At the beginning of the drama, it’s hinted that somebody at the table is getting married! However, this prompts a greater discussion about the economic state in 2012, and how it’s even comparable to the Asian Financial (IMF) Crisis during 1997, where newlyweds cannot afford owning a home. As you may remember, the Asian Financial Crisis is in full-effect by the end of episode 5. Viewers can understand the impact of the financial crisis when we see Dong-il and Il-hwa in the hospital: a shared patient room costs 300,000 won per day (in today’s rate, it’s $330 CAD), and Dong-il’s paycheque is docked in half. I reckon the Seong family are a part of the middle class, but they are still not safeguarded by the precarious conditions from the fluctuating economy. How has the financial crisis impacted families of different classes? How did the economy in 2012 compare to 1997?
It is interesting to note that “love” is the theme of this episode, highlighting the ups and downs of love.
For Yun-je, he’s still attempting to win Shi-won’s heart. He feels threatened by Jun-hee’s friendship with Shi-won, thus he’s determined to transform himself into who he thinks Shi-won’s ideal type is. He buys carp-bread (붕어빵), sits through the cold nights, jams to H.O.T, hoping to get her attention. Ultimately, his selfishness takes over, asking Yu-jeong for all 4 tickets to a basketball game which she went through hell and back for, just so he can have alone time with Shi-won and continue his quest to win her over. Yun-je is oblivious to Yu-jeong’s feelings and motives, leaving her completely heartbroken. Ultimately, his plan to have alone time with Shi-won backfires, as she’s bored out of her mind during the game and misses his confession.
Similarly, Yu-jeong tries to change herself into the more desirable girl by studying basketball prior to the game, impressing Seong-jae and Hak-chan much to their surprise. The attention she receives from her other male friends are meant to make Yun-je jealous, but it backfires. It becomes clear towards the end of the episode that Yun-je’s heart was with Shi-won. Yu-jeong breaks down crying in the bus, but Hak-chan quickly comes to rescue.
Since Hak-chan’s entrance to the drama, he’s portrayed as the “comically weird” character, unable to see women outside of pornography. However, he quickly develops into a gallant and heroic character when Yu-jeong’s love wasn’t reciprocated — he stands up for her. He consoles her on the bus, and putting her needs/desires first rather than letting his quirks take over. For once, we see Hak-chan taking initiative and becoming a emotionally sensitive person, rendering him as a more realistic and reliable character for the viewers. By the end of this episode, we know that Hak-chan and Yu-jeong are getting MARRIED!
Life for the Seong family isn’t going swell either. Although Si-won rejoices being an official executive member of H.O.T’s Pusan fanclub, Tony 오빠 reveals publicly that the letter that Shi-won wrote with her own blood made him uncomfortable. Again, we see signs of love and affection backfiring. Shi-won is upset that she’s put her feelings/desires first before Tony’s by sending him a disturbing gift. On a positive note however, Shi-won is pregnant! But who is the baby daddy? We’ll just have to wait and see…
Meanwhile, the Seong parents are still trying to cope with Dong-il’s diagnosis. Although the doctor concluded that his illness is not fatal and will not spread, Dong-il remains to be pessimistic. His feelings are reinforced when he sees parallels with his life and the main character of a TV drama suffering cancer. Il-hwa is enraged at the drama’s writer, upset and angry about how people can capitalize and glamorize an illness that affects so many. She does this to support her husband, but also many others who unfortunately follow the same trajectory. In the end, she makes a heartfelt plea to the drama writer after calling every night, asking her to write a happy ending for the leading man of the drama, giving hope to viewers who watch it. Dong-il is thankful for both the ending of the drama, but most importantly for the unsolicited love and support from his wife. Are dramas obligated to reflect social perspectives and realistic depictions? Or should dramas not be taken seriously and be understood solely as another form of entertainment?
Notice that Jun-hee is one of the main characters who’s arc has failed to develop in this episode. We understand that he’s a caring and supportive friend, especially to Shi-won. Also, it’s revealed that Jun-hee has a crush on Yun-je, but he’s yet to confess. This would’ve been a good episode to expand Jun-hee’s relationship with Yun-je, but writers of the show decided not to. Do you think this was a conscious decision by the writers, given South Korea’s stance on LGBT representation (especially in the 90s)? Personally, I find it quite upsetting that the arc for a character who holds so much significance, culturally, is developing so slowly. I hope we get to see more of how Jun-hee addresses his identity and the different nuances in his life.
Can’t wait to read your comments, and I’ll see you guys on the next post!
Kelly x