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9. Podcasting Today

9.a) Online Tools and their Effect

Starting your own podcast is ten-times easier today than it was five years ago.Behringer Podcast Studio USB Podcasting Kit

You can find almost everything you need, from instructions to equipment to advice, on the internet.

Amazon.ca lists over 60 books on podcasting, Google Search returns almost 2-million “How to Podcast” hits, YouTube has over one-hundred instructional videos, and there are even podcasting kits available for those who want to open a box and start podcasting.

Although podcasting is now accessible to newcomers, it’s also more isolated than it was in the beginning.  When Canada’s early adopters started podcasting, no one knew what podcasting was yet.  The tools needed to produce and syndicate MP3 files were unfamiliar, so podcasters had to rely on each other to solve problems.  They also looked to each other to figure-out how far podcasting could go and how creative and distinct it could be.  Communication with others played a key role in the medium’s development.

★  Bob Goyetche and Mark Blevis compare podcasting today to early podcasting:

Some argue podcasting lost its experimental edge when it hit the mainstream.  Listeners and producers are now accustomed to format and quality of major media podcasts, so there isn’t an impetus to test the plasticity of the medium.  People also lack the patience to seek-out independent podcasts when highly-produced major media podcasts are so plentiful.

★  Wayne MacPhail talks about podcasting’s co-opted audience:

As awareness about podcasting continues to grow and the medium is adopted by more and more people, the need for community will limit itself to those who reach-out.  The tools available online ensure that new podcasters don’t need others to help them out.  Independents can be as engaged or aloof as they please.  There are conferences and meet-ups for those who wish to interact.  For others, podcasting is just another thing they happen to do.

⇒ NEXT: “9.  Podcasting Today” →  Newcomers

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9. Podcasting Today

9.b) Newcomers

Although podcasting may not be as shiny and new as was back in 2004, it’s still attracting new and talented producers all the time.

Examples abound across the country.

Every podcast is different and every podcaster — even new ones — have stories to tell.

Sarah BuchananLife After Radio
Vancouver, British Columbia
February 14, 2009 – Ongoing

★ Hosted by Sarah Buchanan
★ An ecclectic mix of sound and story

★ Sarah talks about how Life After Radio came to be:

Stop podcasting yourselfStop Podcasting Yourself
Vancouver, British Columbia
March 3, 2008 – Ongoing

★ Hosted by Graham Clark and Dave Shumka
★ A comedy podcast featuring a weekly guests

★ Graham and Dave talk about how they got into podcasting:

⇒ NEXT: “9. Podcasting Today” → Is Podcasting Dead?

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9. Podcasting Today

9.c) Is Podcasting Dead?

The question has been asked a number of time by bloggers, technology journalists, trend-watchers, critics, pundits and businessmen.

Podcasting Dead?

Why there is a need to sound the death knell the moment a technology no longer feels new escapes me.

Still, many people wonder what happened to the global excitement and promise that podcasting was “the future of radio“?

★  Tod Maffin explains:

Podcasting’s trajectory has changed over time, businesses models have come and gone, networks have appeared and faded, some of podcasting’s superstars are no longer producing.  Things have changed.

But people are still listening, and podcasters are still producing.

Until that ends, neither will podcasting.  notnot-dead

Period.

On January 4, 2009, a virtual roundtable discussion about the future of podcasting was held online.

Hosted by Joseph Jaffe, the dialogue responded to a new suggestion that podcasting was in peril.  The lively conversation included a number of podcasters from around the world, including:

… among others …

★  Listen to the discussion on Mitch Joel’s Six Pixels of Separation podcast, Episode #137

⇒ NEXT: “9. Podcasting Today” → Is Podcasting Dead?

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8. Podcasting and the CRTC

8.a) Timeline of CRTC New Media Hearings

The paragraphs that follow offer a brief outline of the Canadian Radio-television and Telecommunications Commission’s new media proceedings.

☆☆☆

In November 1998, the Canadian Radio-television and Telecommunications Commission assembled in Gatineau, Quebec, to discuss how services delivered over the internet, “new media,” were affecting and could benefit Canadians.  Four main questions were addressed:

  • In what ways, and to what extent, do new media affect, or are they likely to affect, the broadcasting and telecommunications undertakings now regulated by the Commission?
  • In what ways, and to what extent, are some or any of the new media either broadcasting or telecommunications services?
  • To the extent that any of the new media are broadcasting or telecommunications, to what extent should the Commission regulate and supervise them pursuant to the Broadcasting Act and the Telecommunications Act?
  • Do the new media raise any other broad policy issues of national interest?s?

In response to the CRTC’s call for comments, over 1000 contributions were received from from individuals, multimedia companies, traditionally regulated industries and their associations.  During the public hearings, almost 100 presentations were heard.

The Commissions findings were released in May 1999.  They concluded that, although some internet content aligned with the Broadcasting Act’s definitions of “program” and “broadcasting,” regulation was not required.  By exempting new media from regulation the Commission hoped to encourage growth and innovation online.  The New Media Exemption Order was the end product of the proceedings.

★★★

In July 2002, the CRTC returned to the issue of new media, this time focusing specifically on the redistribution of traditional broadcasting content over the internet.  When the Commissioner gathered in Gatineau for the public hearings, five questions were addressed:

  • Should Internet retransmission be seen as a substitute for, or a complement to, the activities of existing licensed over-the-air broadcasting and distribution undertakings?
  • If Internet retransmission were to become complementary or substitutable for existing over-the-air broadcasting undertakings and/or distribution undertakings, what is its potential impact on the existing regulatory framework?
  • What potential impact could Internet retransmission have on the broadcasting system, including, among others, viewers, subscribers, advertisers, producers and broadcasters?
  • What are the mechanisms currently or potentially available that would ensure the protection of program rights? In particular, how could the territorial reach of Internet retransmission of programming be restricted to a particular region or to particular customers? Similarly, how could the repropagation of such programming by customers to other Internet users be prevented?
  • Would regulation of undertakings providing Internet retransmission of the signals of over-the-air programming undertakings contribute materially to, or detract from, the attainment of the objectives set out in section 3 of the Broadcasting Act?

Forty presentations came before the Commission.  In January 2003, the CRTC announced a clarification of the New Media Exemption Order to include Internet retransmission of broadcasting services.

In April 2006, the New Media Exemption Order was further extended to include mobile internet broadcast undertakings.

In February 2007, the Mobile Broadcasting Exemption Order was added, which exempted service providers who were offering television broadcasting services on mobile devices.

★ ★ ★

In December 2006, the CRTC released the Report on the Future Environment Facing the Canadian Broadcasting System.  The report was a factual record written to inform Government policy decisions with respect to the future of broadcasting in Canada.  It provided details on technological trends, presented research and statistics on industry and consumer trends, and suggested policy directions for the following 3-7 years.

Specifically, the Report examined:

  • The state of audio-visual technologies and their predicted evolution
  • The kind of content delivered through regulated and non-regulated channels of the broadcasting system, and their means of delivery
  • The predicted economic impact new technologies on broadcasting undertakings
  • The impact the usage of audio-visual technologies by Canadians would have on the broadcasting system
  • The content and programming choices available to Canadians
  • The predicted modes of consumption future generations would use to consume or access content, programming and programming services.

When the report was released, most Canadians were still consuming broadcasting content through the traditional media channels.  The report’s research showed that shifting media consumption patterns were not yet having a negative effect on the Canadian broadcasting system.

Yet the report also showed that a growing number of Canadians, younger Canadians in particular, were accessing broadcasting content through unregulated electronic platforms, such as the Internet and mobile networks.  To track the shift attention away from traditional platforms and towards the internet, the CRTC recommended “detailed and ongoing monitoring of developments in the evolution, contribution and impact of audio-visual technologies.*”

From 2006 to 2008, the CRTC conducted reviews of its regulatory frameworks for radio, television and broadcasting distribution, with a particular focus on the current and anticipated impact of technological change.

★ ★ ★

In March 2007, the “New Media Project Initiative” was launched.  Its purpose was:

… to investigate the social, economic, cultural and technological issues associated with New Media, and what actions, if any, the CRTC should take to ensure that New Media meets the objectives of the Broadcasting and Telecommunications Acts*.

The Initiative set-out to collect and compile research and stakeholder views on broadcasting in the new media environment.

Three studies followed:

★ ★ ★

On October 15, 2008, the CRTC issued a notice of consultation and hearing to explore issues of Canadian Broadcasting in New Media.

☆   The ‘*’ link found at the end of each block quote will redirect you to the online document from which the quote was taken.

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8. Podcasting and the CRTC

8.b) An Audience with Steven B. Simpson

Steven B SimpsonSteven B. Simpson is the CRTC’s Regional Commissioner for British Columbia and the Yukon.

Appointed on June 23, 2008, Simpson’s work history includes experience in broadcasting, public affairs, management consulting, and internet software and development.

On Thursday, July 16th, 2009, Simpson sat down to discuss the 2009 new media hearings with respect to podcasting.

During our hour-long conversation we also talked about the CRTC’s role public life, why the CRTC keeps considering online regulation, what questions the Commission hoped to answer during the 2009 new media hearings, whose voices were heard and what they had to say, how the 2009 proceedings differed from those held in 1998 and 2004, why matters were referred to the Federal Court of Appeal, what a ‘National Digital Strategy’ might look like, whose interests the Commission serves and when the CRTC will revisit their questions regarding the broadcasting environment in new media.

★  This conversation has been lightly edited.

★ Here are links to the CRTC’s website and contact information

★  The CRTC will resume their dialogue regarding new media within five years.

⇒ NEXT: “9.  Podcasting Today” →  Online tools and their effect

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5. A Niche Medium for a Mass Audience

5.a) Signposts of Progress

If you think about major internet innovations that have appeared in the past five years, Podcasting developed relatively slowly.

It did not explode or “go viral” as Facebook and Twitter have.  Instead it relied on the skills and assistance of early adopters who forged podcast templates and developed online software that made producing, posting, finding and distributing podcasts easier.

★ Tod Maffin talks about podcasting’s landmarks:

By mid-2005, podcasting was becoming a recognizable term beyond the internet.

A number of events helped bring podcasting out of the niche and into the norm:

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Tributes


*** Huge thanks must be payed to Mark Blevis, Bob Goyetch, Tod Maffin, Kathryn Gretsinger, Alfred Hermida and all of the individual podcasters who contributed their stories, voices and time. Without them this project, and perhaps the Canadian Podcast Community itself, would not exist.***

Duncan MacHugh
CiTR

A. Hadley
K. Collyer
M. Kuxdorf
C. Griffiths
V. Marson

B. Wallin

My Father and brother for their interest and encouragement.

We have a hunger of the mind which asks for knowledge of all around us, and the more we gain, the more is our desire; the more we see, the more we are capable of seeing.
– Maria Mitchell

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5. A Niche Medium for a Mass Audience

5.b) Word of the Year 2006: “Podcasting”

New Oxford American Dictionary On December 7, 2005, the New Oxford American Dictionary declared ‘podcasting’ its word of the year.

Listed as “a digital recording of a radio broadcast or similar program, made available on the Internet for downloading to a personal audio player,” podcasting’s inclusion in the dictionary was a significant media event which brought the medium to the attention of the English-speaking world.

The popular French word for podcasting is: “la baladodiffusion.”

The New Oxford says the term was derived from a combination of the words “iPod” and “broadcasting,” however there has been some debate as to the authenticiy of that origin.

Synonyms for “podcasting” include: audio-blogging, audio diary, voice diary

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5. A Niche Medium for a Mass Audience

5.c) iTunes 4.9 Launches

There was considerable excitement when Apple launched iTunes 4.9,which it included a podcast node.  Suddenly the world’s biggest online audio store was also distributing independent podcasts, for free, to eager listeners around the world.   Small niche content podcasts literally became overnight sensations.  Looking at the CBC Radio 3 Podcast‘s meteoric success following the 4.9 launch, The Globe and Mail’s Ivor Tossell reported the following:

iTunes 4.9 Launch Day directory

“Radio 3 had started its podcast of indie music a few weeks previous, and had been seeing about 500 downloads a day. That number flew up to 20,000 downloads when iTunes started promoting them, according to Radio 3’s director, Steve Pratt. The figure has since levelled out at more than 7,000 daily.” Radio 3 retained it’s #1 rating on ITunes Canada for an amazing … weeks, beating out Al Franken, sundry morning shows and the CBC’s own Quirks and Quarks podcast (which, incidentally, has turned out to be oddly popular in Scandinavia).”

☆ “Recasting Radio 3 for the iPod crowd,” July 22, 2005

On the first day iTunes 4.9 was available over 3,000 podcasts were listed.  A little over one year later that number had climbed to 82,978 — a 27-fold increase in 15 months.

★  Rabble.ca’s Wayne MacPhail recalls the arrival of iTunes 4.9 made:

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5. A Niche Medium for a Mass Audience

5.d) Forrester Research on Podcasting

In 2005, Forrester Research, and independent IT, marketing and technology research firm, spearheaded a number of studies on podcasting.forrester_logo

Businesses, cultural institutions and commercial enterprises, along with media outlets, were beginning to take notice of podcasts, and they were beginning to wondering if and how podcasting could work for them.

Forrester began publishing a number of articles on podcasting focused on consuption and interest, podcasting for marketers, branding and podcasting, and more.

Early on, the numbers were not good: Podcasting was still quite niche in 2005, but Forrester maintained that podcasting would grow and would become a viable platform in the coming years

★  On July 13, 2005, one of Forrester’s chief researchers, Charlene Li,  sat down for an interview with PodTech.net to discuss the podcasting research she was doing and what kind of results Forrester was finding.

★  On August 15, 2005, The New York Times published the article “Podcasts: All the Rage or About to Fizzle?” reporting on Forrester’s podcasting research.

In Canada, a few of the first business podcasts included:

Cultural institutions like the National Arts Centre, the Art Gallery of Ontario and the Toronto Science Centre also started podcasting in 2005.

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