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why am i sad this is over…

It feels so weird to be done. This class helped me push up my yearly reading goal on Goodreads and now, I won’t have a constant recommendation on what to read anymore. No joke, this class made me think of joining a book club because reading the novels and discussing them in class was my favourite part of it.

What I didn’t expect was how much these books would start to feel connected, even though they come from completely different places and styles. A lot of them deal with the theme of identity, but not in a simple, straightforward way. In these books, the theme of identity is always changing and shifting depending on your environment, your relationships, and the stories you tell yourself. In The Book of Chameleons, identity is literally something you can buy and rewrite, which makes it feel unstable and almost fake. But then in My Brilliant Friend, identity is shaped through obsession and comparison, where Lenù is constantly defining herself through Lila. It’s less about choosing who you are and more about shaping yourself based on the people around you.

The theme of power and control also showed up in multiple ways. In The Impatient, it is very direct, with the idea of “munyal” forcing women into patience and silence. The Impatient was a very suffocating read at times because of the emphasis on patience, despite it not improving the women’s lives one bit. However, in Nada, the control is quieter and more internal. Even though these books are so different, they all show how limited people can feel within their own lives, whether its because of society, relationships, or even themselves.

If I had to pick my absolute favourite book this semester, it would be My Brilliant Friend. None of the books over 200 pages made me as invested as this one. It was so intense and obsessive and despite Lenù writing the book almost 50 years after the incidents of her childhood, she remembered her feelings about Lila throughout. Their friendship was crazy and now, as I am halfway through the second book in the series (The Story of a New Name), it’s is just getting more intense.

Some other honourable mentions for my favourite book are Nada, The Trenchcoat (because of how easy it was to read and how quickly I got through it), and Money to Burn.

Overall, this course didn’t just make me read more, it made me read differently. I started paying more attention to patterns across texts, especially near the end of the course. It was so interesting to me to see how differently these characters are shaped by their worlds, and how stories can feel completely unrealistic but still say something very real. I think that it what I’m going to take with me, following the end of this course.

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The Impatient – patience is DEFINITELY NOT a virtue

In The Impatient by Djaïli Amadou Amal, one of the main ideas throughout the novel is that women are constantly told to be patient, but patience does not actually improve their lives. Instead, patience becomes a way to control women and force them to accept forced marriage, violence, and polygamy. Through the stories of Ramla, Hindou, and Safira, the novel shows how women are expected to suffer quietly and just accept whatever happens to them.

Ramla’s story was the most striking for me. In her society, marriage is treated as a family alliance rather than a relationship based on love. Ramla wants to marry Aminou, the man she loves, but she is forced to marry Alhadji Issa instead. Her father says, “Marriage is not just a matter of feelings. On the contrary, it’s first and foremost an alliance between two families.” (p. 26). Here, Ramla’s feelings don’t matter and marriage is treated as a business arrangement. Ramla also describes her tense relationship with her father by saying, “a girl cannot approach her father, a girl cannot embrace her father.” (p. 42). This shows how distant and authoritative fathers are in this society, and it explains why Ramla cannot refuse the marriage or even talk to her father about what she wants.

Hindou’s story is the most extreme in my opinion and shows just how patient a woman is supposed to be in this society. She is forced to marry her cousin who is abusive and violent. He drinks, disappears, and one night, he comes home drunk, bangs on her door, forces her to come out, and beats her, giving her a black eye. The family and Moubarak also don’t acknowledge this: “[they] avoided meeting the gaze of my black eye. It was nothing but a misunderstanding. Yet another one.” (p. 64). Hindou has no choice but to endure the marriage and his violence with no option of leaving.

Safira’s story shows the emotional impact of polygamy. She is Alhadji Issa’s first wife, and Ramla becomes the second. One of the saddest moments is when Safira says, “Through the window, I hear the griot praising the beauty of my new co-wife. These words pierce my heart.” (p. 101). She has to listen to people celebrate her husband’s new marriage while she just sits inside and listens. She cannot complain or stop it, she just has to accept it. Later, Safira basically convinces herself that this situation is fine because she believes Alhadji Issa will eventually get bored and come back to her after the honeymoon period. She stays mostly for the sake of her children, which shows that patience in the novel is sometimes more about survival than acceptance.

By the end of the novel, Ramla is the only one who leaves her situation, while Safira stays for her children and Hindou continues to suffer. The novel suggests that change only begins when women stop being patient and start refusing the roles forced onto them.

Discussion question: Why does Ramla leave while Safira stays, and does the novel suggest that one of these choices is better than the other?

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