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Educator of the Week

Educator of the Week

Last semester, even though it took place on Monday nights from 4:30 to 7:30, I looked forward (with remarkably reliable enthusiasm) to Carl Leggo’s class every week. As the semester progressed and the afternoons and evenings became darker and colder, “Teaching Writing” with Carl felt increasingly like a bright little oasis that 30 or so of us were able to retreat to once a week. I can’t help but feel that the most important things I learned in that class were not about writing, necessarily, but about how to be a fantastic mentor to students. For those of you that didn’t have the opportunity to enroll in that class, here’s Carl reading a poem at the University of Lethbridge…

 

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Project Prospectus

Fahrenheit 451 and the Question of Censorship

Context:

Upon my return to Sentinel Secondary later this month, I will have the opportunity to lead a novel study of Ray Bradbury’s Fahrenheit 451 with two English 11 classes. In preparation for this unit, I plan to embark on an inquiry project that will give me insight into and knowledge about historical and modern cases of censorship – a theme that features prominently in the novel. I will use what I learn to enhance the study of the novel for my students by increasing my ability to answer their questions and finding connections I can make for students between Fahrenheit 451 and their own lives.

Research Question:

To state my proposed area of research more precisely, I plan to embark on this inquiry with the following two questions in mind: “what parallels can be drawn between the censorship in Ray Bradbury’s fictional world in Fahrenheit 451 and historical and modern instances of censorship?” and, “does having a better understanding of historical and modern censorship enhance the study of a highly censored fictional world?” Knowing the answers to  these questions will help me improve students’ understanding and enjoyment of the novel and – I think – enable me to provide a richer, more meaningful experience for my grade 11s this spring.

Note: As a supplementary source of information, I will review literary criticisms of Bradbury that delve into his extensive use of symbolism and figurative language. This could lead to a discussion with students about methods that have been used to publish subversive material in totalitarian regimes, and a continuation of discussion on a text they’re already connecting to Fahrenheit 451: Plato’s Allegory of the Cave.

Resources to be consulted:

Baez, Fernando. A Universal History of the Destruction of Books. New York: Atlas, 2008.

“Bannings and Burnings in History.” Freedom to Read. Canada Council for the Arts. 2009. Web. 5 Jan. 2013.

Canada Council for the Arts. Challenged Books and Magazines List, February 2012. 2009. PDF. 5 Jan. 2013. <http://www.freedomtoread.ca/docs/challenged_books_and_magazines_february_2012.pdf>

Finklestein, David and Alistair McCleery. An Introduction to Book History. New York: Routledge, 2005.

Kreider, Tim. “Uncle Ray’s Dystopia.” The New York Times 8 June 2012. Web. <http://www.nytimes.com/2012/06/08/opinion/uncle-rays-dystopia.html>

Swaim, Don. Interview with Ray Bradbury. May 1992. MP3. <http://www.wiredforbooks.org/raybradbury/>

White, Harry. Anatomy of Censorship: Why the Censors Have it Wrong. Maryland: University Press of America, 1997.

 

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