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IMAGINE UBC 2015: POWERED BY ARTS

The Imagine Day Pep Rally
The Imagine Day Pep Rally

I get to welcome our entering classes each year at “Meet the Dean” on Imagine Day. This year our entering class was so large that we used up all the seats in the Chan Centre for both ceremonies and had to seat hundreds of students on the stage!

Introduction: Making your own history

We begin all official ceremonies at UBC with this short declaration:
“UBC is located on the traditional, ancestral and un-ceded territory of the Musqueam people.” The Musqueam are a Salish First Nations people who remain our neighbours, and so we take advantage of these moments to recognize our debt and our close relationship – I hope that during your time at UBC you’ll have the opportunity take advantage of their hospitality to learn some things about First Nations cultures or languages, perhaps in the new Institute of Critical Indigenous Studies, or you could start just down the street at MOA, a museum of aboriginal and global arts and culture that is one of UBC’s – and Vancouver’s – leading attractions.

But first, let me welcome you to UBC, and welcome to its largest and most diverse faculty, the Faculty of Arts. It’s an auspicious year to be joining UBC. It’s our 100th birthday, and all year long we will be celebrating the incredible achievements of the last century, and envisioning the possibilities for the next 100 years. We’re 100 years old but still growing strong.

This is where you come in. You are creating the next part of our history as well as your own— you are the first entering class of the next hundred years!! We invited you to join UBC’s Faculty of Arts because we believe you have what it takes to succeed, grow and flourish here. We expect that each of you will make a great contribution to our remarkable community.

I was reminded just last night about the contributions our students are making in the world. My daughter, my niece and I were out kayaking, trying to squeeze in one more bit of summer enjoyment, and afterwards we stopped in to our neighborhood convenience store. The owner, whose son graduated just last spring from UBC in Arts, asked me about the start of school. In turn, I asked her about how her son was doing.

It turns out that he went to Europe to teach English in Spain—I remember him telling me this on stage as he graduated—but as he was travelling in Serbia, the Syrian refugee crisis began to peak. He found himself volunteering in Belgrade, providing food and clothing to this massive movement of people through Europe fleeing conflict zones and overpopulated refugee camps. Apparently he is heading soon to Budapest in Hungary to continue in his volunteer role before starting his job. His mom is very proud of him—as am I. You may not all find yourselves helping in the middle of a global crisis, as he has, but you should find yourself with new skills and a new worldview, ready to engage with the world.

Overflow students on stage at the Chan Centre break the ice.
Overflow students on stage at the Chan Centre break the ice.

Let’s get acquainted

If you’re feeling overwhelmed, you’re not alone. Clever tweets, Facebook and Instagram posts aside, I can assure you that virtually everyone here is at least little nervous — myself included. I’m a bit shy by nature and it’s not easy to talk to 2,000 students at once on stage at the beautiful Chan Centre.

So let’s break the ice. In a minute I’m going to ask you to turn to someone to your right, or left or behind you — someone you don’t know — and introduce yourself. Tell them something about you… maybe your current Netflix binge-watching obsession, your pet’s name, something about your family, or your 10-second take on the meaning of life.

I know it can be uncomfortable to talk to a total stranger, but Arts UBC is a place where we take risks and stretch out of our comfort zones, so let’s start today. I’ll get the ball rolling. Here’s some things few people outside my family know about me (except you, now): I cut my own hair. My favorite song: probably “Psycho Killer” by the Talking Heads (before your time), and when I was a very little boy my father called me “A walking compendium of useless facts and trivial knowledge”, anticipating, I think, that I would someday be a professor.

Okay, now it’s your turn. Find a neighbor or two, introduce yourself and tell them something about you. Great—that was the easy part of my talk – I didn’t have to do anything! Now that we all have someone we can say hi to, let’s get down to why you’re here.

Making a difference

Show of hands — how many of you know what you want to do with your life? My guess is that even if you do know, you may have no idea what that actually looks like, or how you’re going to get there. That’s okay. Actually, that’s fantastic, because it means that you have the flexibility to grow and change along with your interests and the rapidly changing world around us. Most of us don’t have a long-term vision of what we want our lives to look like or a plan to get there.

I still ask myself what I’m going to do when I grow up. I started out in Forestry, before dropping out of university to become a community organizer, and then radio deejay, festival organizer, musician, and tractor driver. Eventually, I went back to school and found my passion for ethnomusicology, the study of the world’s music in its cultural and social context. When I discovered ethnomusicology, I knew I had found something that I could do for the rest of my life and not get bored.

Whether you have a plan, or are open to taking a circuitous route like I did, one thing most of us do know is that we want to be relevant, we want to make an impact on the world, make a difference and make our lives count, and we also want to enjoy what we’re doing. Asking yourself through your university years how you can build on your passions and interest to make a difference will help you to fashion the path ahead for yourself. Your Arts UBC degree will ground you in new ways of thinking. It will give you the latitude to explore your interests and to sharpen your focus. It will power your life and career.

The Pep Rally in the year of UBC's 100th Anniversary
The Pep Rally in the year of UBC’s 100th Anniversary

Exploring your interests and passions: toward a personalized education

An Arts education is a powerful tool in your arsenal as you consider your future career and lifetime of learning. We don’t know which specialized skills will be in demand in the future. But we do know that as technology and economies change rapidly, general intellectual and analytic skills are at a premium.

Here at Arts UBC we are not training you for your first job—or even for a job that exists now! — but rather giving you the skills you’ll need to be prepared for a lifetime of successful transitions and new challenges.

An Arts UBC education will heighten your cultural sensitivity, carry out research, organize your thoughts and communicate them clearly, effectively and persuasively. Whether you go onto graduate school, a professional program like Law or Business, or seek employment after graduation, an Arts education is the edge that will position you broadly and allow you to make a real contribution to your community.

The diversity of Arts is an advantage: it will allow you to create your own personalized program to emerge from the university life-ready and world-ready. There are countless options to choose from. We are home to four institutes, five schools, 16 departments, 750 faculty and thousands of courses. You can choose majors and minors from dozens of options in social sciences, creative and performing arts, humanities, interdisciplinary programs and more—and you are encouraged to take courses in other faculties. From this extensive and diverse platform, the opportunities for a unique educational journey are literally innumerable.

Let’s say you’re interested in helping communities preserve and make sense of their cultural resources – you might consider combining studies in History, Anthropology and some Computer Science courses. A degree that combines Political Science with Religious Studies will prepare you to understand regional and international conflicts. Putting together Economics and Asian Studies, you could contribute expert perspectives on trade and globalization. Seriously, the possibilities are endless. The secret is to take control of your education.

I’m not trying to scare you. My goal is to excite you about the possibilities the next few years hold and your chance to design and chart your own course. This path most likely won’t be a straight line, but I promise you that it will lead to a deeper understanding of yourself and the world around you.

You are making a huge investment in time and resources to be here, so by all means take some time to stretch yourself and explore your interests – our programs let you do that. These are the years where you begin to write your own unique story. If you are intentional, if you actively take a leadership role in your education, if you pay attention to your interests and take advantage of the unique power of an Arts education, opportunities will unfold.

You have four years in front of you to learn about what you’re interested in, leverage your talents, explore your ambitions, develop priorities and set goals. You have the privilege to do so alongside some of the very best minds out there — not just your professors and TAs but the students all around you today. We’ll do our best to create a safe, supportive environment where you can take academic risks. I challenge you to do so, and to have the courage to get back up when you fail.

Arts and employment

Employers want to hire people who know how to communicate, who have the ability to solve problems, and embrace teamwork. One third of Fortune 500 CEOs have Arts degrees. A recent survey on employer priorities showed that not only do employers recognize the Power of Arts, but wish more university graduates had the unique toolkit that an Arts education provides. In that survey, 82 percent of employers wanted universities to do exactly what we do here at Arts UBC — place more emphasis on teaching how to learn, including analytical reasoning skills. In addition, 80 percent wanted more emphasis on written and oral communication skills, and 91 percent wanted to see more emphasis on problem solving in diverse settings. This is not just abstract talk. There are more and more global business leaders pointing to the benefits of an Arts education.

Tony Golsby-Smith, founder and CEO of Second Road, an Australian strategic planning firm, noted in Harvard Business Review that if corporations want innovative thinking, they should hire Arts graduates because they are experts at answering “What if” questions, and because, in his words,

“People trained in the humanities who study Shakespeare’s poetry, or Cezanne’s paintings, have learned to play with big concepts, and to apply new ways of thinking to difficult problems that can’t be analyzed in

Wrap-up: Making the most of your time at UBC

Make the most of everything UBC has to offer. This is a truly unique and formative time of your lives. Believe me, it goes by quickly, so soak it up. On the academic side, exploit opportunities to apply what you’re learning in the classroom out into the world. Not only will this help you to retain information, but it will also give you the opportunity to make sense of it in real-life situations.

You’ll find that many of our programs put an emphasis on experiential learning. We offer Community Service Learning Courses where you can explore and contribute to our local communities. If you want to go further afield, Go Global exchanges can take your education around the world. You might also consider applying to the Arts co-op program where you can integrate work experience into your degree.

Of course, it’s not all learning all the time. Make sure to take the time to develop a social life — make new friends, join clubs, explore the Arts and Culture Quarter and everything it has to offer, from music to theatre to outdoor feasts (come to concerts in this great concert hall!).
And please — if you find yourself struggling, first, be kind to yourself. Next, ask for help. The Arts faculty and staff and most importantly our student advisors are here for you. We truly care about your wellbeing, and we are deeply invested in preparing you for your future. I encourage you to talk to an Arts Advisor — it’s a great place to start.

I’ve touched on just some of the many things this amazing, 100-year-old institution has to offer you as you lay the foundation for creating a rewarding and relevant life and career that will be powered by Arts. I wish each and every one of you the best for the coming year. Thanks for listening. I hope to see you later at the pep rally.

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A Fire to Be Lit/Kindled

I gave a keynote over the weekend for the Golden Key International Honour Society here at UBC. Given the Society’s emphasis on Academics, Service, and Leadership, I talked about how education can serve to transform students and light a passion for life and learning.

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The title of my talk, “A Fire to Be Lit”, comes from a saying attributed to the Greek-born philosopher of the 1st century CE, Plutarch, a passage often pithily paraphrased as: “The mind is not a vessel to be filled, but a fire to be lit/kindled.”

The actual quote is a little less of a zinger, and it comes in Plutarch’s essay called “On Listening”: “For the mind does not require filling like a bottle, but rather, like wood, it only requires kindling to create in it an impulse to think independently and an ardent desire for the truth.” (1927 Loeb Classical Library Edition).

Plutarch’s dichotomy, the “vessel to be filled” and the “fire to be lit” captures a millenia-old battle over the meaning of education that still roils the waters until today.
Just yesterday, The Globe and Mail featured an op-ed column by Gary Mason that derided the new British Columbia K-12 curriculum, a curriculum that allows students of different ages to study and learn together; it allows for different paces as well as different styles of learning; and it brings students together to learn in groups focused around big issues and problems. BC’s goal is to stimulate curiosity and passion for learning. Mason dismissed this approach as “laissez-faire”, disparaged what he termed the “edubabble” that constituted the theory behind the proposal, and he weighed in squarely in favor of “rote memorization” and frequent and stringent testing as the core of primary and secondary education. In other words, he revealed himself to be a devoted partisan of the “vessel to be filled” approach.

Classroom problem-based learning

Is there any evidence that the rote-memorization-and-testing approach generates among students a passion for learning, moreover for lifelong learning? In my experience, it often produces the opposite—a lifelong aversion to learning, an “ardent desire” perhaps only to be entertained. I see it from where I sit: students who come to university having mastered the arts of short-term memorization and test-taking too often fixate only on getting the best grades possible in order to position themselves for the highest-paying jobs possible, and they emerge from the university experience unsure of their interests, shallow, unformed, unprepared to live rich and meaningful lives or to follow their hearts into a career that mirrors their passions.

Mason complained that the new curriculum will not allow students to get into university, but he is seemingly unaware of the move towards broad-based admissions at many universities, UBC included. Such processes take into account the whole student, his/her motivations, interests, readiness, and love of learning.

Mason also criticizes the new BC curriculum for failing to prepare students for the “world that awaits them”? Where in the world are those jobs requiring workers to memorize facts and to do well on tests? The employers of which I’m aware more often ask that their employees work together to solve problems, and that they know how to research, to come up with creative solutions, and to communicate those solutions and their findings. So which approach: the “fire to be lit” or the “vessel to be filled” truly prepares students for the world that awaits?

As Leonardo da Vinci, one of the most creative individuals in recorded Western history, said: “Study without desire spoils the memory, and it retains nothing that it takes in.” Again, like Plutarch, da Vinci focuses on desire, or “passion”, as the essential requirement for true learning, the precondition for lighting that fire.

I will argue, based on a long experience as a learner and as an observer of learners, that learning is deeper and more profound when students are active, not passive; when they are able to frame and ask questions rather than hearing answers; when they can speak as well as listen; and when they engage their curiosity and partake in a discovery process that, at least to me, appears closely akin to play. And study after study backs up my experience and observation, showing that university students learn better with these forms of pedagogy than they do from the lecture, long the staple of university education.

So why do some university professors still depend so thoroughly on lectures? Perhaps because their own professors lectured and they have remained with the model that some call “chalk talk” or “sage on a stage” out of inertia or simply comfort. It was never a great way to teach, but knowing what we know of the data from the last 20 years, it is increasingly difficult to justify it as a pedagogy. From lectures, students typically recall less than 30% in short-term memory, and much less is processed into long-term memory. I’ve recalled in materials before the comedian who went by the name Father Guido Sarducci who used to present a stand-up routine that he called the 15-minute university. His point? Students only remember about 15 minutes out of all of their university lectures, so in his university, they would just teach those 15 minutes – then they’d give you a cap and gown, a piece of paper, and a glass of champagne and out the door!

And this is an important point. If one’s goal is to fill the vessels, the goal will be constantly undermined by how leaky those vessels are.

I mentioned play earlier in relation to learning. We’re born with an aptitude for play and in our youngest years—and this is true of most mammals—we take joy in exploring the world, testing our limits, engaging in light roughhousing with others, learning to feel and sense our place in the world, and all the while exercising not only our bodies but our curiosity. Our learning in those years is yoked to the proclivity for play. And play helps to form that truly human capacity to see what is not in front of our eyes, but what is metaphorically called “the mind’s eye”: I’m speaking of the imagination. As children grow up and go to school, we subjugate learning to sitting in seats, listening to someone in the front of class, and taking notes, and we run roughshod over that playful impulse and its relationship to the formation of our mind and to imagination, losing the opportunity to light a fire.

A leading critic of contemporary education, Sir Ken Robinson, views our current forms of K-12 education as counterproductive of creativity, imagination and intellectual growth. He has argued that, “Imagination is the source of every form of human achievement. And it’s the one thing that I believe we are systematically jeopardizing in the way we educate our children and ourselves.”

As a species, we humans face a troubling set of challenges, so many of which are global in scale. We are eradicating species on a daily basis; hurtling towards a climate catastrophe in the span of decades; deepening the divide between haves and have-nots; facing virulent pandemics as well as poverty, famine, and tyranny … everywhere we look we encounter crises of our own making. Governments across North America, whether Federal, State or Provincial, or Municipal, proclaim the need for innovation in the face of these challenges. And yet we continue to teach in a fashion that bears little relationship with the stimulation of innovation through the cultivation of the imagination and the desire to learn. We have created a fundamental disjuncture between our needs as a society and as a species and our system of education. This is as true of university education as the K-12 level.

Allow me to take a short excursion: I’ve long been fascinated by the career of the late Walt Disney, and I’d like to relate a little-known part of his life and career.

The train station at Disney World

In the 1930s, having had great initial successes with his black-and-white cartoon shorts featuring, among others, the character who became Mickey Mouse, Disney was experiencing setbacks in his business during the Depression, and he faced competition from others, including his former partner. Experiencing creative malaise, he retreated to his property in California that he shared with his wife. To combat depression, and to indulge a childhood fantasy, he built a 2/3rds sized railroad steam engine and track on his property, and much to his wife’s concern and dismay, he spent a lot of his time riding around their property in that steam engine wearing a conductor’s hat. This is where most partners would call in the therapists to prescribe the antidepressants. Riding around this way one day, though, Disney began to wonder how many other people might want to escape in the way he was, to explore themes right out of their fantasies? Was there a business in providing this escape? And in his imagination a new form of form of entertainment, a theme park, was born: Disneyland in Anaheim California. The world’s most successful entertainment franchise born out of the childlike imagination of a grown man playing with trains.

Parenthetically, Disney later named his team of engineers, designers, and innovators the Imagineers. In that team, Disney for a time created the kind of atmosphere that fosters the kinds of creativity that can shape an era, and atmosphere that encourages absurd ideas to be given daylight, one that doesn’t bureaucratically strangle the future by quashing innovation. The Bell Labs of the 1950s and ‘60s was another such place; so were Apple and Google for periods of their history.

University faculty and students can and should be the ultimate “Imagineers” and a university education should be able to nurture creativity, imagination, inspiration and innovation in this way. We have all of the right people and resources to do it.

Disney’s genius was to use his own passion and to generalize it to incorporate others into his world. He took a problem, his own escapism, and reframed it in a new context. This is equivalent to the well-worn phrase “thinking outside the box”. In the country of Haiti, where I do my research, it is common to talk about this process as “gade yon bagay an kan” (looking at something “on edge”). Back in the 1960s a young teacher, Sunny Decker, wrote about her experiences teaching in a poverty-stricken community in a book called An Empty Spoon, and she wrote, “part of the art of teaching is the ability to rearrange the world for students…to see things in a new way.” It’s when that new way of looking at something takes hold that the spark is lit.

Inspiration can emerge from this novel way of thinking about a problem—you can overcome intractable problems if you approach a problem with a fresh perspective. There is no menu for how to do this, although it may help to have people with different backgrounds, disciplines, and perspectives in contact with each other to enrich the dialogue and the resources that are brought to bear;

In the term that I prefer, active, interactional, and experiential learning can be submerged within the rubric of “transformative learning”, where the learner by having various switches turned on, becomes someone new over time. You’ve experienced this, haven’t you? It’s a form of learning that is deeper, and that sticks with the learning longer than the material crammed for a test ever could. In talking with students who have done service learning and research course around the world, almost all of them talk about how putting their learning to use transformed them and their ideas and even their worldviews.

How do we make these forms of learning available to all students? You may have noticed more courses at UBC using real-world problem solving exercises at the heart of the syllabus; you may have found your instructor encouraging the use of iClickers, or more sophisticated devices, to register student attention, opinions, or suggestions in the classroom. You may have found the more rote aspects of a course – its basic lecture content – delivered through video while classroom time is devoted to interaction, role-play, question-and-answer or other types of learning that require face-to-face contact with an instructor. Screens, projectors, and real-time-videoconferencing can bring the world into the classroom while forms of lecture capture can broadcast or podcast the classroom activities to the world.

At the same time, more classes are using the community as their laboratory, engaging in service learning or in community based experiential learning; others may travel the globe to combine international learning and research. And why shouldn’t undergraduate students be doing research – this is essentially the process asking and finding ways to answer new questions. Research is curiosity-in-motion and it should occupy a prominent role in postsecondary education. Cumulatively this points to an emerging style of education that is more problem-based and more active and interactive and that integrates learning in the community and around the globe. I believe this is transformational learning.

If done right, this is a form of education better calibrated to lighting a fire. In his magical book, Le Petit Prince, Antoine de Saint-Exupéry has the Prince say, “The only things you learn are the things you tame”: the active, experiential, and problem-based learning, facilitated with technology, is the kind that allows the learner to tame and to incorporate knowledge, and it is the kind of learning kindles the fire.

Of course it takes lots of discipline, persistence, and practice to master a subject well enough so that inspiration and imagination can be useful in problem solving. The Russian composer Tchaikovsky reminded us that, “Inspiration is a guest that does not willingly visit the lazy.” So I want to stress that transformational styles of learning don’t reduce the work you have to put in – if anything, the hope is that they inspire you to hard work and that they reward you more for it.

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On the horizon


In transit in the Beijing airport. Photo by Yves Tiberghien

I stole the title of this blog from the global music radio show I hosted in the 1970s in Madison, Wisconsin, but it seemes a fitting title for a rumination on universities in the global era.

As I write this, I’m on the highway from the downtown of the mega-city of Chongqing to the Sijuan Fine Arts Institute. The weather here in Chongqing is humid and 40 degrees, but I feel quite at home, having worked on-and-off through my adult life in the Caribbean. Indeed, even the spicy Sijuan food is a natural for me. I’m here as part of a UBC delegation to the municipality of Chongqing to sign a wide-ranging memorandum of agreement with the municipality and with the city’s many universities – it’s the first agreement of its kind in China where an entire city pledges to work with a foreign university for research, faculty exchange, student exchange and public impact.

Chongqing is often thought of as the gateway to the west and southwest of China. With 32 million people, it’s the size of Canada, so imagine that UBC is now working with the universities and a political entity the size of our entire country! Nestled along the bend of the great Yangtze river with the Jialing river and its tributaries running through and around the city, and ringed by mountains, this is a huge manufacturing city and the only city run directly by the central government that’s not on the Eastern seaboard (the others are Beijing, Tianjin, and Shanghai, and Hong Kong now falls in this category too). The universities with which we’re meeting include the comprehensive universities of Chongqing University and South West University as well as some more specialized universities: the South West University of Politics and Law (SWUPL), Chongqing Medical University, the Sijuan International Studies University (SISU), and the Sijuan Institute of Fine Arts (SIFA). Among them they present a rich set of opportunities for researchers collaborations, and some will make great partners with which to create joint and dual degrees or with which to exchange students for short-term study.


With the deans of the South West University of Political Science and Law. First row, L to R: Senator Jack Austin, Dean of Law Mary Ann Bobinski, me, and Yves Tiberghien, Director of the Institute for Asian Research.

I’ve believed for decades that North American universities need to look out on global horizons: no great university can be anything other than a global university. For our students to be competitive in a world of international travel, trade, and communication, they have to be world-ready, proficient in intercultural communications, and intellectually cosmopolitan. They need the opportunity to learn as they travel and to engage with international students in and out of the classroom at UBC. Our professors, whose research interests already span the globe, need good quality partners, co-researchers, and supportive institutions abroad. They need to travel, collaborate with leading researchers in foreign universities, present their findings in global contexts, and publish in other languages, and so we need to find ways to smooth their path and to facilitate exchange.

No country in the history of the world has ever invested more in postsecondary education than China has in the last decade and a half. Starting in the late 1990s China built from scratch more than a thousand universities, which joined many already established universities such as Tsinghua, Shanghai Jiao Tong, Beijing and Hong Kong University. The Chinese are investing to bring their leading universities upwards in global rankings, and China will, within a decade or at most two, be a major importer of students from all over the world. Chinese universities are determined to make sure that their students travel as part of their studies to learn from the experiences of universities abroad, and they are keen avoid the isolation that characterized the period before the 1980s.

I knew that many of the facilities would be new and impressive, but what was most surprising in the trip was the advanced sense of pedagogy among university administrators and faculty. They have limited lecturing in many places to less than 50% of class time and have converted traditional lecture halls into practicum facilities for simulations, debate, and problem solving. At SISU, I toured great facilities for Model UN meetings, negotiation-simulation rooms to train diplomats, and very contemporary computer-classrooms. This is right in line with our own goals, but the Chinese, as usual, seem to be able to turn the ship faster.

UBC is Canada’s Gateway to Asia, and agreements like this one with the Municipality and universities of Chongqing will deepen and broaden our engagement with China and with Asia in general. You may have also heard that we’ve launched the China Council at UBC (www.chinacouncil.ubc.ca), with our Vice President Research & International and former Senator Jack Austin as co-chairs. This too will help UBC to collaborate, coordinate, and communicate on China much more efficiently and effectively. Arts is perfectly poised to be the key player in advancing our Asian interests, with both the Institute for Asian Research and the Asian Studies Department within the Faculty, but also with key Asian-focused researchers in Economics, Political Science, History, Art History, Sociology, Anthropology, Geography, Music, Philosophy, Social Work and more.

As a visitor to Chongqing, the trip can sometimes feel like a long sequence of banquets, with many, many toasts, but the reality is that these visits build friendships, partnerships, and concrete plans for advancing our collaborations beyond the standard language of memoranda of agreement (MOUs). The Chongqing hospitality is legendary, but more important is the optimistic, open, spirit of cooperation with which we’ve been met. The 21st century may turn out to be the Asian Century, but initiatives like this are intended to make sure that Canada, and especially BC and UBC, are key players in this Century. And of course our strategic interests with Chinese universities aren’t confined to a city, and our international collaborations span the globe. For example, on September 3rd, after Imagine Day festivities, I take off for Menton and Rheims, France, to meet and engage with the first of cohort of dual degree students between Sciences Po (university) and UBC. But right now, I’m thinking about all the ways that this partnership can help our students and faculty, and, as always, thinking about how we keep our eyes on the horizon.

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Thanks to serendipity

Given my job at this university, you might be forgiven for thinking that I have had an intentional and a planned life and career, although in reality, it was far from this. In thinking about the paths that our students will take into their unknown futures, I considered my own path from undergraduate student to becoming their dean. This is supposed to be a blog, and not the great Canadian novel, so I’m going to have to serve up the abridged version about how a former tenant organizer, tractor driver, and musician finds himself as dean of a leading Arts faculty.

This story should probably start when I dropped out of college. I was a forestry major at the University of Wisconsin, but had transferred into landscape architecture. Increasingly I found myself too energized to sit in class, too concerned about the state of the world to put off my interventions in it, and more and more in love with music and its ability to move people. And so I dropped out of school, determined to travel, devote myself to community organizing (I became the director of a statewide tenant’s union), kayaking, and most of all, music, which was now clearly an overriding passion. I joined a traditional and Irish rebel music with a band, launched a world music radio show on community radio, and started to organize festivals. After the unexpected death of my sister, I felt the need to regroup, I found myself working as a tractor driver and foreman of an apple orchard in New England. But a life of apple harvests wasn’t in my future either, because in tipping an apple bin one day, my back exploded in pain and I found myself incapable of physical labor or even of sitting for any length of time for some years until back surgery corrected the problem.

What was I to do as an ex tractor driver and tenant organizer with a bad back? First I tried selling Time Life Books. Let me describe the scene: I sat in a room full of telesales people with a call list and a script for selling, say, “The Wild, Wild West” series; and like others, I hoped to be called in front of the room to win a salesman of the week award. Instead my supervisor called me in to say that my verification callbacks had produced the lowest rate of confirmed sales in the history of the Seattle office. Fired from even this lowly job at the age of 28, I was already a failed Time Life Books salesman, which was a sobering proposition.

As a tractor driver and apple orchard foreman, age 27

I stumbled on another job possibility. A coffee shop in downtown Seattle, called Starbucks, was going to open a second branch – imagine that, a second branch of Starbucks – What were they thinking? — and they needed an assistant manager. Now, I had worked for a year in Wisconsin in a coffee house, so I brushed up on my knowledge of coffee and tea, but failed to be interviewed for the job.
But here, my chaotic narrative begins to take shape, because on the very next day in August, the Seattle Times newspaper carried a story about a shortfall in University of Washington admissions, noting that they would take applicants off the street for the semester that was going to start in two weeks. I headed down to admissions and signed up. As my finger ran down the list of possible majors to declare, it stopped at “ethnomusicologist”. Here was a term that seemed to resonate with my interests in world music, Irish and Caribbean music performance, and maybe even progressive internationalism. My finger kept coming back to this major, like a compass needle finding magnetic north. I had stumbled on my calling in life.
You have to understand that every conversation with my mom for the last ten years had come around to the question: “When are you going to go back to school?” So the first person I called was my mom to tell her that I was now enrolled to get a BA in ethnomusicology. After asking what that was, and what in the world I would do with a BA in it, she got around to the crux of her concern, “Aren’t you a little old to be in school?

Okay, perhaps I was. But I had committed just to the two years that it would take for me to finish a BA. However, my professors had other plans for me and nominated me for a Mellon Fellowship for graduate school. I hadn’t planned on graduate school, but the Mellon was a powerfully persuasive tool. And Mellon required a 5-year commitment to teaching. Five years of study and 5 years of teaching add up to a ten-year plan! I had never planned more than 6 months ahead in my life, so this kind of timeline was something new to me.

I wish I could say I planned any of it, but back injuries, university admissions cycles, and the failure to earn my fortune with Starbucks had led me to something about which I was passionate and to which I could devote myself fully and for the remainder of my life– this was a clear case of serendipity at work.
Allow me to take a quick digression concerning serendipity. It was in 1754 that Horace Walpole, the 4th Earl of Orford and cousin of celebrated Lord Nelson, wrote a letter in which he coined the term “serendipity”, from the Persian name (Serendip) for the island nation now called Sri Lanka. He wrote, “It was once when I read a silly fairy tale, called The Three Princes of Serendip: as their highnesses travelled, they were always making discoveries, by accidents and sagacity, of things which they were not in quest of.” The term has come into popular usage especially because so many revolutionary products, inventions, new pharmaceuticals, and scientific discoveries have occurred as a result of serendipity. Viagra, for instance, was being tested for the heart condition known as angina – it showed little efficacy in treating angina but had an odd and unanticipated side effect on male users that became the basis of an immensely profitable new industry.

My own dissertation topic? Well, again, accident and serendipity. I hoped to work on Cuban music, but couldn’t get a permit from the U.S. to study in Cuba. I designed a project to work on a processional music from Haiti called rara, learned Haitian Creole, and got a Fulbright grant, but then came a revolution in Haiti, which made the political and security situation unstable and Fulbright pulled back all of their grants to the country. I cast about and landed on another topic: a form of popular music in the French Caribbean islands of Martinique and Guadeloupe called zouk with an interesting relationship to the question of Afro-Caribbean vs. French identity. But a week before I left for Guadeloupe, I called a French Canadian colleague for travel tips, and she said, “I can’t believe this, but SSHRC has just given me a grant to pursue the same research project!” Catastrophe turned into serendipity when my colleague suggested I turn my attention back to Haiti and to collaborate with her on a book about popular music in the Francophone Caribbean, and I found myself embarked on a research project that was far more interesting and productive than any I had conceived of before.

Did I intend on becoming a music journalist on the side? No, but I complained once to the Miami New Times that they ignored Haitian music in Miami and they asked me to do a story. That story caught the eye of The Beat magazine, which asked for a single article and then, without consulting me, assigned me to be a regular columnist, writing a column called “Haitian Fascination”. And these columns caught the attention of record company executives, film directors like Jonathan Demme, and festival producers, and I found myself producing record compilations, writing liner notes, running festivals of Haitian music, and so on such that I developed a sideline career to my academic work. I later found out that this kind of work was being called applied and public ethnomusicology. I teach this now, and write on it, but it was, like most aspects of my career, something onto which I stumbled while I was pursuing something else.

My second major research project was perhaps more accidental than the first. As I visited my mother on the west coast of Florida before my first trip to Haiti, I was lugging a trunk full of research equipment with which I needed practice. So I set about trying to find a music group to record, but the pickings in the retirement villages on the west coast of Florida were slim. However, the Fort Myers Sun, a local paper, had an announcement for the opening the Thomas Edison Shopping Mall at which a local men’s barbershop chorus, the Caloosahatchee Chorus, was going to sing. They invited me afterwards to a party called an “afterglow” and that encounter with a barbershop group morphed into a 12-year research project on the social history of American barbershop harmony!

So, if any of our students are reading this blog, and thinking about the possibilities in your lives and careers, please don’t think that the Dean is telling you not to prepare well or to plan ahead, because luck and serendipity strike much more frequently for those who are prepared and who work hard. But also please recognize that many of the transformative moments in your lives, many of the opportunities that open up for you and paths that you travel down will be the ones not planned for; the serendipitous products of, as Horace Walpole said, “accidents and sagacity” while you are searching for something else.
When I was driving my tractor around the apple orchards 30 years ago, I didn’t have my current life in mind. Nevertheless, here I am, and I count myself immensely fortunate to serve as dean. So whether you call it luck, happenstance, accident, serendipity, fate, or the will of God, I hope that you too will be able to recognize and be open to taking advantage of the opportunities and chance encounters – that your life too will be the beneficiary of productive accidents and unexpected discoveries. (first conceived for a convocation speech, 2008, revised)

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