“The Idiot” was released in Japan under the name “Hakuchi” in 1951, directed by Kurosawa Akira and later released in the United States in 1963. This drama film was based on the storyline by Russian author Fyodor Dostoevsky depicting the aftermath of World War II exploring the themes of money, relationships, friendships, and society. The main characters of Nasu Taeko, Kameda Kinji, and Akama Denkichi are played by Hara Setsuko, Mori Masayuki, and Mifune Toshiro, repectively. The two female characters are both attracted by the main male character, who has become an idiot after experiencing psychological trauma during the war,
After being released from a mental hospital in Okinawa, Kameda boards a train headed to his hometown of Hokkaido. On board the train, Kameda has a nightmare bringing back wartime memories of close to death situations. He lets out a horrible shriek waking up all those aboard the train. This incident on the train leads to Kameda befriending Akama, son of a wealthy family who takes an instant liking to him. After they arrive in Hokkaido, the majority of the people look down on Kameda because he is an idiot, but gradually change their minds after they find out he is kindhearted and not one to hold grudges against others who have mistreated him. As the story unfolds, Taeko is introduced as a woman who seems to “sell” herself to any man who can “bid” the highest amount of money. Akama successfully challenges Kayama to become the highest “bidder.” However, he soon finds out that he will never have her heart for she has fallen in love with Kameda. Akama is then torn between friendship and love.
What struck me the most about this film was Kurosawa’s camerawork. He uses steady shots with minimal zooming to focus on the characters throughout the length of their conversations and occasionally scanning the set to emphasis the setting. In the beginning of the movie, Kurosawa scans the length of the train to illustrate the atmosphere and the number of people Kameda has disturbed with his scream. The camera then stops and focuses on Kameda and Akama when they begin their conversation. In another scene, Kurosawa uses long shots to portray the lavish lifestyle Taeko enjoys at Kayama’s residence, showing the exquisite furnishings and the luxuries that are available to her. The long shots also emphasize the spaciousness of the house and the number of guests it can accommodate.
Another aspect of the film I really enjoyed was the selection of music and special sound effects used to accompany the storyline. It adds as well as giving emphasis to the atmosphere of the situation bringing out the emotions that the characters are experiencing. One scene where this is demonstrated is when Kameda, Ayako, Mrs Ono, and Kayama were outside by the pond where a number of masked people were skating. At first, the music makes the mood mysterious and suspenseful. The atmosphere becomes more lighthearted and cheerful when the music changes into a more cheerful tone. Moreover, in the closing scenes of the film, the music playing in the background suggests what might have happened by defining the mood with sorrowful music. This helps the audience understand despite a vague ending.
This film gave me an insight on what how the war might have affected people, creating long term psychological problems. While the storyline was somewhat interesting, I found the film too slow-paced for my liking. The slow flow of the film left me impatient but allowed me sufficient time to read the English captions. Overall, I would recommend “The Idiot” to viewers interested in post-war Japanese cinema.