Monthly Archives: March 2015
How I Learned to Stop Worrying and Love Selfie Sticks
Recently a debate has been sweeping through museums throughout the world: should we allow the use of the new and wildly popular camera technology, the selfie stick? For those unfamiliar, selfie sticks are telescopic monopod devices that allow users to take selfies at more flattering and comfortable angles. Many museums, including the Smithsonian group, New York’s Metropolitan Museum of Art and Modern Museum of Art (MOMA), the Getty Center in Los Angeles and the Cleveland Museum of Art, have decided to ban selfie stick use in their galleries, citing concern for the safety of museum objects and guests. A chain of emails I received last week concluded that they will be banned at the LBJ Library as well.
While I wholeheartedly agree that the safety of museum collections is paramount, what I don’t like about these debates is the tone of contempt anti-selfie-stickers assume. Wendy Malloy, Director of Public Relations for the Seattle Museum of Art, cited the “obnoxiousness factor” in the decision to ban selfie sticks. Some have coined the term “Narcisstick” to emphasize the narcissism of selfie culture. In the email I received, someone said (paraphrasing) “something with such an obnoxious name should be destroyed, not just banned.” This contempt for a useful, if frivolous, simple invention reminds me of the general contempt I often encounter towards new technologies, new ways of communicating, and basically anything millenials seem to like. Museums are struggling to keep up with modern trends, and are often perceived to be stuffy, boring, and no fun. We all know that isn’t the case, but museums aren’t helping themselves by spouting condescension and vitriol over a popular sharing tool.
The Centre for Computing history has taken to encouraging patrons to bring and use selfie sticks in the museum, mentioning their value both as tools for visitor engagement and for attracting new visitors through social media sharing. While this model can’t work for every museum – like I said, the collections come first – toning down the contempt is a good first step for museums trying to stay current.