Tag Archives: modernity

Week 8: Signs of Crisis in a Gilded Age

In the lecture video for this week, professor John talked about how modernization in Latin America tended to be superficial, and “trouble was brewing” under the surface. In the article about Diaz by Creelman, we read last week, Mexico seems to be a stable and peaceful region with no crisis in sight. Yet, reading this week’s material, it’s easy to see how many problems, violence, and inequalities were being glossed over.  The way “Plan de Ayala” justifies their right to rebel against President Madero, whom they previously supported, seemed very interesting to me. When I imagine a revolution, this kind of civility is not what comes straight to mind. Maybe this is the kind of action that Diaz implied when he was talking about the Mexican people becoming civilized enough for proper democracy. Or perhaps Zapata used educated and intelligent words instead of depending on violence right away to legitimize his demands as a person with indigenous heritage who were often thought to be uneducated and backward.

The great effect the United States had, and probably still has, in the region is also very evident. In both La raza cósmica and To Roosevelt, the authors have certain respect or awe for the development the U.S. had made while criticizing the nation. the phrasing in Rúben Dario’s poem which stood out was his references to Spain, such as “Spanish America” and “cubs of the Spanish lion”. Why bring up the previous colonizer, Spain, when trying to make a point to the potential new colonizer, the U.S., that South America is not a place to be reckoned with? I thought it a bit counter-intuitive to mention the region’s previous dominators in a poem proving Latin America’s strength and independence. This could go back to the topic of the Identity crisis in Latin America which we have been discussing throughout the weeks. José Vasconcelos’s points on race and racism in La raza cósmica was fascinating. He mentions how the superiority of a certain race is only established to justify the reign of the rulers in that particular period in time. Also, he states most great nations in history had mixed races and one race cannot create a sophisticated civilization on its own. Living in a relatively homogenous country myself, I could argue against Vasconcelo’s statement. However, considering the time and place the text was written I can’t deny that if races were to mix according to Vasconcelos’s ideals, the domestic situation would probably have been very different.

Week7 The Export Boom as Modernity

The struggle of transitioning to modernity is something that is hard to completely understand for people living in the present. Yes, of course, we still have flaws and faults but I believe we also have many solutions for problems that were unsolvable at the time. Yet we look back at history and often think “why couldn’t they have thought of such a simple solution?”. I think this also ties into what Mr. Dawson mentioned when talking about reading documents from the past. “We have the benefit of hindsight, and tend to impose ex post facto meanings and
importance on these texts, looking for a writer’s capacity to predict the future rather than
situating the text carefully in its present”(Dawson 129). We already know what comes after the writing was published so it’s very easy to see the irony, however, I never actually thought about how the authors at the time had no idea what was going to happen next, just like I have no clue where I might be two years from now (although I’ll still probably be at UBC who knows?). Just as Professor Jon had said in his lecture, “the future is hard to see, even when it’s close at hand”.

Another thing I want to write about is photography. Considering the fact taking a picture was probably a huge deal at the time, I think the photographs show the astonishment and pride people in Latina America felt towards the railroads, trams, artifacts, and plazas. The photographs represented modernization in the region. On the other hand, the portraits of the indigenous people, peasants, and agricultural laborers have a very similar aesthetic to the cast paintings, especially since they were used to record the nation’s populations. In this sense, although photography is a symbol of modernization, it was still used to reinforce old ideas of racial discrimination and white/European superiority.

One more thing I want to touch upon is the way, Creelman romanticized Días’s character and regime. I will admit, I only had very little to no knowledge about  Porfilio Días and his presidency except that he is considered a dictator who held his position for an extremely long time in Mexico. Reading Creelman’s article gave me the exact opposite description as a patriotic, kind, wise man who unwillingly held on to his position for the greater good of Mexico. Given that the US was considered much more civilized and modern, describing an autocrat in this manner seemed very strange. However, what Dawson said in one of the videos for this week provided a reasonable explanation for this, which is that with all the corruption in the US at the time, Creelman probably did not think the States was a nation of a perfect democracy. Additionally, Creelman may have believed that Latin America, or Mexico in this case, was an uncivilized place where force was necessary to establish order.

Discussion questions:

  1. In Creelman’s text, he quotes Días talking about presidents should be able to hold office without limitations of terms as long as the citizens kept electing the individual. Do you agree with this idea? why or why not?
  2. If racial discrimination did not exist or was less prevalent in Latin America, would the process of modernity undergone more equally throughout the region?
  3. What would Latin America look like today if the economies depended more on the national market rather than foreign ones?