Category Archives: wildlife

Aside

… some photos from the water-world of my summer internship: Cetacea Lab. The North King Lodge boat is from James. Enjoy!

Panoptic Boredom/Suffering Science

Last week, I found myself sitting in front of Cetacea Lab’s spectacular observation window staring at absolutely nothing for several days straight. A heavy front had rolled in and settled across Taylor Bight; even the island less than half a kilometer away was cloaked. One never knows with cetaceans, so we were doing whale scans nevertheless: left to right; front to middle; middle to back. Creatures to locate, identify and mark down on a sheet. As the hours passed one shift, my thoughts drifted from the chair where my body sat. Somewhere out in the fog, I had repositioned myself to face the observer, his tireless red eye gazing from the Tower of Taylor Bight. As the vision-cone came sweeping by, I lowered my dorsal fin and quietly sank into the bubbles.

One of the hardest things about doing science, as I’ve come to know it, is in confronting that strange dialectic between boredom and curiosity. How to pair the scanning, counting, and data crunching that confines our thought with the mental openness necessary to cultivate liberatory interspecies relationships? I’ve coined a term for the condition I sometimes find myself in with the scan work: panoptic boredom. It emerges in that flattening state of specular repetition – a psychic and bodily indigestion which is also a hunger for more visuals to gnaw away at. I’d like to advance the idea that panoptic boredom operates as an extreme foreshadowing of Facebook. Both produce boredom effects by a similar set of imperatives structuring the relation between observer and observed: Looking rates that make possible the surveilling of multiple identities instead of individuals; looking-rules that train the eye to gravitate towards known-in-advance information coordinates; embodied looking-roles that mediate the observer’s position with an interface – a window or a screen.

To feel boredom of any sort presupposes many sorts of privileges. To occupy the panoptic position suggests power. I’m not trying to bemoan the drudgeries of information work or disavow its responsibilities. But as a critical geographer doing whale science, I am beginning to rethink the politics of discipline – all too easily a shock word for me and many of my colleagues. Dedicated scientists who ‘look out’ for animals must pass through panoptic boredom and all its condition forms of neglect, distraction, and imaginative fancy. We need disciplining strategies to perform the identifications necessary to provide space for our companion species, and that means strategies that respect their dramatic ‘nonidentity’ as well – Theodore Adorno’s word for the preponderant ‘thing’ which necessary overcomes its own conceptualization. In their panoptic spatial disciplining, I wonder if critical scientists aren’t in fact performing a kind of suffering – foregoing the depth of their interspecies encounter so that others may find fullness. As scientific activity, panoptic boredom is a like a sigh marking the absence of that feature we should never lose sight of: scientific curiosity.

Economies of Exchange: Fish vs. Gold

Thank you for the Artemia blog welcome. In previous posts topics have included whale music, flesh-eating beetles, the animal rendering facility in east Vancouver, aliens, tattoos, commodities, etc.  Sticking with the animal theme, this post is about fish.  Southwest of Williams Lake in British Columbia’s interior Teztan Biny or Fish Lake has received important media coverage over the last few years because of the (re)proposed Prosperity gold-copper mine.  The Tsilhqot’in Nation has expressed continued concern with the proposed mine, including opposition associated with the initial, rejected environmental impact assessment.

This initial rejected proposal included a plan to drain Fish Lake, which involved the mining company’s congruent plan to relocate the fish from the Lake.  Though in 2010 the federal environmental review did not deem the mine environmentally sound, the company continues to pursue the project and has submitted a ‘new’ environmental impact assessment.  The Tsilhqot’in Nation expresses continued concerns over the proposed mine, including inadequate consultation efforts.

Getting back to the blog themes, Artemia is in some ways about the economies of life, like the lives of the fish in Fish Lake that managed to avoid relocation through the initial federal environmental review process.  Artemia’s theme of the economies of life, however, seems equally about the economies of death.  Not to be morbid here, but previous blog references to the movie Alien and flesh eating beetles could be read as the economies of a lack of existence/life as opposed to the economies of life/existence.  In other words, one of the Artemia’s themes (the economies of life) extends beyond ‘life’ and is also about threats to life.  To the economies of life, encounters that question the life/death, existence/non-existence dichotomy are central.  Are the economies of life as much about lives avoiding death? Like the relocation of fish, and the threat to aqua livelihoods in Fish Lake?

In relation to the proposed gold-copper mine, the fish in Fish Lake have avoided relocation, but have not avoided being referred to as a moveable living subject directly related to the economies of gold exchange.  This proposed exchange was based on the insignificance of the fish in Fish Lake relative to the potential ‘prosperity’ that could be attained through gold-copper extraction.  These moments and economies of exchange could be read as the economies of life, economies of avoiding death or perhaps the very economies of existence.

The Misanthrope’s Guide to Wildlife Rehabilitation

Misanthropes like fieldtrips too. But beautiful paintings and concert piano will only upset the misanthrope. And the only exhibit at Science World of interest to the misanthrope is Body Worlds.* Maybe.

Go fish

Good news! The misanthrope will feel immediately at home at the wildlife rehabilitation centre. Not only will the wildlife centre offer respite from the city’s overwhelming anthropocentrism, but also its ethos will appeal greatly to the misanthrope. Deep satisfaction will be derived from wildlife rehab’s guiding policy regarding the inversely proportional relationship between animal contact with humans and animal survival: to maximize the chance of animal survival, the misanthrope will be delighted to know, the animal must minimize encounters with human beings.

Sarah the Barn Owl, O.W.L Rehabilitation Centre, Ladner, BC

For this reason, the misanthrope will only have access to the portion of the rehab centre that is open to visitors, which includes those animals deemed “non-releasable” (beyond repair) and therefore confined to captivity until death. Off limits to the misanthrope will be the cages of animals being rehabilitated for eventual return to the wild. Many animals are brought to the centre injured or ill, and are nursed back to health. Other animals have become “habituated” to humans (as pets) and their anthropomorphisms need to be undone lest they be released and wander straight into the arms of another human, which is to say, according to rehab ethos, back into captivity or even to death.

Undoing “humanization” can take years and usually involves instilling in animals fear and dislike of humans. This is accomplished by deploying misanthropic technologies, like shooting fireworks near the animals, exposing them to electric fences, or spraying them with water if they come too close to a human, for example giving a volunteer caretaker a wedgie.

Stevie, a juvenile spider monkey at ARCAS Wildlife Rehabilitation Centre (Guatemala), just sprayed for giving a volunteer a wedgie

At ARCAS

The misanthrope may also have the opportunity to conduct an educational tour of the centre, where s/he may encounter pleasing signs and exhibits confirming the misanthrope’s deep distrust and dislike of humankind.It is recommended that the misanthrope bring along a camera to capture the effect of the most gratifying of these signs: a mirror image of the misanthrope reflected beside a sign declaring who is responsible for the extinction of animals, or who is the most foolish and destructive species. The misanthrope will revel in such unrestrained declarations of humankind’s barbarism.

A misanthrope at ZOOMAT, in Tuxtla Gutierrez, Mexico

The misanthrope will leave the wildlife rehabilitation centre refreshed and rejuvenated, reassured of his/her disdain for the human species, and maybe enjoying an unfamiliar sensation of affinity with other beings, these solitary, captive creatures. For what good misanthrope would not believe Aristotle, who said that a misanthrope is not a human at all but must be a beast (or a god, but we won’t open that can of humans…).

*Body Worlds: another necro-economy for sure! Its creator, German “celebrity anatomist” (a rare achievement, I’m sure!) Gunther von Hagens, and exhibitors have been accused of being “body snatchers” who deprive the medical community of organs for donation with their “dead body porn“. Harsh. Sounds like the makings for another ARTEMIA post… Foreshadowing!