Part 2: One Hundred Years of Solitude

Jon was right, the ending of the book was such a shattering surprise. Now looking back at the entirety of the novel, magical realism is done here like no other, and I certainly cannot imagine any book written of a similar nature that can even live up to, much less overtake the writing of Garcia Marquez. In my opinion, this book is undisputed as a must read and deserves an immortal place in the literature canon. Another thing I have noticed now is how intentional his method and style of writing is. Having read his other works allowed me to realize that the narration and writing style of Garcia Marquez isn’t exactly fixed, and much of the magic encapsulated in “One Hundred Years of Solitude” is actually restricted, and thus intention to this novel solely. This is to say that its design choices were much more conscious than I would imagine. I think this book has a very solid place in being one of the best books I have read so far not just in this course but in life general, although I would hesitate to describe it as one of my personal favourites, just based on the contents and extravagancy of the book but would rather call it a must read. To some degree, reading the words on the page is almost like reading the title to news articles- you anticipate it and no doubt value its significance but you wouldn’t really say that you love reading the news.

To pick up on last post regarding characters, I have stated that the one that stood out to me the most is Ursula. I think her significance to me is almost the concentrated essence of female characters and the overarching role of women in the show. In some sense the role of women may be established in this book due to the repetitions in circumstance that characters find themselves in, thus maybe the role says less about the idea of women, as much as it is another symptom of repetition. But regardless, a new character has taken place over Ursula as the one that stood out to me most- Remedios the beauty. Because what even was that. I guess the fate of those named Remedios is broadly described as being “taken away” whether from mysterious illness, a mental hospital or the heavens themselves. But either way, I think her existence is an outlier.

As a hilarious side note, I have been describing the plot  spottily to my boyfriend, and he is vaguely aware of the general themes of this book. So to clarify the characters to him, I decidedly showed him the family tree, to which he responded with “I expected the family tree to be drawn in a circle”. I think that is a worthwhile note that the editors and translators of the book can take into account.

To finish, a question to you all: What do you all think about Remedios the beauty and everything that happened to her?

Part 1: One Hundred Years of Solitude

The writing of Garcia Marquez is so especially unique that I feel as if I’ve experienced 100 lifetimes from following all the events, when really I’ve only read 40 pages. This book is probably my favourite read so far in the course, and I am decently surprised that this book reads so much better than his other book “Chronicles of a Death Foretold”. I am also decently pleased that despite all the characters sharing approximately 3 names, I can discern them fairly well, and I think that credit also goes to the storytelling of Garcia Marquez.

The entirety of the book follows the bizarre adventures of every character, and in each corner there is magical realism and an interesting morphing with temporality to be found. At the centre of the story is a family, which I think also signifies a key feature of the book, that being human relationships. With the use of naming each children after some other figure before, I think that highlights the inherent connections and ultimately the tangled threads of fate belonging to each member of the family. Another notable feature of the book was the repetition in describing the experiences of each family member that ultimately fall to this feeling of “solitude”. I think in some ways, as the little things that occur in their lifetime are chained to one another, it all eventually trickles into this state of solitude that each character experiences, and no doubt we would experience at some point in our lifetimes, hopefully magnitudes weaker than the tragedies they experience.

“One Hundred Years of Solitude” carry on the torch of Latin American Literature’s proclivity for extravagant drama, which permeated a decent chunk of the books we have read before, only this one is much more bizarre and overwhelming, and pays special attention to the intricacies of human relationships, whether between father and son, husband and wife, or even between a family and other townsfolk. An additional feature that joins later on in the book is when war eventually breaks out, and the impact of that period of Mexican history on its people is once again illustrated very poignantly. From a personal standpoint, I was on the down low rooting for Aureliano to overcome his foreboding mortality when facing the firing squad as I was following his story in the first half of the book, but once it did actually get there I couldn’t care less about his demise, or at the very least I felt no remorse if he had died.

Altogether, this book has provided me with a reading experience like no other before, and pushed the bounds of fiction for me, and for that will always remain memorable. Which sort of leads me to my question to you all: Which character out of all of them is the most unforgettable to you? It doesn’t necessarily have to be someone you like or dislike, but rather the character you find yourself caring about the most. (For me, it was Ursula)

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