Fever Dream

This book is probably my personal favourite read of the course so far, as I feel like it’s the most narratively enjoyable one to date. The entire pace of the book, the going back and forth between Amanda trying to recall what happened and tell David, to Amanda experiencing all these weird events with Nina was so tastefully paced that the tension builds very nicely and the focus of the book is very taut. In some ways this sort of reminds me of Jordan Peele movies, where the feeling of dread is very palpable and you cling on to each moment in an effort to figure out this situation. This is probably one of the only books that I read as quickly as I did. There are a lot of notable elements to this novel, such as the book opening with Amanda trying to recall back, or ending with her husband trying to figure out more what happened. All these “set ups” to the novel contribute something more to the effect of the story and adds a lot of dimension and richness to the method of storytelling; I really have a lot of admiration for the way this story was crafted.

After watching the lecture video, I realized there was a lot of contextual background that needed to be known if you wanted to understand the story much more clearly. And I think this sort of answers the question in the lecture video; the lack of explanation around what is going on magnifies the feeling of mystery and anxiety because you DON’T know what is going on, and you sure as hell wanna figure it out because it’s making you anxious. I think that the mystery of the circumstance also builds to the more mystical elements of the book, such as the later concepts of soul-switching and animals randomly dying. Altogether, the story reads more like you’re experiencing a fever dream 😉

Another interesting thing I noticed is, I somehow understood without knowing it that the author was female. I think this might come from the depiction of Nina and Amanda’s relationship, or the familiarity of the socialization between females when looking at the interactions between Amanda and Carla, but I think even beyond that this book’s worldview was very much portrayed through a feminine lens for me somehow.

To finish off with a question to you all, Im curious how you guys felt about the soul switching part of the book. Do you believe in the idea of souls and why or why not? To extend, what do you think about the woman’s ability to switch souls?

Papi: from the eyes of a child

The book this week was quite a change a pace compared to the other reads in this course. The narration from the child’s perspective is quite a unique one compared to other books with a youthful and innocent narrator; there are a lot of nice stylistic touches that reminded me of my own childhood as well. In particular, the narrator created a list (I’m not quite sure what the point of it was) that detailed how the world is broken up into 3 places, or types of “spells” such as yawning and “attacks”. I don’t know where the childhood fixation on creating weird lists of things comes from, but I think the effect of the text was very strong. It certainly reminded me of all the goofy things I was up to as a child, and really brought me back to how you view life when you are younger. Perhaps that is a child’s own way to figure out and establish some control for the world around them, as if to say “I was here, and I experienced all of this, and I want you to know that I figured all this out”.

One thing I didn’t expect from this book was for the focus to not be solely on how parental roles influence the way our lives play out, or to outline the different ways different parents and their actions influence the way children grow up (basically, some form of trauma dump). Obviously the focus of the book is the relationship between these characters within this family, but the personal relationship (or emotional development, better put) between the narrator and Papi are quite distant at times, speaking from seeing a choppy focus of her emotional journey with these parental figures through all these tumultuous events. I think a better example/ piece of evidence would be how Mami is portrayed throughout this story, and how her significance to the narrator is not really conveyed, as if they way they live together isn’t moulding who she is as a person. They merely appear as “figures”. To some effect, the distance does highlight that gap between her and Papi, in that he is often not there when he says he will be or shows up when it wasn’t expected of him to. This probably reveals a message about distant fathers and the fascination and admiration that comes with such an enigmatic figure.  But I think another reason for this portrayal is to convey a broader message that isn’t limited to the theme of “family” or “parental figures”, as Jon said in the lecture video, maybe it is to convey other effects such as the portrayal of the macho cacique archetype, or some broader societal meaning.

To end with a question, how did you feel about the narrator’s childlike storytelling; did it remind you of anything, or was there anything especially notable to you about it? Why so?

Part 2: One Hundred Years of Solitude

Jon was right, the ending of the book was such a shattering surprise. Now looking back at the entirety of the novel, magical realism is done here like no other, and I certainly cannot imagine any book written of a similar nature that can even live up to, much less overtake the writing of Garcia Marquez. In my opinion, this book is undisputed as a must read and deserves an immortal place in the literature canon. Another thing I have noticed now is how intentional his method and style of writing is. Having read his other works allowed me to realize that the narration and writing style of Garcia Marquez isn’t exactly fixed, and much of the magic encapsulated in “One Hundred Years of Solitude” is actually restricted, and thus intention to this novel solely. This is to say that its design choices were much more conscious than I would imagine. I think this book has a very solid place in being one of the best books I have read so far not just in this course but in life general, although I would hesitate to describe it as one of my personal favourites, just based on the contents and extravagancy of the book but would rather call it a must read. To some degree, reading the words on the page is almost like reading the title to news articles- you anticipate it and no doubt value its significance but you wouldn’t really say that you love reading the news.

To pick up on last post regarding characters, I have stated that the one that stood out to me the most is Ursula. I think her significance to me is almost the concentrated essence of female characters and the overarching role of women in the show. In some sense the role of women may be established in this book due to the repetitions in circumstance that characters find themselves in, thus maybe the role says less about the idea of women, as much as it is another symptom of repetition. But regardless, a new character has taken place over Ursula as the one that stood out to me most- Remedios the beauty. Because what even was that. I guess the fate of those named Remedios is broadly described as being “taken away” whether from mysterious illness, a mental hospital or the heavens themselves. But either way, I think her existence is an outlier.

As a hilarious side note, I have been describing the plot  spottily to my boyfriend, and he is vaguely aware of the general themes of this book. So to clarify the characters to him, I decidedly showed him the family tree, to which he responded with “I expected the family tree to be drawn in a circle”. I think that is a worthwhile note that the editors and translators of the book can take into account.

To finish, a question to you all: What do you all think about Remedios the beauty and everything that happened to her?

Part 1: One Hundred Years of Solitude

The writing of Garcia Marquez is so especially unique that I feel as if I’ve experienced 100 lifetimes from following all the events, when really I’ve only read 40 pages. This book is probably my favourite read so far in the course, and I am decently surprised that this book reads so much better than his other book “Chronicles of a Death Foretold”. I am also decently pleased that despite all the characters sharing approximately 3 names, I can discern them fairly well, and I think that credit also goes to the storytelling of Garcia Marquez.

The entirety of the book follows the bizarre adventures of every character, and in each corner there is magical realism and an interesting morphing with temporality to be found. At the centre of the story is a family, which I think also signifies a key feature of the book, that being human relationships. With the use of naming each children after some other figure before, I think that highlights the inherent connections and ultimately the tangled threads of fate belonging to each member of the family. Another notable feature of the book was the repetition in describing the experiences of each family member that ultimately fall to this feeling of “solitude”. I think in some ways, as the little things that occur in their lifetime are chained to one another, it all eventually trickles into this state of solitude that each character experiences, and no doubt we would experience at some point in our lifetimes, hopefully magnitudes weaker than the tragedies they experience.

“One Hundred Years of Solitude” carry on the torch of Latin American Literature’s proclivity for extravagant drama, which permeated a decent chunk of the books we have read before, only this one is much more bizarre and overwhelming, and pays special attention to the intricacies of human relationships, whether between father and son, husband and wife, or even between a family and other townsfolk. An additional feature that joins later on in the book is when war eventually breaks out, and the impact of that period of Mexican history on its people is once again illustrated very poignantly. From a personal standpoint, I was on the down low rooting for Aureliano to overcome his foreboding mortality when facing the firing squad as I was following his story in the first half of the book, but once it did actually get there I couldn’t care less about his demise, or at the very least I felt no remorse if he had died.

Altogether, this book has provided me with a reading experience like no other before, and pushed the bounds of fiction for me, and for that will always remain memorable. Which sort of leads me to my question to you all: Which character out of all of them is the most unforgettable to you? It doesn’t necessarily have to be someone you like or dislike, but rather the character you find yourself caring about the most. (For me, it was Ursula)

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