Ultramarine: Water and Memory. by Neela Rader
Click here for Neela’s Artist Statement for Ultramarine. Neela Rader Ultramarine Artist Statement Neela Rader is a second…
The Okanagan: A Settler Fantasy, a zine by Kaleb Conquergood
CLICK HERE FOR THE ZINE: Kaleb Conquergood CULT 349C Colonial Legacies Project Kelowna A Settler Fantasy Works Assembled By Kaleb…
It Happens Here Too: Legacies of Eugenics In So-Called British Columbia, a zine by Sophie Harms
This zine, It Happens Here Too: Legacies of Eugenics In So-Called British Columbia, outlines intersections in the context of Indigenous…
A History from Below: Remembering Life under Dictatorship in Peru, an oral history essay by Valeria Díaz Cuba
This narrative and critical review were submitted as an “Oral History Project” for CULT 360. It illustrates part of the…
Unpacking the Humanitarian Gift Card, an audio presentation by Sam Grinnell
This audio presentation was sparked by a fascination with Oxfam Unwrapped, a charitable organization that allows customers to purchase animals…
“A Chat with Stevie Nips”, a Drag Pod by Lily Krank
In this episode of Drag Pod, Lily Krank examines the chapter “Drag Kings: Masculinity and Performance” from Jack Halberstam’s 1998…
“Unpacking Muñoz’ ‘Terrorist Drag’”, a Drag Pod by Karleen Rutter
Reading: Muñoz, José Esteban. “The White to be Angry” in Disidentifications: Queers of Color and the Performance of Politics. University…
“Jordan’s Big Gay Podcast,” a Drag Pod by Jordan Pike.
In this episode of Drag Pod, Jordan Pike looks at a selection of articles from the 2021 special issue of…
Analyzing the Rhetoric of Humanitarian Organization Marketing Appeals – A video presentation by Rowan Pickard
This audio-visual presentation applies course concepts and texts regarding human rights discourse (from CULT 346) to critically analyze aspects…
A Not So Linear Timeline – A poetry chapbook by Mackenzie Griffin
Griffin A Not So Linear Timeline (PDF) Mackenzie Griffin graduated with a combined major in Cultural Studies and Creative Writing…
Hip Hop and Identity: the History and Appropriation of African American Culture – A video essay by Kianna Sposato
Kianna Sposato graduated with a major in Cultural Studies in 2022.
This project was inspired by my experience as an African American person participating in hip hop culture. It reveals how hip hop originated as a way for Black people to form subjectivities for themselves after the legacy of slavery, and explores the implications of its appropriation into dominant white culture. My goal for this project is to foster an awareness of the history of hip hop, and its significance to the community that created it.
“The inclusion of youth with lived experience of homelessness in emerging networked publics” – An article by Jamie Lloyd-Smith
Jamie Lloyd-Smith completed a minor in Cultural Studies. The essay was produced in CULT 495 Directed Studies in 2021 and…
Black Luminosity in the Age of Social Media, by Melissa Plisic
In CULT 300/ENGL 378 Documentary and Docudrama in Spring 2021, graduating Cultural Studies major Melissa Plisic created this zine Black…
Identity and Nationhood, by William Jones
In CULT 305/ENGL 377 Reading Canadian Screens, Creative Writing major William Jones created this poem, painting, song, and Artist Statement…
Humanitarian Palimpsest, by Carrie Terbasket
Cultural Studies major, Carrie Terbasket, created this palimpsest and critical reflection in CULT 437 Postcolonial Studies, with the special topic…