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IMAGINE UBC 2015: POWERED BY ARTS

The Imagine Day Pep Rally
The Imagine Day Pep Rally

I get to welcome our entering classes each year at “Meet the Dean” on Imagine Day. This year our entering class was so large that we used up all the seats in the Chan Centre for both ceremonies and had to seat hundreds of students on the stage!

Introduction: Making your own history

We begin all official ceremonies at UBC with this short declaration:
“UBC is located on the traditional, ancestral and un-ceded territory of the Musqueam people.” The Musqueam are a Salish First Nations people who remain our neighbours, and so we take advantage of these moments to recognize our debt and our close relationship – I hope that during your time at UBC you’ll have the opportunity take advantage of their hospitality to learn some things about First Nations cultures or languages, perhaps in the new Institute of Critical Indigenous Studies, or you could start just down the street at MOA, a museum of aboriginal and global arts and culture that is one of UBC’s – and Vancouver’s – leading attractions.

But first, let me welcome you to UBC, and welcome to its largest and most diverse faculty, the Faculty of Arts. It’s an auspicious year to be joining UBC. It’s our 100th birthday, and all year long we will be celebrating the incredible achievements of the last century, and envisioning the possibilities for the next 100 years. We’re 100 years old but still growing strong.

This is where you come in. You are creating the next part of our history as well as your own— you are the first entering class of the next hundred years!! We invited you to join UBC’s Faculty of Arts because we believe you have what it takes to succeed, grow and flourish here. We expect that each of you will make a great contribution to our remarkable community.

I was reminded just last night about the contributions our students are making in the world. My daughter, my niece and I were out kayaking, trying to squeeze in one more bit of summer enjoyment, and afterwards we stopped in to our neighborhood convenience store. The owner, whose son graduated just last spring from UBC in Arts, asked me about the start of school. In turn, I asked her about how her son was doing.

It turns out that he went to Europe to teach English in Spain—I remember him telling me this on stage as he graduated—but as he was travelling in Serbia, the Syrian refugee crisis began to peak. He found himself volunteering in Belgrade, providing food and clothing to this massive movement of people through Europe fleeing conflict zones and overpopulated refugee camps. Apparently he is heading soon to Budapest in Hungary to continue in his volunteer role before starting his job. His mom is very proud of him—as am I. You may not all find yourselves helping in the middle of a global crisis, as he has, but you should find yourself with new skills and a new worldview, ready to engage with the world.

Overflow students on stage at the Chan Centre break the ice.
Overflow students on stage at the Chan Centre break the ice.

Let’s get acquainted

If you’re feeling overwhelmed, you’re not alone. Clever tweets, Facebook and Instagram posts aside, I can assure you that virtually everyone here is at least little nervous — myself included. I’m a bit shy by nature and it’s not easy to talk to 2,000 students at once on stage at the beautiful Chan Centre.

So let’s break the ice. In a minute I’m going to ask you to turn to someone to your right, or left or behind you — someone you don’t know — and introduce yourself. Tell them something about you… maybe your current Netflix binge-watching obsession, your pet’s name, something about your family, or your 10-second take on the meaning of life.

I know it can be uncomfortable to talk to a total stranger, but Arts UBC is a place where we take risks and stretch out of our comfort zones, so let’s start today. I’ll get the ball rolling. Here’s some things few people outside my family know about me (except you, now): I cut my own hair. My favorite song: probably “Psycho Killer” by the Talking Heads (before your time), and when I was a very little boy my father called me “A walking compendium of useless facts and trivial knowledge”, anticipating, I think, that I would someday be a professor.

Okay, now it’s your turn. Find a neighbor or two, introduce yourself and tell them something about you. Great—that was the easy part of my talk – I didn’t have to do anything! Now that we all have someone we can say hi to, let’s get down to why you’re here.

Making a difference

Show of hands — how many of you know what you want to do with your life? My guess is that even if you do know, you may have no idea what that actually looks like, or how you’re going to get there. That’s okay. Actually, that’s fantastic, because it means that you have the flexibility to grow and change along with your interests and the rapidly changing world around us. Most of us don’t have a long-term vision of what we want our lives to look like or a plan to get there.

I still ask myself what I’m going to do when I grow up. I started out in Forestry, before dropping out of university to become a community organizer, and then radio deejay, festival organizer, musician, and tractor driver. Eventually, I went back to school and found my passion for ethnomusicology, the study of the world’s music in its cultural and social context. When I discovered ethnomusicology, I knew I had found something that I could do for the rest of my life and not get bored.

Whether you have a plan, or are open to taking a circuitous route like I did, one thing most of us do know is that we want to be relevant, we want to make an impact on the world, make a difference and make our lives count, and we also want to enjoy what we’re doing. Asking yourself through your university years how you can build on your passions and interest to make a difference will help you to fashion the path ahead for yourself. Your Arts UBC degree will ground you in new ways of thinking. It will give you the latitude to explore your interests and to sharpen your focus. It will power your life and career.

The Pep Rally in the year of UBC's 100th Anniversary
The Pep Rally in the year of UBC’s 100th Anniversary

Exploring your interests and passions: toward a personalized education

An Arts education is a powerful tool in your arsenal as you consider your future career and lifetime of learning. We don’t know which specialized skills will be in demand in the future. But we do know that as technology and economies change rapidly, general intellectual and analytic skills are at a premium.

Here at Arts UBC we are not training you for your first job—or even for a job that exists now! — but rather giving you the skills you’ll need to be prepared for a lifetime of successful transitions and new challenges.

An Arts UBC education will heighten your cultural sensitivity, carry out research, organize your thoughts and communicate them clearly, effectively and persuasively. Whether you go onto graduate school, a professional program like Law or Business, or seek employment after graduation, an Arts education is the edge that will position you broadly and allow you to make a real contribution to your community.

The diversity of Arts is an advantage: it will allow you to create your own personalized program to emerge from the university life-ready and world-ready. There are countless options to choose from. We are home to four institutes, five schools, 16 departments, 750 faculty and thousands of courses. You can choose majors and minors from dozens of options in social sciences, creative and performing arts, humanities, interdisciplinary programs and more—and you are encouraged to take courses in other faculties. From this extensive and diverse platform, the opportunities for a unique educational journey are literally innumerable.

Let’s say you’re interested in helping communities preserve and make sense of their cultural resources – you might consider combining studies in History, Anthropology and some Computer Science courses. A degree that combines Political Science with Religious Studies will prepare you to understand regional and international conflicts. Putting together Economics and Asian Studies, you could contribute expert perspectives on trade and globalization. Seriously, the possibilities are endless. The secret is to take control of your education.

I’m not trying to scare you. My goal is to excite you about the possibilities the next few years hold and your chance to design and chart your own course. This path most likely won’t be a straight line, but I promise you that it will lead to a deeper understanding of yourself and the world around you.

You are making a huge investment in time and resources to be here, so by all means take some time to stretch yourself and explore your interests – our programs let you do that. These are the years where you begin to write your own unique story. If you are intentional, if you actively take a leadership role in your education, if you pay attention to your interests and take advantage of the unique power of an Arts education, opportunities will unfold.

You have four years in front of you to learn about what you’re interested in, leverage your talents, explore your ambitions, develop priorities and set goals. You have the privilege to do so alongside some of the very best minds out there — not just your professors and TAs but the students all around you today. We’ll do our best to create a safe, supportive environment where you can take academic risks. I challenge you to do so, and to have the courage to get back up when you fail.

Arts and employment

Employers want to hire people who know how to communicate, who have the ability to solve problems, and embrace teamwork. One third of Fortune 500 CEOs have Arts degrees. A recent survey on employer priorities showed that not only do employers recognize the Power of Arts, but wish more university graduates had the unique toolkit that an Arts education provides. In that survey, 82 percent of employers wanted universities to do exactly what we do here at Arts UBC — place more emphasis on teaching how to learn, including analytical reasoning skills. In addition, 80 percent wanted more emphasis on written and oral communication skills, and 91 percent wanted to see more emphasis on problem solving in diverse settings. This is not just abstract talk. There are more and more global business leaders pointing to the benefits of an Arts education.

Tony Golsby-Smith, founder and CEO of Second Road, an Australian strategic planning firm, noted in Harvard Business Review that if corporations want innovative thinking, they should hire Arts graduates because they are experts at answering “What if” questions, and because, in his words,

“People trained in the humanities who study Shakespeare’s poetry, or Cezanne’s paintings, have learned to play with big concepts, and to apply new ways of thinking to difficult problems that can’t be analyzed in

Wrap-up: Making the most of your time at UBC

Make the most of everything UBC has to offer. This is a truly unique and formative time of your lives. Believe me, it goes by quickly, so soak it up. On the academic side, exploit opportunities to apply what you’re learning in the classroom out into the world. Not only will this help you to retain information, but it will also give you the opportunity to make sense of it in real-life situations.

You’ll find that many of our programs put an emphasis on experiential learning. We offer Community Service Learning Courses where you can explore and contribute to our local communities. If you want to go further afield, Go Global exchanges can take your education around the world. You might also consider applying to the Arts co-op program where you can integrate work experience into your degree.

Of course, it’s not all learning all the time. Make sure to take the time to develop a social life — make new friends, join clubs, explore the Arts and Culture Quarter and everything it has to offer, from music to theatre to outdoor feasts (come to concerts in this great concert hall!).
And please — if you find yourself struggling, first, be kind to yourself. Next, ask for help. The Arts faculty and staff and most importantly our student advisors are here for you. We truly care about your wellbeing, and we are deeply invested in preparing you for your future. I encourage you to talk to an Arts Advisor — it’s a great place to start.

I’ve touched on just some of the many things this amazing, 100-year-old institution has to offer you as you lay the foundation for creating a rewarding and relevant life and career that will be powered by Arts. I wish each and every one of you the best for the coming year. Thanks for listening. I hope to see you later at the pep rally.

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Hire Education

Arts Co-op student, Alex Chen. Photo by Martin Dee.

The Vancouver Sun on Saturday ran a wonderful feature story about an Arts Co-op student, Alex Chen (International Relations, minor in French), recently named “Student of the Year” by the Canadian Association for Co-operative Education. Alex, who also received the “Student of the Year” award from our own Co-op program, spent eight months last year at the Canadian Department of Foreign Affairs, Trade, and Development in Ottawa, helping to advise the ministry (research, write briefs, prepare presentations) on issues and events in East Asia.
(see “Higher education elevated by co-op program’s working-world placements: Co-op degrees allow students to explore career options while building their skills and completing their schooling”, by Tracy Sherlock, Vancouver Sun March 21, 2014 at http://www.vancouversun.com/business/Higher+education+elevated+program+working+world+placements/9647389/story.html)

This last week, Astronaut Chris Hadfield made a splash at the Vancouver-based Ted Talks, explaining how he overcame his fear when his suit malfunctioned during his space-walk. While he was aboard the space station, his web conferences, podcasts, and his own consumption of news and entertainment were managed by another Arts Co-op student, Eva Kwan (Psychology), whose role at the Canadian Space Agency could basically be described as keeping Astronaut Hadfield happy and psychologically grounded (See http://www.publicaffairs.ubc.ca/2013/04/03/earth-to-commander-chris/)

Arts Co-op student Eva Kwan at the Canadian Space Agency (from UBC Reports)

Arts’ Co-op Program turns 15 this year, and so it seemed like a great time for me to express what an essential part of our education I think this program occupies. If you’ve read some of my other posts, you’ll know how passionate I am about active, experiential and transformative learning. In the last four years, we have striven mightily to increase the global learning opportunities in Arts; to provide our students with greater possibilities to study and research in the community; to change the nature of the classroom itself to emphasize problem-based learning; and to enhance career preparation for our students. Central to this is the innovative strategy of integrating learning and work so as to better prepare students for life after university.

Three stats that bring the Co-op program into relief: more that 4,000 UBC students participated in Co-op last year; Arts Co-op students earned more than $3 million dollars in the same year; and most importantly, some 90% of our Arts Co-op students were employed within three months of graduation!

Now that I’ve got your attention… I just returned from a trip to three cities in China, and while in Hong Kong I visited a handful of our Co-op students at their workplaces. Let me tell you about a few of them. Tim works with Time-Warner, the media and film company, and is handling much of their research on intellectual property rights in Asia. Mandy has had a very successful 8 months with the Cable and Satellite Broadcasting Association of Asia, using her French, Mandarin, and English to arrange conferences, translate documents, and engage with entertainment industry executives. Her supervisor says she is doing junior executive level work, and Fox Searchlight Pictures has asked her to work for them for two months before she goes back for her last year at UBC. And Hilda has helped Sino Credit Management expand their client base in Europe, the US and Canada. All of their employers have stressed that UBC students are ready to engage with the world and in business at a top level, and a couple of the employers only look to UBC for Co-op students because of the quality of students they’ve encountered. Can you imagine how well prepared these students will be when they’re ready to look for work?!

I was especially pleased to learn about how these students are assessed and about the tasks they’re given while on assignment. Students write up a set of goals, describing what they want to learn and the experiences they hope to have. They are asked to interview a professional while on their placement, something that furthers their network of professional contacts and provides them with an expanded view into the world of professional work. Students prepare LinkedIn sites with their cv’s and build a network of contact, and students also prepare a description of the work they do to aid future students at the same placement site. Site visits are conducted to assess how well things are going for both the student and the supervisors. The whole package strikes me as the ideal circumstances for integrating what one has learned into professional practice. One student described her Co-op experience as “lighting up” her education, allowing her to make sense of her classroom learning.

We’ve committed extra resources to Co-op, and have seen about 15% growth in placements per year in the last few years. In 2012-13, the job postings doubled. So here’s a salute to Alex Chen, to Eva Kwan and to all of our Co-op students and staff in the 15th year of a very successful, and very important program for Arts. The Faculty of Arts Co-op Program uses the tag line “Hire Education”, which is just so clever that I had to steal it for the title of this blog posting.

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A Fire to Be Lit/Kindled

I gave a keynote over the weekend for the Golden Key International Honour Society here at UBC. Given the Society’s emphasis on Academics, Service, and Leadership, I talked about how education can serve to transform students and light a passion for life and learning.

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The title of my talk, “A Fire to Be Lit”, comes from a saying attributed to the Greek-born philosopher of the 1st century CE, Plutarch, a passage often pithily paraphrased as: “The mind is not a vessel to be filled, but a fire to be lit/kindled.”

The actual quote is a little less of a zinger, and it comes in Plutarch’s essay called “On Listening”: “For the mind does not require filling like a bottle, but rather, like wood, it only requires kindling to create in it an impulse to think independently and an ardent desire for the truth.” (1927 Loeb Classical Library Edition).

Plutarch’s dichotomy, the “vessel to be filled” and the “fire to be lit” captures a millenia-old battle over the meaning of education that still roils the waters until today.
Just yesterday, The Globe and Mail featured an op-ed column by Gary Mason that derided the new British Columbia K-12 curriculum, a curriculum that allows students of different ages to study and learn together; it allows for different paces as well as different styles of learning; and it brings students together to learn in groups focused around big issues and problems. BC’s goal is to stimulate curiosity and passion for learning. Mason dismissed this approach as “laissez-faire”, disparaged what he termed the “edubabble” that constituted the theory behind the proposal, and he weighed in squarely in favor of “rote memorization” and frequent and stringent testing as the core of primary and secondary education. In other words, he revealed himself to be a devoted partisan of the “vessel to be filled” approach.

Classroom problem-based learning

Is there any evidence that the rote-memorization-and-testing approach generates among students a passion for learning, moreover for lifelong learning? In my experience, it often produces the opposite—a lifelong aversion to learning, an “ardent desire” perhaps only to be entertained. I see it from where I sit: students who come to university having mastered the arts of short-term memorization and test-taking too often fixate only on getting the best grades possible in order to position themselves for the highest-paying jobs possible, and they emerge from the university experience unsure of their interests, shallow, unformed, unprepared to live rich and meaningful lives or to follow their hearts into a career that mirrors their passions.

Mason complained that the new curriculum will not allow students to get into university, but he is seemingly unaware of the move towards broad-based admissions at many universities, UBC included. Such processes take into account the whole student, his/her motivations, interests, readiness, and love of learning.

Mason also criticizes the new BC curriculum for failing to prepare students for the “world that awaits them”? Where in the world are those jobs requiring workers to memorize facts and to do well on tests? The employers of which I’m aware more often ask that their employees work together to solve problems, and that they know how to research, to come up with creative solutions, and to communicate those solutions and their findings. So which approach: the “fire to be lit” or the “vessel to be filled” truly prepares students for the world that awaits?

As Leonardo da Vinci, one of the most creative individuals in recorded Western history, said: “Study without desire spoils the memory, and it retains nothing that it takes in.” Again, like Plutarch, da Vinci focuses on desire, or “passion”, as the essential requirement for true learning, the precondition for lighting that fire.

I will argue, based on a long experience as a learner and as an observer of learners, that learning is deeper and more profound when students are active, not passive; when they are able to frame and ask questions rather than hearing answers; when they can speak as well as listen; and when they engage their curiosity and partake in a discovery process that, at least to me, appears closely akin to play. And study after study backs up my experience and observation, showing that university students learn better with these forms of pedagogy than they do from the lecture, long the staple of university education.

So why do some university professors still depend so thoroughly on lectures? Perhaps because their own professors lectured and they have remained with the model that some call “chalk talk” or “sage on a stage” out of inertia or simply comfort. It was never a great way to teach, but knowing what we know of the data from the last 20 years, it is increasingly difficult to justify it as a pedagogy. From lectures, students typically recall less than 30% in short-term memory, and much less is processed into long-term memory. I’ve recalled in materials before the comedian who went by the name Father Guido Sarducci who used to present a stand-up routine that he called the 15-minute university. His point? Students only remember about 15 minutes out of all of their university lectures, so in his university, they would just teach those 15 minutes – then they’d give you a cap and gown, a piece of paper, and a glass of champagne and out the door!

And this is an important point. If one’s goal is to fill the vessels, the goal will be constantly undermined by how leaky those vessels are.

I mentioned play earlier in relation to learning. We’re born with an aptitude for play and in our youngest years—and this is true of most mammals—we take joy in exploring the world, testing our limits, engaging in light roughhousing with others, learning to feel and sense our place in the world, and all the while exercising not only our bodies but our curiosity. Our learning in those years is yoked to the proclivity for play. And play helps to form that truly human capacity to see what is not in front of our eyes, but what is metaphorically called “the mind’s eye”: I’m speaking of the imagination. As children grow up and go to school, we subjugate learning to sitting in seats, listening to someone in the front of class, and taking notes, and we run roughshod over that playful impulse and its relationship to the formation of our mind and to imagination, losing the opportunity to light a fire.

A leading critic of contemporary education, Sir Ken Robinson, views our current forms of K-12 education as counterproductive of creativity, imagination and intellectual growth. He has argued that, “Imagination is the source of every form of human achievement. And it’s the one thing that I believe we are systematically jeopardizing in the way we educate our children and ourselves.”

As a species, we humans face a troubling set of challenges, so many of which are global in scale. We are eradicating species on a daily basis; hurtling towards a climate catastrophe in the span of decades; deepening the divide between haves and have-nots; facing virulent pandemics as well as poverty, famine, and tyranny … everywhere we look we encounter crises of our own making. Governments across North America, whether Federal, State or Provincial, or Municipal, proclaim the need for innovation in the face of these challenges. And yet we continue to teach in a fashion that bears little relationship with the stimulation of innovation through the cultivation of the imagination and the desire to learn. We have created a fundamental disjuncture between our needs as a society and as a species and our system of education. This is as true of university education as the K-12 level.

Allow me to take a short excursion: I’ve long been fascinated by the career of the late Walt Disney, and I’d like to relate a little-known part of his life and career.

The train station at Disney World

In the 1930s, having had great initial successes with his black-and-white cartoon shorts featuring, among others, the character who became Mickey Mouse, Disney was experiencing setbacks in his business during the Depression, and he faced competition from others, including his former partner. Experiencing creative malaise, he retreated to his property in California that he shared with his wife. To combat depression, and to indulge a childhood fantasy, he built a 2/3rds sized railroad steam engine and track on his property, and much to his wife’s concern and dismay, he spent a lot of his time riding around their property in that steam engine wearing a conductor’s hat. This is where most partners would call in the therapists to prescribe the antidepressants. Riding around this way one day, though, Disney began to wonder how many other people might want to escape in the way he was, to explore themes right out of their fantasies? Was there a business in providing this escape? And in his imagination a new form of form of entertainment, a theme park, was born: Disneyland in Anaheim California. The world’s most successful entertainment franchise born out of the childlike imagination of a grown man playing with trains.

Parenthetically, Disney later named his team of engineers, designers, and innovators the Imagineers. In that team, Disney for a time created the kind of atmosphere that fosters the kinds of creativity that can shape an era, and atmosphere that encourages absurd ideas to be given daylight, one that doesn’t bureaucratically strangle the future by quashing innovation. The Bell Labs of the 1950s and ‘60s was another such place; so were Apple and Google for periods of their history.

University faculty and students can and should be the ultimate “Imagineers” and a university education should be able to nurture creativity, imagination, inspiration and innovation in this way. We have all of the right people and resources to do it.

Disney’s genius was to use his own passion and to generalize it to incorporate others into his world. He took a problem, his own escapism, and reframed it in a new context. This is equivalent to the well-worn phrase “thinking outside the box”. In the country of Haiti, where I do my research, it is common to talk about this process as “gade yon bagay an kan” (looking at something “on edge”). Back in the 1960s a young teacher, Sunny Decker, wrote about her experiences teaching in a poverty-stricken community in a book called An Empty Spoon, and she wrote, “part of the art of teaching is the ability to rearrange the world for students…to see things in a new way.” It’s when that new way of looking at something takes hold that the spark is lit.

Inspiration can emerge from this novel way of thinking about a problem—you can overcome intractable problems if you approach a problem with a fresh perspective. There is no menu for how to do this, although it may help to have people with different backgrounds, disciplines, and perspectives in contact with each other to enrich the dialogue and the resources that are brought to bear;

In the term that I prefer, active, interactional, and experiential learning can be submerged within the rubric of “transformative learning”, where the learner by having various switches turned on, becomes someone new over time. You’ve experienced this, haven’t you? It’s a form of learning that is deeper, and that sticks with the learning longer than the material crammed for a test ever could. In talking with students who have done service learning and research course around the world, almost all of them talk about how putting their learning to use transformed them and their ideas and even their worldviews.

How do we make these forms of learning available to all students? You may have noticed more courses at UBC using real-world problem solving exercises at the heart of the syllabus; you may have found your instructor encouraging the use of iClickers, or more sophisticated devices, to register student attention, opinions, or suggestions in the classroom. You may have found the more rote aspects of a course – its basic lecture content – delivered through video while classroom time is devoted to interaction, role-play, question-and-answer or other types of learning that require face-to-face contact with an instructor. Screens, projectors, and real-time-videoconferencing can bring the world into the classroom while forms of lecture capture can broadcast or podcast the classroom activities to the world.

At the same time, more classes are using the community as their laboratory, engaging in service learning or in community based experiential learning; others may travel the globe to combine international learning and research. And why shouldn’t undergraduate students be doing research – this is essentially the process asking and finding ways to answer new questions. Research is curiosity-in-motion and it should occupy a prominent role in postsecondary education. Cumulatively this points to an emerging style of education that is more problem-based and more active and interactive and that integrates learning in the community and around the globe. I believe this is transformational learning.

If done right, this is a form of education better calibrated to lighting a fire. In his magical book, Le Petit Prince, Antoine de Saint-Exupéry has the Prince say, “The only things you learn are the things you tame”: the active, experiential, and problem-based learning, facilitated with technology, is the kind that allows the learner to tame and to incorporate knowledge, and it is the kind of learning kindles the fire.

Of course it takes lots of discipline, persistence, and practice to master a subject well enough so that inspiration and imagination can be useful in problem solving. The Russian composer Tchaikovsky reminded us that, “Inspiration is a guest that does not willingly visit the lazy.” So I want to stress that transformational styles of learning don’t reduce the work you have to put in – if anything, the hope is that they inspire you to hard work and that they reward you more for it.

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