MOA Field Trip Assignment

IMG_5442 IMG_5337

I’ve decided to create my narrative through visual art represented here in the piece titled ‘Belonging’ Oil Pastel on Watercolour.

As long as I can remember I’ve felt like an odd duck. I never fit in well with my peers at school and spent the majority of my time in University exploring the notion of ‘belonging’ inside and through my artwork. Does that give me the title of artist? Maybe. Canadian, definitely, I have a passport that says so.

I am also, gay, and so I know a little something about being a marginalized minority.

I’m not comparing growing up gay in Canada to the entire genocide of First Nations people. I do know what it feels like to be isolated from my culture, though, growing up in a small town in northern Alberta and feeling like a complete alien to the world around me. Too sensitive, feminine, creative, all I wanted was to find peace inside a community and family structure that didn’t understand me, and tried to change me.

When I look at Lawrence Pauls work I feel the physical and emotional otherness. The First Nations iconography is often juxtaposed against European ideals. The ideas play together quite harmoniously in an aesthetic context and yet the tension just below the colourful surface is evident. The piece I chose to photograph made me feel very uncomfortable. It was a mass of old white underwear in the shape of a cross to represent the children who died in residential schools. I could never, and will never fully understand their suffering, and so I felt my only option was to link it to my own and create a piece that spoke to that isolation and fear.

As previously stated, my homosexuality is not genocide. The fear and shame I felt as a child, is not the same as a child forced to attend a residential school. My experience operating in the world, as a functioning adult with ideas, opinions, spirit, and, yes, some residual shame, is what I have to draw upon to try and understand the desecration of the First Nations people. It is my personal mandate, and one of the reasons I decided to become a teacher, that no child under my care and protection, ever be made to feel inferior for any reason. I’ve spent my adult life trying to repair the guilt I feel for something I can’t control, but that has also fostered within me an empathy for similarly marginalized children, regardless of circumstance.

No one should be left behind.

Posted in Uncategorized | Leave a comment

Portrait of a Residential School Girl-MOA

IMG_1647IMG_1648

Above are two photos, one is a piece from a collection called “Portrait of a Residential School Girl” and the other is a passage describing the piece. I turned a corner in the MOA and this piece caught my eye immediately. Not only are the materials used to present this image visually pleasing, but the painting tells a story all on its own. To me the markings on her face represent internal scars more than anything; what she has endured only she can feel, regardless of what others may see. As soon as I witnessed it’s ‘beauty’ it affected me and I knew I had to write about it. Here is my narrative relating to this beautiful and intense piece of art.

She can’t see them when she glances in the mirror; they don’t quite reach the surface, at least not yet. Internally scarred, the marks imprinted on her spirit weigh even heavier on her heart. What is worse? Physical scars that everyone can examine, or wounds that are embedded inside of her soul that only she must endure? Survival; a word never uttered throughout the hallways of this residential school. Hair chopped short, plain bleached white blouse tousled over her violated body, she barely even recognizes herself anymore. How can she have hope when she is consistently forced to conform to this “school’s” expectations and decree? If she doesn’t they will be beaten into her anyways; then the scars will really surface. Who is protecting her? How long can it last? Conform, they say, who you were no longer exists anyway.  

Posted in Uncategorized | Leave a comment

MOA

File_000 (5)

The above photo is of a bentwood box of a First Nations tribe, brought to the Museum of Anthropology. Teachers wanting to use an object such as this in the math classroom can use concepts such as Surface Area and Volume to do so.

Discovering the surface area or the volume of the boxes can be a great way to allow students to understand the size and weight the boxes could be, and also a great way to help them realize what First Nations tribes used them for.

Posted in Uncategorized | Leave a comment

IMG_20160530_102650

Lawrence Paul Yuxweluptun work called “Gone Green”

This painting caught my eye as it is comprised of different shades of green and I love the color green. It is meant to represent trees and the belief that trees are sentient beings. This really resonated with me. Part of technology education is about where our resources come from. Learning about what kinds of wood we are working with and where they come from are important. It reminded me of the importance of using local materials and to continue to make sure that our natural resources are not squandered.

Posted in Uncategorized | Leave a comment

Game Prisoners Theory

I taught Sibal how to react when two criminals get caught and are forced to either confess or not confess. Along that, the payoffs of what the two criminals will get according to what they both decide to do. This problem known as the Prisoners Dilemma.

She learned very fast and asked a lot of questions and brought up the same interactions that animals have (She is a biology major =)) During her time teaching to the group, she did not have too many problems explaining asides from the more technical economic terms but overall all the group members understood!

Posted in Assignment 2 Content Area Text Trade | Leave a comment

MOA Visit

william totem

Upon seeing this gate, it brought me the understanding of acceptance. As a business major, we all know too well the importance of monetary focus. However, I think what is lost in the process is often the intangibles traits like forgiveness, love and care. These are traits that are not key determinants in a business setting yet are very important ethical attributes we should possess. However, it seems like our world as a whole is turning away from these traits. As these changes happen, it may go unnoticed in our daily lives but I feel it really should not be forgotten. I believe this is the aspect of our life that the indigenous people has kept. The reason why I believe the gate is symbolic in that I know once I enter it, I will be accepted regardless of who I am. Thus its message is strong and why the picture resonated with me during my visit to the MOA.

Posted in MOA Field Trip | Leave a comment

MOA field trip

Haida Hot Dog

haida hot dog

Haida Hot Dog

Hello, Haida Hot Dog. Love that alliteration. Why did I choose you, Haida Hot Dog? Because you made me feel warm and fuzzy and you made me laugh. It’s basic, 14 year old boy humour. But then I looked closer at you, and I saw your ovoid shape, the Haida colours, the raven, and I began to reflect. What are you about? What are you trying to say? This is what I like in drama, my go – to favourite thing: to laugh and then think about it. You’ve got to engage your viewer, if you want to talk about tough stuff. That’s the hook of your lesson. That’s how I plan my classes – the invitation to learn, the lesson, and the reflection. So I’m hooked cause you’re familiar looking and just kinda funny for whatever reason, the lesson is what you’re trying to say to Aboriginals and Westerners, and the reflection is me, sitting here, thinking about you and what you’re trying to tell me.

Posted in Uncategorized | Leave a comment

MOA Fieldtrip

13342943_10204727420744299_4760861901940872240_n

What do you see?

I see a violin.

I see a guitar.

I see a fan.

I see a weapon.

I see an abstract sculpture.

People have different ways of seeing and understanding the world.

Posted in Uncategorized | Leave a comment

Morrison Braves – Lacrosse

MOA Narrative

The Morrison Braves lacrosse team of Kitamaat prepared to make their voyage down the Kitimat River to face off against the Terrace Lumberjacks for one last battle.  The winner to be crowned West Coast Lacrosse Champions of 1967.  The boys knew that blood and sweat would be shed as all the work they had put in throughout the season came down to these sixty minutes.

The referee blows his whistle and the game begins.  Back and fourth the men fight like gladiators, battling for every possession of the ball.  Heading into the last minute of the game the score is tied up 7 – 7.  With the clock ticking down, the Braves make one final push.  Wilfred Wilson picks up the ball and fires it down the field to Tim Starr who nimbly steps around a defender and with a forceful stroke puts the ball in the back of the Lumberjack’s net.  With that the home crowd silences as the Morrison Braves take the field to celebrate their championship.  Well done boys!

Posted in MOA Field Trip | Leave a comment

text trade

MY GRAPHIC TEACHING INSTRUMENT

graphic teaching instrument

THE TEXT
IMG_3474 IMG_3475

THE RESULTS

The teacher was very confident in transcribing the equation. He really understood how to break it down. He did NOT understand the objective aspect, essentially the second part of the equation. He got his students up and verbing with other students, many were keen to volunteer to give it a go as well. He finished teaching with one minute to spare, that minute could be used to teach objectives. I did not realize the objective aspect would be so complicated, but clearly it deserves its own minute of teaching.

Posted in Uncategorized | Leave a comment