Tag Archives: reality

Concluding Post

This was by far the most interesting literature course I have taken so far. The format allowed me to be flexible in the way I was reading the novels. While in previous literature classes I have taken I was required to focus on methodical and technical skills while reading, I finally felt like I could enjoy the novels in RMST 202. Instead of looking for literary patterns or hunting for specific themes, I really felt like I was able to just focus on what the authors were trying to express in the books we’ve read. I didn’t feel like I had the pressure to identify specific concepts and, instead, I was able to write about what struck me about the stories. This was extremely beneficial in terms of my understanding and my contribution to the class. The discussion-oriented classes and blog posts were very stimulating. I learned a lot about other people’s perspectives by commenting on other people’s posts and about my own biases. 

In terms of the contents of the course, reading books from Italian, Spanish, and Mexican authors was fascinating. We are so used to reading books written by English-speaking authors that we often forget to expose ourselves to different cultures. Learning about different countries, societies, characters, places, and more was refreshing and I’m very grateful that I was able to do that through literature. Especially since we live in an age where we can learn about any culture on the many media platforms at our disposal, I loved re-discovering literature as a way of knowing. Lastly, reading novels written by Italian authors in English was very interesting for me. As an Italian native speaker, I was able to put myself in the shoes of non-native speakers who have to be translated versions of Italian novels. This was extremely thought-provoking and taught me how beneficial yet tricky translation can be.

To answer the question with which we started the course, I definitely noticed some differences as well as similarities between the different books. We read stories told by different authors treating different themes, but what I found all books had in common was a romantic type of storytelling. We had established at the beginning of the course that the class would have little to do with romance as in a love story fairytale type of thing. However, ironically, there was a romantic quality to all the novels that captivated me. A sort of dream-like mood and the blurry line between reality and imagination were common denominators in almost every book we read. I don’t know if that could be associated with the fact that these are novels originally written in romance languages, but I personally feel like this could be a partial answer to the purpose of this course.

My question for the class is: did you find a dream-like quality to be recurrent in the novels or do you feel like that is just the common feeling we get when reading stories?

Thank you to Professor Jon, Jennifer, and Patricio for this wonderful course!

– Bianca

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“The Old Gringo” by Carlos Fuente

As much as I liked the actual story that Carlos Fuente writes about in his historical novel The Old Gringo, I can’t say I enjoyed this novel as much as other texts we have read thus far. I found the narration quite chaotic, it was hard for me to stay engaged, and I initially couldn’t understand what message the author was trying to convey. That being said, I appreciated some of Fruentes’ choices when capturing the partially-real story of Ambrose Bierce and I will try to explore them in this post.

Firstly, I liked the sharp irony and the paradoxes. While the old gringo’s initial purpose is dying in the heat of the revolution, he ends up being shot by Pancho Villa only after he is already dead. Similarly, while Harriet leaves the Unites States and the lie she has been living with her mother to find a new life in Mexico, her spiritual journey ends up being full of death and disappointment. Lastly, Arroyo seems so invested in leading a revolution against the Mirandas but ends up being emotionally attached to the worthless papers he finds in the hacienda as he is himself the bastard son of a Miranda. I really liked Fuentes’s use of irony as it gives a more lighthearted feel to a somewhat intense and violent historical novel centered on realistic events that occurred during a revolution.

Secondly, I enjoyed the lyrical tone that the author gives to the novel through stylistic aspects. Like Professor Beasley-Murray explained in his lecture, the repetition of the sentence “Now she sits alone and remembers” adds a dreamlike quality to the novel that – again – made the historical narrative less consuming for me. The characters’ flashbacks and the frame within the frame narration are what made the story more interesting for me. They gave a mystery-like feel to the story and – although they were somewhat confusing at times – made a plain story quite intricate. The fine line between reality (Ambrose Bierce’s real-life story) and imagination (basically all of the made-up adventure that the old gringo goes through after he crosses the border with Mexico) is hard to identify while reading the novel, but once the reader learns more about Bierce’s biography it is fascinating to see how factual evidence, myths, and fantasy intertwine in Fuentes’ work and enrich the story of an American writer who lived over one hundred years ago.

My question for the class is: in your opinion, do irony and fantasy take away from or add to the historical narrative of Ambrose Bierce’s life?

– Bianca

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