Category Archives: FINA Gallery Exhibitions

The FINA gallery in the foyer of the Creative and Critical Studies Building hosts exhibitions throughout the year.

Objects in Suspension

Meg Yamamoto is an MFA student at UBC Okanagan, completing her degree in the summer of 2018.

Meg’s research explores the process of connecting to place through creating place-based art, particularly in the perspective of an artist surrounded by an unfamiliar environment. Her work looks at the various lifeforms observed in the Okanagan (both native and alien) and how they contribute to the Okanagan’s place identity. She examines how the process of encountering, observing, identifying, and appreciating the lifeforms of the environment in order to establish familiarity over time plays an important role in the development of one’s “sense of place”. Through heuristic reduction (the method of overcoming the taken-for-granted attitude by viewing the world through the eyes of wonder), Meg illustrates the ordinary and commonplace of nature as significant and definitive aspects of the Okanagan.

Meg ‘s MFA thesis exhibition, Objects in Suspension  was in the FINA Gallery from June 16 to 29, 2018.

 

She installed a previous installation of Objects in Suspension in the Alternator Centre for Contemporary Art from April 13 to May 5, 2018. 

 

 

Jo-Anne McArthur and We Animals


Jo-Anne McArthur & We Animals 

Jo-Anne McArthur is an award-winning Canadian photojournalist and the founder of We Animals. For fifteen years, she has travelled the world, documenting our complex relationships with animals. We Animals images have been used by hundreds of organizations, publishers, and academics to advocate for animals. McArthur is a sought-after speaker and is the author of two books, We Animals (2014), and Captive (2017). She was the subject of an award-winning documentary, The Ghosts in Our Machine, released worldwide in 2013. In 2017, McArthur and the We Animals team launched the We Animals Archive, a resource where thousands of images are made available for free to anyone helping animals.

weanimalsarchive.org

weanimals.org

joannemcarthur.com

Please Don’t Turn Away

“Powerfully disturbing. These images take us to dark and hidden places visited by only a few determined and courageous individuals like Jo-Anne McArthur. They reveal the secret practices that many people will not want to know about. For the animals’ sake, I beg that you will not only look but feel.” – Dr. Jane Goodall

 

Images of animals as they exist in the human world show the depths of human cruelty, but also the boundlessness of our compassion. Looking at – and truly seeing – the pain of animals trapped in cages on factory farms, held in chains behind a circus tent, reaching out from between the bars of a zoo’s exhibit; seeing these realities is the first step towards acknowledging humanity’s complicity with the suffering experienced by these individuals. To simply show suffering is not enough, however; the storyteller who seeks to make change for animals must create images that challenge the viewer to look, but compelling enough that the viewer does not turn away. The dark reality of our treatment of animals is contrasted by the tireless work of those working to liberate them, and by the lives of the rescued, rehabilitated, and respected animals. Through both stories of suffering and stories of hope, McArthur’s images are crafted to inform and to inspire. Thank you for your courage. Thank you for not turning away.

 

The Sons and Daughters of Oddleifur


Shauna Oddleifson

The Sons and Daughters of Oddleifur

 

I spent a month in Iceland with a hope to gain an increased understanding of my own heritage, and of how the natural and cultural environments of Iceland have shaped my identity. I went with a project idea, to create a series of narrative drawings that will incorporate cultural and familial aspects of my Icelandic heritage. My plan for this residency was to connect with the culture and history of Iceland, about which I know only a little. I do recall, however, the Icelandic folklore stories that my paternal grandfather told me as a child. During the residency, I connected with a local genealogy organization, and came away with a very long list of relatives dating back to 800 AD. My time in the studio was spent creating a series of drawings, using my little girl character, this time as a Viking, in Icelandic settings.  While travelling around Iceland, I was intrigued by the ways the natural environment has such an impact on the Icelandic people. In my drawings and prints I have tried to capture this idea while tying it to my family lineage as descendants of infamous Viking, Eric the Red.