What Audience?

In POLI 100 we watched two clips last week on garbage pickers in Nicaragua showing very different ideas.

In the first clip produced for Anthony Bourdain‘s show “No Reservations” where he tours the world dining and experiencing world cuisine and culture. In this particular episode we are showed his experience looking at the waste pickers, or “Churequeros” at La Chuerca dump. For the 300 families who live here, we are told that they live a life of extreme poverty, lack of basic education and sanitation. The waste pickers sort throughout the enormous amount of garbage every day. People hope to produce 1$ a day from the garbage picked by selling the recyclables. This is similar to here in BC where you get 5¢ per bottle that you return. Bourdain is horrified at the life that these people have to live. Feeling what we call “white guilt” he describes the paradox of people having to eat food from the dump and where he cooks decedent food for TV. That link refers to a direct response from white people to people of colour. However, we can extrapolate the definition of white guilt to include a western guilt.  He particularly he is upset by the fact that there are so many kids working at the dump. One of which is his daughter’s age.

While moving and provocative. There is something distinctively off-putting about the clip. Bourdain stands separate from the crowd talking to the camera as if nobody around him can hear him. He also is wearing sun glasses that block off his his eyes. It makes it all seem very zoo-like, as if he were standing outside a cage, but in fact he is standing in the middle of a crowd, and filming people most likely without their consent. It is a very western idea of individualization that a person can do whatever they want.

Bourdain’s reactions of “well I’m totally depressed” is understandable. Many of us would have the same reactions faced with people having to sort through garbage to meek out a basic existence. However, the way the clip is filmed and the way he narrates it clearly panders to a western sentiment of pity and guilt. That we are responsible for these people’s living conditions (of you look at it with a colonialist lens) and that we have to somehow fix and help these people. This is a very neo-colonial idea.

Now let’s look at another clip. This clip of the “First Congress of Latin American WastePickers” shows a completely contrasting view of the “Churequeros” that was shown in Bourdain’s video. Rather than hopeless people doing what they have to do survive. These people are an empowered multi-generational community that is proud of being who they are. They fight for the right to pick the garbage, because they play a key part in the economy-as recyclers.

Let’s discuss this in terms of “God Grew Tired of Us.” The film was portrayed in a similar matter as the Bordain clip. It showed how the “boys” were saved by America and how great the country was for doing that. It showed them as aliens in their surroundings by portraying them as clueless of an consumer society that they were not familiar with. Both films were made for western audience. They were both narrated and produced by American companies and portrayed western ideals such as freedom and the “american dream.” However, in the second clip it was meant for a variety of audiences. They film, while in Spanish, had English subtitles hinting on a trans-cultural dialogue, because they want to tell their side of the story. Instead of observing and making deductions as Bordain was doing, the creator of the second clip went and interviewed people.

What these two clips show is that it is important to be critical of the information we are given. Be critical of the intended audience and the different biases that are shown. Because while it is true that the Churequeros may not be working in safe conditions, it does not imply that they are doing it out of desperation.

2 thoughts on “What Audience?

  1. Nik, your blog post points out a very relevant topic that is often discussed in reaction to the commodification of life narratives. Another point you made about “Be critical of the intended audience” is also an alerting point because, from the producers, we, the consumers, are idealized in a certain way. We are seen in a way that demands this type of “poor slum-dwellers” representation of the slum. The sense of sympathy we desire to feel for the Churequeros is what the producers see as a societal common understanding of the slums. It gets me to wonder how we can challenge this established status quo? How can we alter it so that the producers are inclined to tell us many ends of the truth from many perspectives? Going back to the beginning of our Political Science class, and Karl Marx’s preach of “Ruthless Criticism of Everything Existing”, as informed people, we must be able to question the norm and challenge it. Especially, in this day and age where we have instant access to a voice through social media, the movement must start within the individuals.

  2. Pingback: Detroit and Commodification | How Scholarly!

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