Assignment 2:6 – Authenticity

Posted by in Assignments, Unit 2

5] “To raise the question of ‘authenticity’ is to challenge not only the narrative but also the ‘truth’ behind Salish ways of knowing “(Carlson 59). Explain why this is so according to Carlson, and explain why it is important to recognize this point.

When one questions the authenticity of a narrative, they are simultaneously questioning the beliefs of the people to whom that story belongs. Carlson says that “we have grown so accustomed to associating authentic aboriginal culture with pre-contact temporal dimensions that we have dismissed or ignored Native stories that do not meet our criteria for historical purity.” (Carlson: 56) By questioning whether or not a story is authentic, you are questioning the legitimacy of a peoples history. As Carlson says on page 57, there is no authentic or inauthentic stories, just better remembered or less well remembered that come from reliable or less reliable sources. The way in which “authenticity” is defined is subjective and differs across cultures. Westerners tend to require physical proof as a means of verifying a stories authenticity. Whereas, for example, in the Salish culture as Carlson points out, “historical accuracy is largely assessed in relation to people’s memories of previous renditions or versions of a narrative and in relation to the teller’s status and reputation as an authority.” (Carlson: 57) Therefore, where one group see’s literacy as a key aspect of their society and culture, written texts are evidence that points towards authenticity. People that have oral traditions as prominent aspects of their society, take the story-tellers reputation and status into account when deciding whether it is authentic. I believe this point is important, both in general and to Carlson, because it challenges ethnocentric views about the “truth”. Ways of knowing differ from culture to culture, stories are passed on in different ways and different versions of stories are told and retold. Questioning authenticity is not only reinforcing ideas that there can only be one true history, but it is putting into question the legitimacy of both the story and the ways of knowing of that particular culture. By looking through the Coyote stories and poems on the Indigenous Network, it was clear to see that there are many different stories being told and remembered. The way in which these stories are remembered is different, yet to each teller, they are equally important and essential in building their people’s history and preserving their culture and beliefs. Carlson’s point takes the practice of accepting more than one perspective one step further; by this I mean that once one knows and accepts that there is more than one story to be told on any given matter, they can then accept that there is more than one way to tell and preserve the story in a way that does not in-authenticate it or diminish it’s value or importance. Carlson talks about how Western history books have footnotes to cite credible sources in which the information was found, as well as how in Salish culture a sort of “verbal footnote” is used where the teller cites their credible sources in which this information was told to them. The only difference between the two is the mode in which it is carried out, however the principle and process are essentially the same. By understanding this, and accepting the authenticity of these stories, it is creating “new starting points for cross cultural dialogue” (Carlson: 45) that will open new doors of communication and sharing between groups that have long suffered a cross-cultural divide.

Works Cited

Carlson, Keith Thor. “Orality and Literacy: The ‘Black and White’ of Salish History.” Orality & Literacy: Reflectins Across Disciplines. Ed. Carlson, Kristina Fagna, & Natalia Khamemko-Frieson. Toronto: Uof Toronto P, 2011.