08

My partner and I have been talking to the crows in our neighbourhood for several years.  This one is new to me, but clearly was willing to have a conversation about the crackers in front of me.

The sound of crows is somehow magical.  The sound they make in the large groups that congregate in Trout Lake park and the campus of BCIT is ethereal, with layers upon layers of cawing and cackling from all directions and different distances.  The sound of a singular crow can be annoying when they caw.  But this fellow was making the “human” sound, a particular noise crows make when they are interested in humans.

Bird map of my backyard (in class exercise)

 

Assignment 08

In-class exercise: visualizing backyard sounds

Attempt #2: This version adds context and spatializes the sounds drawn in the previous version to show where the sounds are coming from in relation to the observer. I also drew myself to show my scale in relation to the distant and near sounds. Tuning In: sounds at Spanish Banks beach. I created sound recordings at 9 different locations on Spanish Banks Beach on Friday at 7pm after a heavy rainfall. It was dark and low tide, and there was some brief drizzling while I was there.

Context map showing major transportation routes/locations contributing to noise pollution heard on site.

This video shows spectrograms displaying sound frequency (pitch) in Hz over time for each of the 9 audio recordings in sequence. Colours represent amplitude (loudness) in dB.

Windplay: exploring sound and movement with wind. I taped together sheets of iridescent cellophane to a carboard tube to catch the wind. The material is extremely sensitive to even the slightest breeze.  Both the large scale wave-form movement of the whole sheet and the small scale movements of little creases within the sheet contributed to the sound. When tested outside, the sheet movement showed how wind intensity and direction changed over time. When tested inside afterwards using a fan at full blast, the movements were much faster and much louder and resembled water. The fact that the material catches different colors in the light when it moves made me more in tune to the little movements (and also the sounds from the little crinkles) which further enhanced my experience of the sound.

 

A8 – Audio

 

 

 

Experimented with representing sheet music and gestural line drawing overlaid on top of each other to show a connection between the rhythm of the physical (wavelength) experience, visual (sheet music) experience, and emotional (expressed through line) experience.
For a quick first attempt, Im happy with the concept, but the execution was experimental at best.

 

I wanted to experiment with less static ways of representing audio in the landscape, as sound is inherently always in motion and the addition of a time element to the representation could add a whole new layer of meaning to the diagrammatic representation of it.

Experiment 1
https://youtu.be/9F-4s2HvxAs

Experiment 2
https://youtu.be/89TeN7c0mO8

With a lot more time involved in the drawing and animating of overlaid visuals this could represent a really compelling sound mapping exercise.