Tag Archives: Totem pole

Using Technology as Forms of Expression (Mod 1 Post 1)

This weeks readings about the neutrality of technology had me reflecting on a lesson I used with my grade 8/9 technology class. The topic was media use for the advocacy of First Nations. Teaching to international students, I had to take a step back and introduce and explain what the terms Indigenous, Aboriginal, Metis, Inuit and First Nations meant.  Many where unaware that their home countries too had Indigenous people. After a few background lessons, we then began to discuss the artwork of Indigenous peoples of the Pacific Northwest Coast. We watched two videos of totem poles being made and then we discussed the following questions.

What relationship does environment have with with First Nations art?

How is First Nations culture and society represented in the artwork?

Is this artwork any less beautiful or impressive when using modern technology?

The last question caused the most debate because many of the students found that by using CNC technology, something had been lost. The majority of the students believed that carving a totem pole by hand was harder and more time consuming and therefore more impressive and for some, also more beautiful.  I found this a bit perplexing as the Generation Z (iGens) have known nothing but a life of technology and constantly seek the fastest route of action for an outcome.  I too have to admit, even despite my love for technology, that I agree with them and it’s something I can’t quite put my finger on as to why I feel this way. The counter argument made by the minority of students was that it was equally impressive and beautiful and that not only were they continuing a longstanding tradition but they were also learning new 21st Century skills that would help them in “today’s world”.

I see both viewpoints.  Both take skill and knowledge that must be passed down from elders.  But when technology is involved sometimes a gain also means there is a loss.  Perhaps in this scenario it’s that deeper spiritual connection the artist has with his/her hands on the wood and the time and care it took to create their piece of art.

What are your thoughts?

 

Research 5 links Exploring Arts, Culture, Indigeneity and Technology

The more I research into art, technology and indigeneity, the more intrigued I am with the topic. There are many layers to the topic and it is constantly evolving as culture is not static and there is not one set definition of what culture is. In addition, technology continues to evolve so more layers become added including commodification and differing world views on this.

http://rac.sagepub.com.ezproxy.library.ubc.ca/content/35/4/107

In the journal article, “Aboriginal theater: does ’sold out’ mean ’selling out’? “ The author discusses the disparity between Western Civilizations’ view of theater and the aboriginal point of view which encompasses a reflecting of spiritual truth as they see it. He highlights the complexities of ancient, traditional Aboriginal art forms and finds that the performing arts have been portrayed as primitive ritual lacking in the sophistication and complexity of contemporary western civilization. He speaks to the ethnocentric and naïve view that western thought purports and proposes that these art forms may be  difficult to interpret using western mode of thought.

 

http://ariel.journalhosting.ucalgary.ca/ariel/index.php/ariel/article/viewFile/3888/3825

In the journal article “From Colonialism to Multiculturalism? Totem Poles, Tourism and National identity in Vancouver’s Stanley Park”, the author reflects about the symbol of the totem pole and questions whose culture is represented, displayed and consumed. She questions whether or not they adequately capture the complicated and diverse histories and experiences of first nations people in the province of BC. She also discusses the use of totem poles as a statement of Canadian heritage and questions the Canadian Government’s use of them for their economic and cultural value. She writes further that the displays run the risk of minimizing the histories and legacies of aboriginal people within our nation.

http://mcu.sagepub.com.ezproxy.library.ubc.ca/content/9/2/141.full.pdf+html

In the article, “Authentic Inuit Art: Creation and Exclusion in the Canadian North”, the author discusses how Modern Inuit commercial arts grew out of the desires of multiple non-Inuit agencies and persons. He also discusses how these outside influences worked to create new art forms which were means of carrying out the will of these competing persons in a complex competition to control social and cultural relationships. These were appropriated by the Inuit and this new art gave them new strength to establish new economic, social and political institutions.  In all, the article examines the historical support and shaping of Canadian Inuit art in the 20th century,  and the consequences of outside influences.

http://www.emeraldinsight.com.ezproxy.library.ubc.ca/doi/full/10.1108/20441261111171684

In In the article, “Indigenous culture: both malleable and valuable”,  the author speaks to Ideological  tensions that arise with the effort to balance the preservation of cultural integrity with the selling of marketable wares.  She proposes further interdisciplinary research to develop an understanding that supports the long‐term sustainability of indigenous communities. She finds that existing discourse is currently dominated by non‐indigenous voices and Western tourism motivations, which need amelioration to better support the community‐based approach.

http://www-tandfonline-com.ezproxy.library.ubc.ca/doi/full/10.1080/09528820412331318578?scroll=top&needAccess=true

In the article, “The Artifice of Culture, Contemporary Indigenous Art and the Work of Peter Robinson”, the author discusses the huge effect   computing, Internet, and televisual technologies have had on the conditions of the production, reproduction, circulation, and consumption of cultural imagery. These technologies are fueling an economy and the commodification of art as culture.  Indigenous and non‐Indigenous perspectives on commodification are likely to provide different views. The article examines  the representation of contemporary,  ‘non‐traditional’ Indigenous art and the definition of cultural property and identity.

 

 

Module 1.1 – TulipTV – First Nations Art

Chief Rande Cook and Chief Mike Willie of the Kwakwaka’wakw are passionate about teaching others about the history, language and culture of their tribe.  Rande is an artist and in this interview he shares a Totem pole he created for a museum in the Netherlands to tell his story.  He speaks about his process and what it meant to him.  Willie highlights that his art is language and singing and shares his story of learning his language, which was lost at a young age, and how he is now teaching his language at an elementary school.
https://www.youtube.com/watch?v=XdVVIHyBpvY