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drama, melodrama experimental extreme J-horror literary adaptations new cinema / new wave cinema

A review of “Blind Beast”

The Blind Beast, also called Mōjū, was released at 1969 and directed by Masumura Yasuzo who was recognized as the starter of Japan’s “New Wave” of the 60s. And the story itself was primarily written by Japan’s leading horror writer whose name is Edogawa Rampo. Other film cast members include Funakoshi EIji, Midori Mako and Sengoku Norijo. This movie was ranked as the number-one grotesque story in the Asahi National Newspaper between 1931 and 1932.

There are two main characters in the film. One is called Michio, a blind sculptor who is fed by his mother. His mother is a pedophile and gradually misrecognizes him as her husband. Another character is called Aki, a shapely young model, who is the only victim to form the basis of Michio’s latest project. The movie starts from Michio’s Art Studio when he seeks a suitable female model to construct into a perfect sensual sculpture. Aki, as an applicant, goes to the studio and is finally kidnapped by Michio. The rest of the scenes happen in the same place, which is the secluded warehouse where Michio lives.  The warehouse is designed very strangely. It contains a huge room with no lights and two of the walls contain large reproductions of female anatomy. In the center of the room, two giant nude sculptured bodies are lying on the floor. At first, Aki is distraught and threatens to kill Michio and his mom but gradually she begins to love him even though she has already tempted Mochio to kill his mother. The rest of the film is seriously filled with sadomasochism, sex, and violence.

The most important aspect of this film is characters because it is produced 50 years ago and there was no one making this kind of movie before its success. There are many naked and extremely violent scenes in this movie such as Michio chopping off Aki’s arms and legs. Those scenes required actors to devote themselves because no one knows whether this film is successful or not.

Another aspect of the film is camerawork. In order to make the horrific scenes, the director utilizes the static shots with huge body parts crowding into the full screen. And also, at the end of the film, most audiences can feel scared because the director delivers all the chopping detail to them.

Michio’s world is just like all simple animals because he can only know things by touching and smelling them. He only knows what he wants and just like this simple. This is pathetic of course. However, in my opinion, the “blind animal” should be Aki rather than Michio. There are many scenes contained in this movie that can prove this. For example, after Michio’s mother dies, he and Aki crazily make love in the dark warehouse. Therefore, Aki gradually loses her sight because she stays in the dark environment too long but she feels happy because she now is the same as Michio.

Another scene also can prove my opinion. At the end of the film, Aki asks Michio to chop off her arms and legs in order to obtain greatest happiness through this sadomasochistic action. This is never adapted by a normal person but Aki accepts this because she has already become blind and will never be a person. This film contains extreme violence and sadomasochistic sex. I would suggest anyone who wants to see this film that stays away from child. I would not recommend this movie to classmates.

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