Tiken Jah Faloly – Y’en a Marre and Viens Voir
Oct 8th, 2009 by Skyler Des Roches

Tiken Jah Fakoly is an Ivoirian musician living in political exile in Mali. His lyrics and message are very powerful and I believe he captures the contraditions and inconsistencies that exist in West African and North-South politics. This post actually consists of two song – though I’ve only posted the one video (Viens Voir has no music video) – because the totality of his message cannot be grasped in a single song (or even two songs, for that matter).
Y’en a Marre (We’ve Had Enough) critiques the relationships that has existed between North and South as captured by dependency theory.
Translation of lyrics:
(Chorus: )
We’ve had enough
Africa has had enough
We’ve had enough
The people have had enough
Journalists assassinated
Because of assassin presidents
Generals in command
Oppressed populations
Aid to the countries diverted
Famished populations
The nations funds squandered
Human Rights ignored
(Chorus)
After the abolition of slavery
They created colonization
Once we found the solution
They created ‘cooperation’
As we denounced that situation
They created globalization
Without explaining globalization
Babylon* is exploiting us
(Chorus)
{Yaniss Odua :}
We must stop supporting this
The life of our brothers doesn’t count for
this gang of vampires**
Stop the wars keep the faith
Faya (fire) on all the heads of state that
send us to kill our brothers
They don’t respect us
It’s the same thing for their laws
They don’t even look when the people
reclaim their rights
They absolutely do not share the money
It’s not that there isn’t any
They do nothing for our sisters who
sell themselves to live in this world
(Chorus)
Assassin-presidents
We want no more!
Generals in command
We want no more!
Child soldiers
We want no more!
Orphans of war
We want no more!
(Chorus)
Africa has had enough
Of all these plots
My people have had enough
Of all these manipulations
Africa has had enough
Of all these exploitations
My people have had enough
Of all this oppression
Africa has had enough
*Babylon: a reggae/rasta term meaning the (corrupt) establishment, ‘the man’, the system, the authority and, in this case, the North and modernity.
**Vampire: another reggae/rastafari term meaning the oppressor, the exploiter.
Viens Voir (Come See) (Viens Voir video) is a critique of the mainstream development initiatives that often depict and refer to Africa as a destitute and helpless. Rather, Tiken affirms – and not only in this song – that Africa is a place of richness. Resource rich, cultural richness and diversity, generosity. Tiken rejects the notion that Africa needs to be saved by the North.
Translation of Viens Voir:
(Chorus)
Come see, come see
Come see, come see
You who speaks without knowing
Bamako, Abidjan or Dakar
Sierra Leone, Namibia, Kenya
Come see
My Africa is not what they would have you believe
Why always the same faces?
Why always the same comments?
Why always the same reportages
To listen to them, my Africa would be nothing but drought and famine
When we listen to them, my Africa is nothing but combat and mine fields
Come see
(Chorus)
My Africa is not what they make you think
Not a word on the history of the continent
On the civilizations and riches of the past
Not a word on the values
The people who welcome you, their hand on their heart
(Chorus)
My Africa is not what they want you to believe
Africa is not what they want you to believe
Come into our families
Come into our villages
You will know what is hospitality
Warmth, smiles, generosity
Come see those who have nothing
See how they give
You will leave rich
You will never be able to forget
Come see
Both these songs are sung in French, but Tiken Jah Fakoly also sings in Djoula and occassionally English. These two songs also both address international issues, whereas many of his songs are focused on domestic issues in Cote D’Ivoire and other West African countries.
Enjoy,
Skyler
One Response to “Tiken Jah Faloly – Y’en a Marre and Viens Voir”
Thanks for the post Skyler. I was turned on to Tiken Jah Fakoly this summer by a friend Jawara, who was raised in Senegal. I am especially struck by the seriousness of the lyrics and their intentions for which I am shameful for previously ignoring. Particularly the chorus in Y’en a Marre in which Tiken Jah Fakoly artfully outlines the implementation of violent and hegemonic processes from slavery to globalization. The video is also highly effective in projecting the importance of knowledge through song and dance. I can really feel the passion behind the message.