Tag Archives: Cat’s Cradle

Political Affiliation and America’s Current Economics Problems in Relation to Cat’s Cradle: Closing Post

To send off our discussion of Cat’s Cradle, I thought I’d open up discussion on something that was very interesting in class. The idea of other, perhaps smaller, nations forming relationships with America based on their economic power is something that makes itself present in the novel (H. Lowe Crosby as a figure of American industrial capitalism and his interest in San Lorenzo and Vice Versa). This can correspond to many other nations relationships to America as an economic Superpower. Canada, in particular, seems to have a similar relationship with the US, though not to the same extent. However, in this period of economic turmoil for our faltering economic juggernaut southern nation, is this relationship changing?

In another sense, perhaps we could view the current predicament that the US is in right now as a form of “economic ice nine”. In some respects it is. The financial crisis took shape in a similar fashion as Vonnegut’s satirical device. Instead of a physical “chip” of ice nine, however, what is transmitted is the fatal idealized way of thinking that makes debt a necessary part of American life. In a sense, this idea is what inevitably brought America to its knees, there was no money left and huge banks like Lehman brothers were literally frozen; they could not continue to operate. If someone would like to expand on this issue or tell me a am completely off base with this interpretation, feel free.

Tony

Canary in the Coal Mine and other Vonnegutian warnings

Hey everyone,

So we talked today a little bit about Cat’s Cradle and certain implications of science in the novel. I explained the imagery of the albatross, from Coleridge’s “Rime of the Ancient Mariner”, but there are many more images of warning that are evident in the novel. One thing that I just noticed while glancing through the novel was that in the pivotal apocalyptic chapter, “The grand Ah-Whoom” on pg. 216, the narrator states, “I was recalled from this dream by the cry of a darting bird above me. It seemed to be asking me what had happened. “Poo-phweet?”.

Now I know some of you will think I am just reading into this too much (cough…Juval), but I think Kurt put this imagery of a bird right at the moment the earth ends for a very specific reason. In that book I like to quote from, “Conversations with Kurt Vonnegut”, he mentions that he thinks writers should be like canaries in the coal mine. For those who don’t know, in coal mines during the early industrial revolution, miners would send canaries into mines and if there was a poisonous gas leak, the canaries would start chirping and warn the miners not to go down. So should writers be to society as a whole…

Anyways, I think it is important that Vonnegut includes the bird at this point in the story. It is also important that the narrator is also a writer, and that he is writing all of this down after the ice-nine has turned the world topsy turvy. In this case, Jonah sees it as a responsibility to write down his experiences so that it can be a warning for anyone who finds it. Paradoxically, it seems as though there is no hope for the human race at this point in the novel. But, the fact that the writer endeavours to write anyways, even though his words may not make any difference, is important in looking at Vonnegut’s approach to writing a novel so heavily burdened with questions that seemingly do not have answers.

If anyone has anything they would like to add of this, or wants to take this idea in a different direction….post away!

Tony

Theatricality in Cat’s Cradle

So we talked a bit in class yesterday about how Vonnegut positions himself and many of the facets in his novel by using very theatrical techniques. Also, from the excerpt that Nawel read in class, it is pretty clear that Vonnegut is all for the idea of people asserting themselves in roles and that those roles ultimately have a purpose. This could be said for individual characters in the novel or people in the real world. What are some examples in the novel of people who occupy roles that are necessary for plot to unfold the way it does. Conversely, can we think about any non-fictional people who play roles, not necessarily good or bad…