Doing Image Transfers Method No. 1

Mixed Media Painting Class: Although I have yet to do a transfer that actually transfers properly I am now going to attempt to describe the process.
  • Paint or stain your background with acrylic paint and let dry.
image is too grey to transfer well

image is too grey to transfer well

  • Images should be ‘high contrast’ as in mostly ‘black’ or ‘white’ Most of the ones I initially brought in had tons of gray in them which doesn’t transfer well.
high-contrast and reversed image

image is now high-contrast and reversed so that lettering & hand positions will be correct after transferring

  • Reverse any images with text on them so they will read correctly when transferred. This means all ‘text’ including Arabic script, Chinese characters, etc. plus any non-verbal communications such as my holyman’s blessing.
  • We used a fancy-dancy photo copier for this but you can also do it in Photoshop or Gimp if you don’t have access to such a thing. The key is to print it on a LASER printer, not an ink-jet. I think colour laser also transfers and will try this later.
  • Trim off excess white paper; otherwise you will have to rub it off and that’s a lot of extra work
  • Apply a medium amount of gel both to the canvas and to the PRINTED side of the photocopy, and lay face down on your painting.

    transfer showing problem areas

    the arrows (from left, clockwise) point to: 1. excess gel that you DON'T want to get on the paper backing, or you will never get the paper off; 2 squeegeed a bit too hard and broke through the paper; 3. push any air bubbles to areas without any image to transfer

  • Squeegee carefully; air bubbles cause unattractive ‘holes’ in the final image, and if you get gel onto the back of the paper you will never get the paper off.

    peeling the first layer of paper off

    gently peel the first layer of paper off about two minutes after applying

  • Peel the first layer of paper off about two minutes after applying.

    transfer of Indian holyman blessing on painted canvas board

    transfer of Indian holyman blessing on painted canvas board

  • Once it dries through you can rub the rest of the paper off with warm water and a fairly rough cloth, revealing your image

There does appear to be some sort of ‘knack’ to it that I have yet to acquire. However, in a slide-show of some well-known artist’s pieces, Jeanne pointed out lots of broken transfers.  Apparently the eye fills in the missing bits, e.g. even though my hand is broken, it stills reads as a hand.

The original photo of my holyman is on Flickr: http://www.flickr.com/photos/albatz/4918700937/

Our super instructor’s site: http://jeannekrabbendam.com/ On her site she has her work and offers lots of different workshops and courses.

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Mistakes and more mistakes

Continued problems with my second image transfer in my Mixed Media Painting Class.

• If using cheap canvas panels, paint the back with medium to stop the panel from warping, and the front with another layer of gesso. The panels are cheap for a reason and extra gesso is needed as the original gesso is so thinly applied that it doesn’t have enough acrylic in it to create the ‘stickiness’ needed to transfer images.

my scribbles

scribbles created while trying to clean my plotting pens

• my ‘scribbles’ went slightly better, only a few holes!

image transfer of scribbles onto a painted base

image transfer of scribbles onto a painted base

• I had it with the black inverted scribble area on top but Sandy decided she liked it sideways better, said it looked like two bramble-covered cliffs plunging into the sea.

• I think I will add some big splotches of black ink to cover up the holes in my transfers. • Found a big bottle of ‘India ink’ and started splashing it on the ‘mistakes’ when I noticed that the label, barely visible under a smear of ink, said ‘China ink’. But China ink and India ink are the same, right? Wrong! India ink is waterproof; China ink isn’t and will smear when you try and paint on top.

India ink is supposed to be waterproof, but isn't on acrylic.

India ink is supposed to be waterproof, but isn't on acrylic.

• LATER: actually it was India ink, and it IS supposed to be waterproof (I was looking at the French part of the label). However it isn’t waterproof when applied to an acrylic surface which is a type of plastic, and if you want waterproof you have to use another product I have never heard of called ‘acrylic ink.’

• To try and seal it I sprayed it twice with ‘Crystal Clear’, foul stuff with poisonous vapors. Last little bit I wiped didn’t smear like earlier but did ‘crack’ off

the ink runs but I like the bluish colour of the acrylic medium dribbles

the ink runs but I like the bluish colour of the acrylic medium dribbles

• Next I tried spraying it with acrylic medium but my little windex bottle sprayer almost immediately clogged up and ran gray drips all down my painting. I wiped off the most offensive drips, and took a photo. I kind of like the bluish tone of the drips on the black but of course they will dry clear.

Now what?

Our super instructor’s site: http://jeannekrabbendam.com/ On her site she has her work and offers lots of different workshops and courses.

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Painting without an undo button…

Where’s the undo button?

In my first Mixed Media Painting class, my first transfer didn’t exactly go as planned. And if we learn from our our mistakes, I have learned a lot.

  • I tried to ‘stain’ the wood panel using rags and transparent colours in order to let the wood grain show through. But the rags I brought deposited burgundy ‘pills’ all over my panel when I tried to rub the colours on (oops).
  • Images needed to be ‘high contrast’, and most of the ones I brought had tons of gray in them which doesn’t transfer well (oops). The graffiti on weathered wood was one of the few truly high-contrast photos I brought to my class; the staples image on the bottom was too dark (images suitable for transfers).

    the inspiration, two different graffiti pieces

    the inspiration, two different graffiti pieces, one positive, one negative

  • Have a paper towel handy to wipe off excess gel gunk instead of getting it all over the back of the image you are trying to transfer. I, of course, managed to get gel medium everywhere (oops), then let it dry completely before I tried to roll the first layer of paper off (oops). As a result the transfer is completely broken up with lots of whitish paper left on the board that is impossible to remove.

    wood grain image transfer showing off all my mistakes

    wood grain image transfer showing off all my mistakes

  • Work small; the bigger panels, along with a mass of supplies, are hell to try and cart back and forth to class!

    wood grain image

    wood grain image after staining and transfer

At this point I really hate this piece! Where’s the undo button?

Our super instructor’s site: http://jeannekrabbendam.com/ On her site she has her work and offers lots of different workshops and courses.

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Mixed Media & Built Surface Painting Class

June 2, 2011: In the introduction to my Mixed Media & Built Surface class our instructor Jeanne commented, “If you are hoping to produce a masterpiece then in you’re in the wrong class. This class is all about fun…”

The first class focused on transfers of images, a tad gimmicky, but all I really need to do is to get my hands dirty, and they definitely got dirty!

(NEXT CLASS RE: gimmicky: in our second class Jeanne showed some decidedly ungimmicky painters who use a lot of image transfer in their work. One such artist is Robert Rauschenberg: http://www.google.ca/searc h?q=robert+rauschenberg&hl =en&biw=1252&bih=940&prmd= ivnso&tbm=isch&tbo=u&sourc e=univ&sa=X&ei=-mv1TaLsHrH ViAKYuID7Bg&ved=0CDUQsAQ). After looking through their work I realized that it was me that was using transfers in a gimmicky way.)

Many of the images I brought had too much gray in them; only the hi-contrast black and white images worked really well for transfers. Here are some that I ended up using:

high-contrast iguana suitable for image transfer

El Jefe, the huge, ancient, and somewhat battered iguana that lived next door to us at Melvin’s in Ostional, Costa Rica. I turned the photo of him into a high-contrast image suitable for transfer

my scribbles

scribbles created while trying to clean my plotting pens

transfer of Indian holyman blessing on painted canvas board

transfer of Indian holyman blessing onto painted canvas board

wood grain image

wood grain image transferred (badly) onto stained wood panel

How to Transfer an Image to a Surface, Method No. 1

Our super instructor’s site: http://jeannekrabbendam.com/ On her site she has her work and offers lots of different workshops and courses.

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Japanese Eating Class at Ajisai Sushi Bar

Going back over some of my previous ‘eating’ courses (actually called Culinary Arts in the UBC Continuing Studies Course catalogue). This dates from February of 2008, when we went to Ajisai Sushi Bar to try a traditional sushi menu. Our instructor ordered some really different, really delicious sushi. In an informal vote the class picked the Ajisai Sushi Bar as the best food experience of the four places we had visited.

flying fish sushi being prepared

flying fish sushi being prepared

  • prepping our flying fish sushi

    flying fish sushi

    flying fish sushi

  • flying fish sushi as served

    traditional sushi

    traditional sushi

  • a plate of traditional sushi. From left to right: whelk conch; sweet prawn (with the traditional practice of having the tail facing you); flounder innards; marinated red tuna topped with grated mountain potato; sea bream and egg

    stab body, sashimi in Japanese

    ‘stab body’, sashimi in Japanese

  • the Japanese menu uses a mix of Chinese and Japanese characters. These ‘kanji‘ (Chinese characters) translate as ‘stab body’, in Japanese pronounced sashimi.

    pressed sushi

    pressed sushi

  • pressed sushi. The two wrapped in a bamboo leaves are 1. sea bream and 2. salmon, capers and basil. The others are pressed and seared salmon with asparagus (the pale orange fish) and mackerel with BBQ leaf (the whitish fish)

    fruit sushi

    fruit sushi

  • fruit sushi – a real treat! From left to right: kiwi berry and flying fish roe with wasabi, salmon roe with ‘golden’ berries, mushroom with fruit gelatin

    sketch of the fruit sushi

    sketch of the fruit sushi

  • special menu designed for our eating course, with class notes
    Asijai class menu

    Ajisai class menu

    Ajisai Sushi Bar, Vancouver, BC; Tel: (604) 266-1428 (They don’t appear to have a website but all the rave reviews on other sites kind of make up for that!)

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Japanese Home-Cooking Class #2 at UBC Cont. Studies

This class contained introductions to even more Japanese ingredients that I had never heard of. We started with miso soup with little beech mushrooms, and then began prepping the salads and the main course of mackerel, nimono and rice.

Polished white rice (uruchi mai), the most common rice in Japan, was the side dish. It must be rinsed several times with a scrubbing motion to ‘polish’ it and remove the excess starch. The rinse water will be milky white for the first few rinses but will eventually become clear. Add 1 1/4 cup water to 1 cup rice in a pot with a tight-fitting lid, and cook for about 30 minutes, resulting in a fairly ‘sticky’ rice.

Japanese rice package

beautiful Japanese packaging of polished white rice (uruchi mai). This is the most common rice used in Japan, and is used both as a side dish and for sushi.

Gomaae: sesame-dressed salad. Spinach is commonly used for gomaae in North America, but in Japan everything from greens to fish and meats are used. For our gomaae Hana chose asparagus, chopped into 1 1/2 inch pieces and boiled for 3 minutes, together with cherry tomatoes cut in half. The dressing has several variations but all versions contain ground sesame seeds, sugar and soy sauce. Sometimes sesame oil is added although not always. I love sesame seeds so I really liked this salad. Hana’s recipe for gomaae (sesame seed dressing) on her blog: http://letsforking.wordpress.com/2010/10/24/spinach-gomaae/

Japanese sesame-dressed salad aka 'gomaae'

Japanese sesame-dressed salad aka ‘gomaae’

The other salad, ‘onion and jako’, was… interesting. It reminded me of the first time I tried seaweed. Then I wasn’t so sure about it, but now I go out of my way to get seaweed-wrapped treats. The first step to making the salad is to soak paper thin slices of white onion to reduce any onion flavour, similar to the daikon radish prep in the previous class. I actually like the pungent flavours of both white onions and daikon, and am not really sure I like these wishy-washy versions. I suppose they had to be made more delicate in order to taste the jako that was tossed in with them. Jako are baby sardines, teeny tiny little translucent things.

onion & jako salad

onion & jako salad

The salad was drizzled with Ponzu and pinkish bonito fish flakes were piled on top giving the dish faintly fishy taste. Ponzu sauce: this I love; it is the main ingredient in the gyozo dipping sauce and I’ve always wondered about that. The first character on the label is Chinese and means: taste, smell, experience; delicacy, which just about says it all.

the label on a bottle of Ponzu, a Japanese dipping sauce

the label on a bottle of Ponzu, a Japanese dipping sauce

Nimono – ‘things’ simmered in a dashi, water, soy sauce, sugar and mirin sauce. The ‘things’ we simmered were carrots, a weird yam gelatin and bamboo shoots. Potato and thin-sliced beef are popular in Japan. The bamboo shoot was time-consuming to clean; the centre of the shoot containing delicate ‘gills’ with a white grit that had to be removed – the final result was very tasty and I’d make that again. Eek! just saw the price! I think I’d substitute a tin of hearts of palm: cheaper, easier and with virtually the same light vinegar tang.

nimono: 'things' simmered in soup stock

nimono: ‘things’ simmered in soup stock

The main dish was mackerel fried in miso. Mackerel is an oily ‘fishy’ fish; the miso paste compliments it nicely. Each piece of mackerel is scored with a large ‘X’ to allow the flavour of the miso to penetrate. We learned an interesting method of cooking using parchment paper, and one of the students said that once she discovered parchment paper she stopped using tin foil altogether.

Japanese-style mackerel in miso

Japanese-style mackerel in miso

Although desserts are rarely served in Japan they are pretty popular in the west, and Hana had a surprise dessert for us: green tea ice cream sprinkled with the nutty flavoured roasted soy bean flour.

green tea ice cream with nutty roasted soy bean flour on top

green tea ice cream with nutty roasted soy bean flour on top

Gallery of images from my Japanese Home-Cooking Class, offered by UBC Continuing Studies and taught by Hana Dethlefsen. Hana has her own blog with lots of Japanese recipes and restaurant reviews at: http://letsforking.wordpress.com/

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Japanese Home Cooking Class # 1, UBC Cont. Studies

Our class started with an introduction to a bewildering array of difficult-to-pronounce ingredients, most of which were to be used in the class recipes.

ingredients for udon noodle soup

ingredients for hot udon noodle soup

We were to start with two different noodle ‘soups’, one hot, one cold. The udon noodle soup was the hot soup, made with fresh udon noodles, dashi (a soup stock powder which came in two choices for our class: seaweed and fish), mirin (rice wine) and soy sauce, and was garnished with a pureed fish paste cake (pink and sliceable) and some eggy-looking things (fried tofu) that were fairly sweet and a bit odd.

udon noodle soup

the hot udon noodle soup with green onion, sweet fried tofu and fish paste cake garnishes

The dipping sauce/soup for the cold soba noodles had the same ingredients as the hot udon noodle soup; the only difference being that only enough water to dissolve the dashi powder was boiled, and then everything was chilled. Green onions and wasabi paste were added to the dipping sauce at the table.

We also made a daikon and tofu salad. The salad base was mizuna, watercress and leafy endive, layered with tomatoes, soft tofu and finely sliced daikon radish, and dressed with wonderful ‘chukka‘ sesame dressing. I mixed leftover salad with cold soba noodles for a great salad the next day.

The dessert of ‘dorayaki‘ was sweet pancakes traditionally filled with red bean paste, and seasonally with green tea ice cream (summer) or roasted chestnuts (autumn).

Gallery of images from my Japanese Home-Cooking Class, offered by UBC Continuing Studies and taught by Hana Dethlefsen. Hana has her own blog with lots of Japanese recipes and restaurant reviews at: http://letsforking.wordpress.com/

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gifts from Mexico to the world

Found on the wall in an obscure corner of the National Palace in Mexico City:

the world owes to Mexico

the world owes to Mexico

This plaque lists both the Spanish and the Nahuatl words for various indigenous plants. Roughly translated it says, ‘the world owes to Mexico: corn, beans, tobacco, cocoa, cotton, henequén (I suspect this is sisal), tomato, peanuts, ‘tunas’ (the red fruit of the prickly pear), maguey (agave, the basis of pulque, mezcal and tequila), avocado, pineapple, chicle (chewing gum, think ‘chiclets’), the small zapote (a lesser known fruit), the white zapote (ditto), the zapote prieto (boy, whoever wrote this really liked zapote), el mante (no idea), el mamey (lesser known fruit), el capulin (no idea), papaya, chiles, yucca, jicama (crunchy cross between a potato and an unripe pear). Hey, tequila, apart from the ‘maguey’ connection, isn’t on the list!!! Or vanilla, the bean from an orchid that originally grew wild in the jungles surrounding Veracruz. Or nopales (prickly pear paddles)… Or… (I’m sure there must be more!)

CORN (EL MAÍZ, TLAYOLLI)

Traditionally corn is dried in the sun and then ground with a metate.

Metates for grinding corn

metates for grinding corn

Lime (the stone, not the fruit) is added in this process to break down the corn and release the nutrients.

The ground corn flour (masa) is used to make atolestamales, pozoles, salbutes and tortillas. In turn, tortillas are a key ingredient in chilaquiles, quesadillas, flautas, tacos, enchiladas, totopes and sopes (y ¡más!)

BEANS (Los frijoles, Etl)

Flor de Mayo Beans

Flor de Mayo Beans

PRICKLY PEAR FRUIT (Tunas, Notchli) & PADDLES (Nopales)

nopales are the paddles of the prickly pear. The red fruits are known as tunas.

nopales are the paddles of the prickly pear. The red fruits are known as tunas.

Nopales are the paddles of the prickly pear. This cactus, in San Miguel de Allende, was guarded by a very protective mother pig out with her little ones. We tried to get photos of them snacking on the bright red fruits known as tunas in Mexico. But between being charged by momma pig, and backing away in a mass of cactus spines, we didn’t get too many photos.

 


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In search of the best crab in Vancouver!

http://www.kenschineserest​aurant.com/
Ken’s Chinese: Hong Kong Style Café, 1097 KINGSWAY

Every time Al’s birthday comes up he demands CRAB for his birthday dinner, and we head off in search of the best crab in the city!  For many years we went to the Yangtze on Robson. Their ‘Black Bean and Garlic Crab’ was to die for, but a tragedy closed the restaurant down. Since then we’ve been on the lookout for a restaurant that serves crab of that standard, and were excited to see that last year the Chinese Restaurant Awards awarded Ken’s Chinese for the ‘Best Crab in the City’. This birthday we went off to try it out.

The speciality dish is ‘Golden Crab’ and as we waited to be seated, plates of it went flying by; Al worrying that maybe there wouldn’t be any crab left for him. In the meantime I was reading the reviews on the wall, and saw that no less than Condé Nast had selected Ken’s Chinese as the best Chinese seafood in Vancouver.

Must mention the bill! Only $84 for four people, including THE crab and five beer…

THE MENU

Golden Dungeness Crab

Golden Dungeness Crab

  • Golden Dungeness Crab – the signature dish of Ken’s Chinese in 2009, presented in a golden bean batter. The crab was flying off the plate before I even had time to take photos… Sandy, slow down with those chopsticks!

Zhu Jiang (Pearl River) Beer, a bit bland. Should have ordered Tsing Tsao.

Vermicelli Singapore-Style

Vermicelli Singapore-Style

  • Singapore Noodle (spicy) – here called Vermicelli Singapore-Style. Nice levels of spice and generous with the prawns, especially for the price.
Dai Chien Chicken (Spicy)

Dai Chien Chicken (Spicy)

  • Dai Chien Chicken (Spicy) – similar to Kung Pao Chicken and very tasty.
  • Sambal Green Beans –  a perennial favourite!

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A ‘roll your own’ sushi party!

Here is a fun ‘interactive’ party; you set out the ingredients, the guests ‘roll their own’ cone sushi.

sushi party

sushi party showing (counterclockwise from lower left): salmon, tuna, fish roe, miso soup, tea, wasabi, cucumber, shiso leaf and avocado plate, nori, with shredded faux crab in the center.

The ingredients:

NORI – large flat sheets of seaweed cut into ~ 4 inch squares

SUSHI RICE – Japanese white rice (the non-Japanese rice is either not sticky enough or too sticky) mixed with ‘sushi vinegar’ and cooled quickly by fanning and ‘folding’ the rice in a large flat pan. Cover and set aside.

FILLINGS – a selection of seafood and vegetables all sliced fairly small to fit into the sushi cones.

Our filling choices were :

  • sashimi-grade salmon sliced,
  • sashimi-grade tuna sliced,
  • fluorescent orange fish roe,
  • faux crab, shredded
  • julienned Japanese cucumbers (the English ones have too many seeds; if you use them scoop the seedy centers  out)
  • sliced avocado
  • shiso (perilla) leaf – very unusual flavour but I liked it. One student felt it added a ‘freshness’ to the sushi. I found it hard to describe but took some home to Al who pronounced it ‘lemony with a hint of Lysol…”
  • sliced plain omelette

CONDIMENTS – soy sauce, wasabi, Japanese mayonnaise, pickled ginger

miso soup and nori

miso soup and a sheet of nori awaiting fillings

To start we made Miso Soup, with tofu and an amazing expanding dried seaweed that blows up to about 10x size! The sushi was a symphony of greens (nori, green tea, cucumber, avocado, wasabi) and corals (salmon, roe, crab, tuna); I almost wanted to add the nori and some of the other ingredients to my painting in my mixed media class!

dessert of orange jelly slices and strawberry mochi dumplings

dessert of orange jelly slices and strawberry mochi dumplings

And to end, two unusual desserts: Kanten Orange Jelly Slices (kanten is agar, a vegan gelatin) and Mochi Dumplings filled with red bean paste and strawberries.

The Japanese Home-Cooking Class is offered by UBC Continuing Studies and taught by Hana Dethlefsen. Hana has her own blog with lots of Japanese recipes and restaurant reviews at: http://letsforking.wordpress.com/

Her mochi dessert recipe is at: http://letsforking.wordpress.com/2010/07/29/ready-for-a-pounding-lets-making-mochi/

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