Casta vs Rococo – One same Era, Two different times

Reflecting on the paintings of the 18th century reminds me of the Rococo art I saw during my trip to France. In France, the art of that era celebrated life’s pleasures, with its ornate details and pastel hues. In contrast, casta paintings in Colonial Latin America delved into as seen through the reading complex tapestry of racial diversity and societal structures. While Rococo art offered an escape into a world of leisure, casta paintings confronted the intricate realities of the colonial society. These paintings weren’t just art; they were mirrors reflecting the multicultural, intricate world of Colonial Latin America. Casta paintings display a unique perspective on the challenges and diversity of the era, making them a vital part of the region’s history and artistic legacy.

In the tour of the Rococo at display I had it was explained that in the 18th century, art often aimed to convey religious devotion, depict leisure, or embrace classical ideals,however it it very Interesting to see that casta paintings dared to be different. They took on the role of sociopolitical commentary, addressing the complexities of racial mixing, identity, and social hierarchy. 

From memory, Rocco art depicted leisure and love, offering an escape from reality. Casta paintings, however, were deeply rooted in the societal realities of the time. They weren’t about escaping; they were about addressing the caste system and reflecting the complexities of the diverse colonial population. 

 

Today, in Mesoamerica, art continues to be a powerful medium to express struggles and challenges. Artists often address issues like indigenous rights, and social inequality through their work. A path to reach a larger audience would be the the use of murals and street art to raise awareness like the famous Diego Rivera, known for his powerful and politically charged murals like the Man at the Croass roads (1933). The mural showed a person holding a hammer and a symbol that looks like a sickle, which represented Rivera’s strong backing of workers and communism.