC in Kelowna in 2013. She is a past President of the North American Society for Pediatric Exercise Medicine and is the Editor-in-Chief of Pediatric Exercise Science.  She directs the CFI funded Pediatric Exercise & Inactivity Physiology Research Laboratory (PERL), which focuses on generating a greater appreciation of the cardiopulmonary and vascular impact of exercise and sedentary behaviour during childhood and how this is altered with various environmental challenges.


UBC Library Holdings

http://tinyurl.com/y3taqnnm


How to Purchase this Book

From the Publisher – Karger
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9783805595506
eBook ISBN: 9783805595513


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Education-Martin-EME2141

Education in a Post-Metaphysical World
Rethinking Educational Policy and Practice Through Jürgen Habermas’ Discourse Morality

(Bloomsbury, 2012)
EME 2141

What does it mean to say that a person has been educated? This question forms the basis of global education policy debates; from the way governments establish funding for national school systems, to the way children are treated in the classroom. Should there be a common ethical core to such policies? What kind of educational process should aboriginal groups in Labrador, Canada, have a moral right to, and should this process be different from what children in New York’s boroughs have a claim to? Should a school-based curriculum, such as the UK’s National Curriculum, make well-being a central concern or are there other ethical dimensions to be addressed? Christopher Martin explores these questions and argues that the best way to consider them is to view education as a matter of public moral understanding. He brings together traditions of thought central to philosophy of education, such as R.S. Peters, and connects this tradition to the moral philosophy and critical theory of Jurgen Habermas, whose theory of Discourse Morality has previously been given little attention in education circles.

(Description Source: Bloomsbury)


Author

Christopher Martin is an associate professor of Philosophy in the Faculty of Education at the University of British Columbia (Okanagan). His research focuses on the philosophy of education. His specific areas of interest include educational ethics, the aims of higher education, and education for democracy. His work has been funded by the Social Sciences and Humanities Research Council of Canada, the Spencer Foundation, and the Centre for Ethics and Education (Wisconsin).


UBC Library Holdings

http://tinyurl.com/y3ydwfmz


How to Purchase this Book

From the Publisher – Bloomsbury
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Paperback ISBN – 9781472569127
Hardcover ISBN – 9780826433602
ePub ISBN – 9781441111081
PDF ISBN – 9781441122902


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.

Placing-Latta-EME2141

Placing Practitioner Knowledge at the Center of Teacher Education
Rethinking the Policies and Practices of the Education Doctorate

(Information Age Publishing, 2012)
EME 2141

Rethinking the Education Doctorate so that practitioner knowledge is at the center of programmatic concern in teacher education raises provocative education policy/practice considerations. Participants in the national Carnegie Project on the Education Doctorate (CPED) are doing just this. Their accounts of rethinking what counts as educational knowledge and their reconsideration of the roles of teacher educators, scholar-practitioners, students, policymakers, and others are illuminated in this book. Asserting the primacy of practitioner knowledge, the book generates a rich and complex terrain of issues and considerations that participating CPED institutions navigate as multiple technical, normative, and political questions at the crux of educator preparation, professional growth, and control of their field. And, it is this terrain that calls attention to the nature of practitioner knowledge and its inherent potential for redirecting, mediating, and generating education policy. Conversations within and across national and local levels orient away from technical means-ends “what works” questions alone, and open into normative and political questions about educational value and professional action.

In documenting the largest, most coordinated effort to rethink the educational doctorate in a century of such efforts, this book will interest teacher educators and programs engaged in pre-service and graduate-level teacher education, practicing K-16 teachers, and education policy/practice interest groups and individuals. Illustrating a policy development method that is neither top-down nor necessarily ‘grass roots’, it also invites the interest of other educational sectors. Additionally, as CPED implementation contexts value interdisciplinarity, multiple methodological perspectives, and interactions and deliberations across interests, the lived consequences and significances of doing so are mapped out and, as such, hold much potential for policy/practice intersections within manifold education settings, and beyond, to settings of all kinds invested in the primacy of practitioner knowledge. Thus, a core goal of this volume is to broach these considerations with a broad readership.

(Description Source: Information Age Publishing)


Author

Margaret Macintyre Latta is the director of Education and a professor at The University of British Columbia (Okanagan). She’s a former classroom teacher at the elementary, junior high, and high school levels who returned to graduate studies compelled by John Dewey’s (1938) assertion that within aesthetic experience is a learning approach and direction. The aesthetic is understood as attention to the creating process, primary to the arts, permeating all learning—thus adapting, changing, building, and making meaning. Her scholarship addresses the integral role of aesthetic considerations such as attentiveness to participatory thinking, emotional commitment, felt freedom, dialogue and interaction, and speculation within the acts of teaching and learning. She terms these neglected epistemological assumptions, elemental to learners and learning. She believes the aesthetic merits serious consideration as a pragmatic and philosophical necessity missing in much schooling. Aesthetic teaching/learning contexts call for rethinking and revaluing what is educationally important. She is committed to the primacy of teachers in the lives of their students and the long-term impact on the future, contributing to the scholarship regarding school curriculum, teacher education, and professional development reform initiatives.


UBC Library Holdings

http://tinyurl.com/y5xelmuc


How to Purchase this Book

From the Publisher – Information Age Publishing
From Used-book Sellers – ABE, Amazon, Antiqbook, Biblio, Vialibri

Hardcover ISBN: 9781617357381
eBook ISBN: 9781617357398


UBC Okanagan Classroom Artwork Project

The University of British Columbia Okanagan Classroom Artwork Project aims to display academically inspiring artwork in classrooms and other teaching areas of the university.

Artwork displayed as part of this project – including the covers of books and journals containing work written or edited by UBCO scholars and researchers – is intended to help enliven university teaching spaces, educate classroom users about the connections between research and teaching, and introduce members of the broader public to some of the research and scholarship carried out at UBCO.


How to Submit Artwork

If you know of other book or journal covers, or other academically inspiring artwork that is connected to work carried out by UBCO artists, scholars or researchers and that is consistent with UBCO’s educational mission, please email your suggestions to classroom.artwork@ubc.ca.

The UBC Okanagan Classroom Artwork Project began in 2019 with support from the Irving K. Barber School of Arts and Sciences. It is now a joint project of UBCO’s Faculties and the Office of the Provost.

Artwork and other images that are a part of this project are displayed solely for educational purposes.